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Buster Bailey
William C. "Buster" Bailey (July 19, 1902 – April 12, 1967) was an American jazz clarinetist. Career history Early career Buster Bailey was taught clarinet by classical teacher Franz Schoepp, who also taught Benny Goodman. Bailey gained his start with W.C. Handy, W.C. Handy's Orchestra in 1917, when he was just fifteen years old. After two years of touring with Handy, Bailey quit the orchestra while the band was in Chicago. In 1919, Bailey joined Erskine Tate, Erskine Tate's Vendome Orchestra and remained with Tate until 1923 when he joined up with King Oliver, Joe "King" Oliver. As a member of King Oliver's Creole Jazz Band, Bailey met and became friends with Louis Armstrong, who was also a member of the band at that time. In 1924, Armstrong left King Oliver's Jazz Band to join Fletcher Henderson, Fletcher Henderson's Orchestra in New York. Within a month, Armstrong extended an invitation for Buster Bailey to join him as a member of Henderson's band. Bailey accepted and moved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Kirby (musician)
John Kirby (December 31, 1908 – June 14, 1952), was an American jazz double-bassist, who also played trombone and tuba. In addition to sideman work (prominently with Benny Goodman), Kirby is remembered for leading a successful chamber jazz sextet in the late 1930s and early 1940s, which scored several hit songs including "The Bonnie Banks o' Loch Lomond, Loch Lomond" and the debut recording of "Undecided", a jazz standard. He is perhaps the first musician in the chamber jazz genre. Background Kirby was born John Kirk in Winchester, Virginia, United States, on 31 December 1908. His mother, Dolly Kirk (died October 1925) gave him up for adoption in 1908 and he was raised by Reverend Washington Johnson and his wife, Nancy, at 442 North Kent Street in Winchester. (Kirby is listed as a household member in the 1920 United States Federal Census, but not in the 1910 census.) Kirby was a student at the Winchester Colored School, renamed Douglass School in 1916. He took piano lessons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Party (TV Series)
''Jazz Party'', also known as ''Art Ford's Jazz Party'', is a TV series featuring jazz musicians on WNTA-TV in New York City, which aired on Thursdays at 9pm ET from May 8, 1958, to December 25, 1958. It was a music-focused continuation of ''Art Ford's Greenwich Village Party'', arguably the last series to appear on the DuMont Television Network, which ceased operations on August 6, 1956, though only broadcast on WABD as that station was becoming WNEW-TV after the sale of the DuMont-owned stations to Metromedia. The 90-minute shows hosted by Art Ford (1921–2006), were distributed by the NTA Film Network. The shows also aired on Armed Forces Television. All episodes were filmed in a New Jersey studio, except for the final episode, which was recorded on August 11, 1958, in New Orleans, and aired on December 25. Musicians who appeared on the series included Billie Holiday, Coleman Hawkins, Henry "Red" Allen, Pee Wee Russell, Marty Napoleon Marty Napoleon (June 2, 1921 – April ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When The Boys Meet The Girls
''When the Boys Meet the Girls'' is a 1965 American musical film directed by Alvin Ganzer and starring Connie Francis and Harve Presnell based on the musical ''Girl Crazy'' and a remake of MGM's 1943 film ''Girl Crazy''. Plot A playboy (Harve Presnell) helps a young woman (Connie Francis) turn her father's Nevada ranch into a haven for divorcees. Cast *Connie Francis – Ginger Gray *Harve Presnell – Danny Churchill *Peter Noone – Himself (as Herman's Hermits) *Karl Green – Himself (as Herman's Hermits) *Derek Leckenby – Himself (as Herman's Hermits) *Keith Hopwood – Himself (as Herman's Hermits) * Barry Whitwam – Himself (as Herman's Hermits) *Louis Armstrong – Himself * Buddy Catlett – Himself * Domingo Samudio – Sam the Sham (as Sam the Sham) * Dave Martin – Pharaoh (as The Pharaohs) * Ray Stinnet – Pharaoh (as The Pharaohs) * Jerry Patterson – Pharaoh (as The Pharaohs) * Butch Gibson – Pharaoh (as The Pharaohs) *Liberace – Himself * Sue Ane Lang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sepia Cinderella
''Sepia Cinderella'' is a 1947 American musical race film directed by Arthur H. Leonard. The film is notable for musical numbers by vocalists Billy Daniels and Sheila Guyse, and for a brief guest appearance by former child star Freddie Bartholomew, who is onscreen as himself for five minutes, telling gags to recharge his post-war career. It was the film debut of Sidney Poitier, who had an uncredited role. Plot summary The musical follows a young woman, Barbara (played by Guyse), in love with a good and kind bandleader, Bob (portrayed by Daniels), who seems oblivious to her love. Barbara helps Bob write a new song, "Cinderella", and it becomes an unexpected hit. Success and sudden fame lead Bob to abandon his former performing venue and lose touch with his friends. He becomes caught in the talons of a devious female club-owner who milks his success and tries to also seduce him, even though she is engaged, unbeknownst to Bob. As his career crumbles and the scales fall from his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
That's The Spirit (1933 Film)
