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Busnois
Antoine Busnois (also Busnoys; – before 6 November 1492) was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and central figures of the early Franco-Flemish School. While also noted as a composer of motets and other sacred music, he was one of the most renowned 15th-century composers of secular polyphonic chansons. Between Guillaume Du Fay and Claudin de Sermisy, Binchois was the most prolific and important French composer of songs. Life and career The details of his Busnois's early life are largely conjectural, and nothing is certain. He was probably from the vicinity of Béthune in the Pas-de-Calais, possibly the hamlet of Busnes, to which his name seems to refer. He may have been related to the aristocratic family of Busnes; in particular, a Philippe de Busnes, canon of Notre-Dame in Lens, could have been a relative. He clearly received an e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busnois Mass
Antoine Busnois (also Busnoys; – before 6 November 1492) was a French composer, singer and poet of early Renaissance music. Busnois and colleague Johannes Ockeghem were the leading European composers of the second half the 15th century, and central figures of the early Franco-Flemish School. While also noted as a composer of motets and other sacred music, he was one of the most renowned 15th-century composers of secular polyphonic chansons. Between Guillaume Du Fay and Claudin de Sermisy, Binchois was the most prolific and important French composer of songs. Life and career The details of his Busnois's early life are largely conjectural, and nothing is certain. He was probably from the vicinity of Béthune in the Pas-de-Calais, possibly the hamlet of Busnes, to which his name seems to refer. He may have been related to the aristocratic family of Busnes; in particular, a Philippe de Busnes, canon of Notre-Dame in Lens, Pas-de-Calais, Lens, could have been a relative. He clear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Du Fay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his fame began to spread, he settled in Rome i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guillaume Dufay
Guillaume Du Fay ( , ; also Dufay, Du Fayt; 5 August 1397(?) – 27 November 1474) was a French composer and music theorist of the early Renaissance. Considered the leading European composer of his time, his music was widely performed and reproduced. Du Fay was well-associated with composers of the Burgundian School, particularly his colleague Gilles Binchois, but was never a regular member of the Burgundian chapel himself. While he is among the best-documented composers of his time, Du Fay's birth and family is shrouded with uncertainty, though he was probably the illegitimate child of a priest. He was educated at Cambrai Cathedral, where his teachers included Nicolas Grenon and Richard Loqueville, among others. For the next decade, Du Fay worked throughout Europe: as a subdeacon in Cambrai, under Carlo I Malatesta in Rimini, for the House of Malatesta in Pesaro, and under Louis Aleman in Bologna, where he was ordained priest. As his fame began to spread, he settled in Rome ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Ockeghem
Johannes Ockeghem ( – 6 February 1497) was a Franco-Flemish composer and singer of early Renaissance music. Ockeghem was the most influential European composer in the period between Guillaume Du Fay and Josquin des Prez, and he was—with his colleague Antoine Busnois—the leading European composer in the second half of the 15th century. He was an important proponent of the early Franco-Flemish School. Ockeghem was well associated with other leading composers of the time, and spent most of his career serving the French royal court under Charles VII, Louis XI and Charles VIII. Numerous poets and musicians lamented his death, including Erasmus, Guillaume Crétin, Jean Molinet and Josquin, who composed the well known ''Nymphes des bois'' for him. It is thought that Ockeghem's extant works represent only a small part of his entire ''oeuvre'', including around 14 masses, 20 chansons and less than 10 motets—though the exact numbers vary due to attribution uncertainties. His be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrien Basin
Adrien Basin ( 1457 – 1476; died after 1498) was a Franco-Flemish composer, singer, and diplomat of the Burgundian School of the early Renaissance. He was listed along with Antoine Busnois and Hayne van Ghizeghem as one of the personal singers to Charles the Bold, Duke of Burgundy. Little is known about his early life, and he first appears in the records as a singer to Isabella of Bourbon, who was the wife of Charles the Bold. Later he seems to have joined the personal chapel of Charles, when Charles became Duke. Unlike many of the musicians of the Burgundian court, who travelled along with Charles on his military exploits (who loved music as much as war, and enjoyed having musical entertainment during his military adventures), Basin seems to have remained in Bruges most of the time. After the death of Charles at the Battle of Nancy in 1477, Basin served the court as a diplomat, according to records from the 1480s. The last record of his life is dated to 1498, when he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valet De Chambre
