|
1879 In Art
Events from the year 1879 in art. Events * April 10–May 11 – Fourth Impressionist exhibition in Paris, arranged by Gustave Caillebotte at 28 avenue de l'Opéra. *Ford Madox Brown begins painting ''The Manchester Murals'' in Manchester Town Hall (England). *Chicago Academy of Fine Arts established. *Guimet Museum of Asian art established in Lyon, France. * Museum of Fine Arts Berne established in Switzerland. *Kate Greenaway's first book, with her own colour illustrations, '' Under the Window: Pictures & Rhymes for Children'', is published in London. Works * Michael Ancher – ''Vil han klare pynten (Will he round the point)'' * Albert Fitch Bellows – ''The Parsonage'' * William-Adolphe Bouguereau – ''The Birth of Venus'' * William Burges – Golden Bed * Edward Burne-Jones – The Annunciation' * Edgar Degas ** '' The Dance Lesson'' (approximate date) ** ''Miss La La at the Cirque Fernando'' ** Portrait of Henri Michel-Lévy in his studio' ** ''Portraits at the Stock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionist
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper ''Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Ancher
Michael Peter Ancher (9 June 1849 – 19 September 1927) was a Danish realist artist, and widely known for his paintings of fishermen, the lakes, and other scenes from the Danish fishing community in Skagen. Early life and education Michael Peter Ancher was born at Rutsker on the island of Bornholm. The son of a local merchant, he attended school in Rønne but was unable to complete his secondary education as his father ran into financial difficulties, forcing him to fend for himself. In 1865, he found work as an apprentice clerk at Kalø Manor near Rønde in eastern Jutland. The following year, he met the painters Theodor Philipsen and Vilhelm Groth who had arrived in the area to paint. Impressed with his own early work, they encouraged him to take up painting as a profession. In 1871, he spent a short period at C.V Nielsen's art school as a preliminary to joining the Royal Danish Academy of Art in Copenhagen later in the year. Although he spent some time at the academy, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ivan Kramskoi
Ivan Nikolaevich Kramskoi (russian: Ива́н Никола́евич Крамско́й; June 8 (O.S. May 27), 1837, Ostrogozhsk – April 6 (O.S. March 24), 1887, Saint Petersburg) was a Russian painter and art critic. He was an intellectual leader of the art movement known as the Wanderers between 1860–1880. Life Kramskoi came from an impoverished petit-bourgeois family. From 1857 to 1863 he studied at the St. Petersburg Academy of Arts; he reacted against academic art and was an initiator of the "Revolt of the Fourteen" which ended with the expulsion from the Academy of a group of its graduates, who organized the ''Artel of Artists'' (""). Influenced by the ideas of the Russian revolutionary democrats, Kramskoi asserted the high public duty of the artist, principles of realism, and the moral substance and nationality of art. He became one of the main founders and ideologists of the Company of Itinerant Art Exhibitions (or Peredvizhniki). In 1863–1868 he taught at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Achille Guillaumet
Gustave Achille Guillaumet (26 March 1840 – 14 March 1887) was a French artist. He is best known for his paintings of North Africa. Early life Gustave Guillaumet was born in 1840 in Puteaux (now in the Hauts-de-Seine, Paris). Career Guillaumet was initially a student of François-Edouard Picot and Félix-Joseph Barrias. In 1857 he joined the École nationale supérieure des Beaux-Arts in Paris where he became a student of Alexandre Abel de Pujol. In 1861 Guillaumet entered the Historical Landscape category of the Prix de Rome for a scholarship to study at the Academy of France in Rome. On failing to win, he instead travelled across the Mediterranean to Algeria, in north Africa. While there he contracted malaria and had to spend three months at the military hospital in Biskra. Guillaumet visited Algeria ten times between 1861 and 1867. He preferred to travel in the south and many of his works depict the life of the people of the desert. Whereas Orientalism generall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portraits At The Stock Exchange
''Portraits at the Stock Exchange'' (also known as ''At the Bourse'') is a painting by the French artist Edgar Degas. Completed in about 1879, the painting was already in the collection of the French banker Ernest May when it was listed in the catalogue of the fourth Impressionist exhibition that year. It may also have been shown in the next Impressionist exhibit in 1880, but it was not well known until it entered the collections of the Louvre in 1923. The canvas shows an interior corner of the open trading floor of the Paris Stock Exchange (The Paris Bourse). May stands in the center of the picture wearing a top hat and pince-nez, listening to his colleague, a certain M. Bolâtre, leaning over his shoulder. They are likely discussing a document, possibly a bordereau, held aloft by a partially obscured third party. Although the owner and possible commissioner of the work was himself Jewish, art historian Linda Nochlin has interpreted the painting as an anti-Semitic depiction of J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss La La At The Cirque Fernando