''That's the Spirit'' is an American short musical film released in 1933. It features an African American cast starring Noble Sissle and was directed by Roy Mack. The Vitaphone film was distributed by Warner Brothers. The film survives. ''That's the Spirit'' includes Noble Sissle Orchestra performing "Tiger Rag", Jack Carter singing "Saint Louis Blues", Cora LaRedd dancing and singing to "Jig Time" and the Washboard Stompers performing "Stomp". It has been described as "one of the greatest all-black jazz shorts ever made." The plot features Mantan Moreland and Flournoy Miller as two watchmen who hear singing from a haunted pawn shop. A miniature jazz band comes to life led by Noble Sissle and featuring clarinetist Buster Bailey. Cora LaRedd sings and dances to "Jig Time". The film includes various special effect gags repeated to ghostly apparitions. It is believed to be Mantan Moreland's first film. ''That's the Spirit'' was included in a jazz program at Festival of the Ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brooklyn
Brooklyn () is a borough of New York City, coextensive with Kings County, in the U.S. state of New York. Kings County is the most populous county in the State of New York, and the second-most densely populated county in the United States, behind New York County (Manhattan). Brooklyn is also New York City's most populous borough,2010 Gazetteer for New York State . Retrieved September 18, 2016. with 2,736,074 residents in 2020. Named after the Dutch village of Breukelen, Brooklyn is located on the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wild Bill Davison
William Edward Davison (January 5, 1906 – November 14, 1989), nicknamed "Wild Bill", was an American jazz cornetist. He emerged in the 1920s through his work playing alongside Muggsy Spanier and Frank Teschemacher in a cover band where they played the music of Louis Armstrong, but he did not achieve wider recognition until the 1940s. He is best remembered for his association with bandleader Eddie Condon, with whom he worked and recorded from the mid-1940s through the 1960s. His nickname of "Wild Bill" reflected a reputation for heavy drinking and womanizing in his younger years. Reception The poet Philip Larkin, a fan, described his playing thus: :"...a player of notable energy, he uses a wide range of conscious tonal distortions, heavy vibrato, and an urgent, bustling attack. At slow tempos he is melting, almost articulate. Humphrey Lyttelton has compared him with the kind of reveler who throws his arm round your neck one moment and tries to knock you down the next." :"All ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Chief Russell Moore
"Big Chief" Russell Moore (August 13, 1912 – December 15, 1983) was an American jazz trombonist. Moore, a Pima tribe member, grew up on a Native American reservation before moving to Chicago and then Los Angeles where he learned to play various instruments, eventually settling on trombone. Throughout his career, Moore worked with an array of artists including Frank Sinatra, Lionel Hampton, Alberta Hunter and Pee Wee Russell as well as recording under his own name. He is best remembered for his work as a member of Louis Armstrong's band. Life and career Early life Moore was born in Gila Crossing, Arizona inside the Gila River Indian Community reservation in 1912 and belonged to the Pima tribe. He was one of five children born to mother Amy Bending Moore and father José Newton Moore. Musical performances were important to community life on the reservation particularly due to the inaccessibility of record players and radios. Moore's exposure to music from local school band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Midge Williams
Virginia Louise "Midge" Williams (May 27, 1915 – January 9, 1952) was an African-American swing and jazz vocalist during the 1930s and 1940s. Although not as famous as other jazz recording artists, Williams was a respected singer and her group, Midge Williams and Her Jazz Jesters, made several well-received recordings during the late 1930s. Early life Williams was known by her nickname "Midge" to distinguish her from her mother, also named Virginia Louise. Her father was John Williams. Born in Oregon, she spent her early years in the African American agricultural community of Allensworth, California, United States, in Tulare County. Williams' grandfather, Joshua Singleton, was the son of the black separatist leader Benjamin "Pap" Singleton. Joshua Singleton moved his family to Allensworth when the colony was founded in 1909, and the Singletons became prominent members of the Allensworth community. Virginia Louise Williams, Midge's mother, helped run Singleton's grocery store a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mills Blue Rhythm Band
The Mills Blue Rhythm Band was an American big band active during the 1930s. The band was formed in New York City, United States, in 1930 by drummer Willie Lynch as the Blue Rhythm Band, and then briefly operated as the Coconut Grove Orchestra. Irving Mills became its manager in 1931 and it subsequently assumed the name Mills Blue Rhythm Band. Compere Jimmy Ferguson (Baron Lee) replaced Lynch. Another brief leader, reeds player Bingie Madison, left at the time of the final name change. Over its lifetime, the group was known as the "Blue Rhythm Band", "Blue Ribbon Band", "Blue Rhythm Boys", "The Blue Racketeers", "Earl Jackson's Musical Champions", "Earl Jackson and his Orchestra", "Duke Wilson and his Ten Blackberries", "King Carter's Royal Orchestra", "Mills Music Masters", "Harlem Hot Shots". It accompanied Louis Armstrong on some record sides. The Mills Blue Rhythm Band were based at Cotton Club (New York City), The Cotton Club in Harlem. They worked steadily through the 1930s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