''Valet de chambre'' (), or ''varlet de chambre'', was a court appointment introduced in the late Middle Ages, common from the 14th century onwards. Royal households had many persons appointed at any time. While some valets simply waited on the patron, or looked after his clothes and other personal needs, itself potentially a powerful and lucrative position, others had more specialized functions. At the most prestigious level it could be akin to a monarch or ruler's personal secretary, as was the case of Anne de Montmorency at the court of Francis I of France.Reginald Blomfield and L. C., "Valet de Chambre," '' The Burlington Magazine for Connoisseurs'', vol. 21, no. 109 (Apr., 1912), p. 55. For noblemen pursuing a career as courtiers, like Étienne de Vesc, it was a common early step on the ladder to higher offices. For some this brought entry into the lucrative court business of asking for favours on behalf of clients, and passing messages to the monarch or lord heading the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Busnes
Busnes (; vls, Bune) is a commune in the Pas-de-Calais department in the Hauts-de-France region in northern France. Geography A farming village some northwest of Béthune and west of Lille, at the junction of the D916, D94 and the D187 roads. History In 1346, in retaliation for having besieged the town of Bethune, Flemish bands, commissioned by Oudart of Renty, sacked many of the neighbouring villages and particularly Busnes. The inhabitants took refuge in the church in order to protect themselves. The church was strengthened to make it more resilient to attacks. In 1383, English troops pillaged and plundered the village, on their rampages during the Hundred Years War. In 1519, the church was badly damaged and had to be rebuilt. From 1537 to 1543, during the time of wars of religion and again in 1655, the Spanish and French came in their turn, causing fires and terrible destruction. During revolutionary turmoil in 1793, demagogues from Saint-Venant decided to come to Busn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Béthune
Béthune ( ; archaic and ''Bethwyn'' historically in English) is a city in northern France, sub-prefecture of the Pas-de-Calais department. Geography Béthune is located in the former province of Artois. It is situated south-east of Calais, west of Lille, and north of Paris. Landmarks Béthune is a town rich in architectural heritage and history. It has, among other features, a large paved square with shops, cafés, and a (133 steps) belfry standing in the center from the top of which the Belgian border can be seen. The chime of the belfry is composed of thirty-six bells. A belfry (French:''"beffroi"'') has stood on the site since 1346. The current belfry plays melodies every 15 minutes, including the ch'ti (regional patois) children's lullaby "min p'tit quinquin" (my little darling). In 2005, the belfry was inscribed on the UNESCO World Heritage List as part of the Belfries of Belgium and France site, because of its architecture and testimony to the rise of municipal po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hayne Van Ghizeghem
Hayne van Ghizeghem ( 1445 – 1476 to 1497) was a Franco-Flemish composer of the early Renaissance Burgundian School. While many of his works have survived, little is known about his life. He was probably born in Gijzegem (near Aalst, in modern Belgium). His musical talent must have been noticed early by Charles, Count of Charolais (later to become Charles the Bold) because there is a record of his being personally assigned to a teacher by him; in 1467 he is shown in the Burgundian employment records as being a singer. In addition, he was named along with Adrien Basin and Antoine Busnois as "chantre et valet de chambre" to Charles, indicating the special regard in which he was held. In addition to serving as a singer and composer, he evidently served as a soldier as well, for there is a record of purchase of military equipment for him, prior to the campaign against Liège by Charles. Charles took his musicians along with him on his campaigns, because he loved music as much as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco-Flemish School
The designation Franco-Flemish School, also called Netherlandish School, Burgundian School, Low Countries School, Flemish School, Dutch School, or Northern School, refers, somewhat imprecisely, to the style of polyphonic vocal music composition originating from France and from the Burgundian Netherlands in the 15th and 16th centuries as well as to the composers who wrote it. The spread of their technique, especially after the revolutionary development of printing, produced the first true international style since the unification of Gregorian chant in the 9th century. Franco-Flemish composers mainly wrote sacred music, primarily masses, motets, and hymns. Term and controversy Several generations of Renaissance composers from the region loosely known as the Low Countries (Imperial and French fiefs ruled in personal union by the House of Valois-Burgundy in the period from 1384 to 1482)—i.e. present-day Northern France, Belgium and the Southern Netherlands—are grouped under "Fran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motet
In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the pre-eminent polyphonic forms of Renaissance music. According to Margaret Bent, "a piece of music in several parts with words" is as precise a definition of the motet as will serve from the 13th to the late 16th century and beyond.Margaret Bent,The Late-Medieval Motet in ''Companion to Medieval & Renaissance Music'', edited by Tess Knighton and David Fallows, 114–19 (Berkeley, California: University of California Press, 1992): 114. . The late 13th-century theorist Johannes de Grocheo believed that the motet was "not to be celebrated in the presence of common people, because they do not notice its subtlety, nor are they delighted in hearing it, but in the presence of the educated and of those who are seeking out subtleties in the arts". Etymology In the early 20th century, it was generally believed the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the ''Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typicall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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