''Miss La La at the Cirque Fernando'' is an oil on canvas painting by the French Impressionist artist Edgar Degas. Painted in 1879 and exhibited at the Fourth Impressionist Exhibition in Paris that same year, it is now in the collection of the National Gallery in London. It is Degas's only circus painting, and Miss La La is the only identifiable person of color in Degas's works. The special identity of Miss La La and the great skills Degas used in painting her performance in the circus made this piece of art important, widely appreciated but, at the same time, controversial. Introduction Degas visited the recently established Cirque Fernando at least four times between the 19th and 25th of January 1879. The star attraction was the act of Miss La La, a mixed-race acrobat, known as ''la femme canon''. The nickname came from her most sensational trick: to fire a cannon suspended on chains that she held in her teeth while hanging from the trapeze, hooked at the knees. Degas mad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dance Lesson
''The Dance Lesson'' (sometimes known as ''The Dancing Lesson'') is an oil on canvas painting by the French artist Edgar Degas created around 1879. It is currently kept at the National Gallery of Art in Washington, D.C. There is at least one other work by Degas by this title, also made in about 1879, which is a pastel. Description The painting is the first of a series of about 40 pictures that Degas painted in this horizontal, frieze-like format. It measures . To the far left is a double bass with an exhausted dancer wearing a bright orange shawl sitting on it. There was also an open violin-case, which although painted out, is still visible. In the centre of the painting is a dancer in a pink shawl sitting on a chair with another dancer, turned away, standing just behind her adjusting the dark coloured sash of her dress. To the far right, at the back of the room, is a group of dancers practising their moves in the light from a large window. The painting was carefully composed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edgar Degas
Edgar Degas (, ; born Hilaire-Germain-Edgar De Gas, ; 19 July 183427 September 1917) was a French Impressionist artist famous for his pastel drawings and oil paintings. Degas also produced bronze sculptures, prints and drawings. Degas is especially identified with the subject of dance; more than half of his works depict dancers. Although Degas is regarded as one of the founders of Impressionism, he rejected the term, preferring to be called a realist,Gordon and Forge 1988, p. 31 and did not paint outdoors as many Impressionists did. Degas was a superb draftsman, and particularly masterly in depicting movement, as can be seen in his rendition of dancers and bathing female nudes. In addition to ballet dancers and bathing women, Degas painted racehorses and racing jockeys, as well as portraits. His portraits are notable for their psychological complexity and their portrayal of human isolation. At the beginning of his career, Degas wanted to be a history painter, a calling f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Burne-Jones
Sir Edward Coley Burne-Jones, 1st Baronet, (; 28 August, 183317 June, 1898) was a British painter and designer associated with the Pre-Raphaelite Brotherhood which included Dante Gabriel Rossetti, John Millais, Ford Madox Brown and Holman Hunt. Burne-Jones worked with William Morris as a founding partner in Morris, Marshall, Faulkner & Co in the design of decorative arts. Burne-Jones's early paintings show the influence of Dante Gabriel Rossetti, but by 1870 he had developed his own style. In 1877, he exhibited eight oil paintings at the Grosvenor Gallery (a new rival to the Royal Academy). These included ''The Beguiling of Merlin''. The timing was right and Burne-Jones was taken up as a herald and star of the new Aesthetic Movement. In the studio of Morris and Co. Burne-Jones worked as a designer of a wide range of crafts including ceramic tiles, jewellery, tapestries, and mosaics. Among his most significant and lasting designs are those for stained glass windows the pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Golden Bed
The Golden Bed is a bed designed by the English architect and designer William Burges in 1879 for the guest bedroom of the home that he designed for himself in Holland Park, The Tower House. It is now in the collection of the Victoria & Albert Museum (V&A) in South Kensington. The bed was made by John Walden and carved by Thomas Nicholls. The painting in the central panel of the headboard was executed by Henry Holiday, and the motifs and figures on the bed painted by Fred Weekes. The bed is made from polished hardwood, mahogany and pine. The theme for the guest room has been variously described as 'The Earth and Her Productions' and 'Vita Nova' ('New Life'). The Golden Bed matched the rest of the furniture designed for the guest bedroom, in keeping with the room's decorative scheme. Design The Golden Bed is a large bed, measuring long, high and wide. It is made from wood, gilded gold. The bed is decorated with carvings and 'fragments of illuminated manuscripts under glass and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Burges
William Burges (; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement. Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. Burges's most notable works are Cardiff Castle, constructed between 1866 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Edgar Degas")
