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Buescher Band Instrument Company
The Buescher Band Instrument Company was a manufacturer of musical instruments in Elkhart, Indiana, from 1894 to 1963. The company was acquired by the H&A Selmer Company in 1963. Selmer retired the Buescher brand in 1983. History The company was founded by Ferdinand August "Gus" Buescher (born Elk Township, Noble County, Ohio 26 April 1861; died Elkhart, Indiana 29 November 1937). He accompanied his family to Goshen, Indiana and then to Elkhart in 1875. In 1876 he found employment with C.G. Conn's fledgling band instrument factory. By 1888 he was promoted to foreman. After being shown an Adolph Sax model saxophone in possession of E.A. Lefebre in 1888 he produced Conn's first saxophone prototype. In 1890, while still employed with Conn, he began producing band emblems at home and was setting up his own shop. In the fall of 1893 he opened the Buescher Manufacturing Company at 1119 N. Main Street, which made band instruments and other metal products, in partnership with John L. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Private Company
A privately held company (or simply a private company) is a company whose shares and related rights or obligations are not offered for public subscription or publicly negotiated in the respective listed markets, but rather the company's stock is offered, owned, traded, exchanged privately, or Over-the-counter (finance), over-the-counter. In the case of a closed corporation, there are a relatively small number of shareholders or company members. Related terms are closely-held corporation, unquoted company, and unlisted company. Though less visible than their public company, publicly traded counterparts, private companies have major importance in the world's economy. In 2008, the 441 list of largest private non-governmental companies by revenue, largest private companies in the United States accounted for ($1.8 trillion) in revenues and employed 6.2 million people, according to ''Forbes''. In 2005, using a substantially smaller pool size (22.7%) for comparison, the 339 companies on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Sears
Albert Omega Sears (February 21, 1910 – March 23, 1990) was an American jazz tenor saxophonist and bandleader, sometimes credited as Big Al Sears. Sears was born in Macomb, Illinois, United States. His first major gig came in 1928 when he replaced Johnny Hodges in Chick Webb's ensemble. Following this he played with Elmer Snowden (1931–32), then led his own groups between 1933 and 1941. In the early 1940s he was with Andy Kirk (1941–42) and Lionel Hampton (1943-44) before he became a member of Duke Ellington's Orchestra in 1944, replacing Ben Webster. He remained with Ellington until 1949, when first Jimmy Forrest and then Paul Gonsalves took over his chair. He played with Johnny Hodges in 1951–52 and recorded the tune "Castle Rock" with him; the tune became a hit but was released under Hodges's name. Sears was in Alan Freed's band when Freed did live shows, being introduced as "Big Al Sears." He played as a studio musician on R&B albums in the 1950s and recorded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Hodges
Cornelius "Johnny" Hodges (July 25, 1907 – May 11, 1970) was an American alto saxophonist, best known for solo work with Duke Ellington's big band. He played lead alto in the saxophone section for many years. Hodges was also featured on soprano saxophone, but refused to play soprano after 1946. Along with Benny Carter, Hodges is considered to be one of the definitive alto saxophone players of the big band era. After beginning his career as a teenager in Boston, Hodges began to travel to New York and played with Lloyd Scott, Sidney Bechet, Luckey Roberts and Chick Webb. When Ellington wanted to expand his band in 1928, Ellington's clarinet player Barney Bigard recommended Hodges. His playing became one of the identifying voices of the Ellington orchestra. From 1951 to 1955, Hodges left the Duke to lead his own band, but returned shortly before Ellington's triumphant return to prominence – the orchestra's performance at the 1956 Newport Jazz Festival. Biography Early life Ho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliot Riley
Elliot (also spelled Eliot, Elliotte, Elliott, Eliott and Elyot) is a personal name which can serve as either a surname or a given name. Although the given name has historically been given to males, females have increasingly been given the name as well in the United States. Surname origin Differences in spelling can be distinguished in this rhyme: The double L and single T / Descent from Minto and Wolflee, / The double T and single L / Mark the old race in Stobs that dwell. / The single L and single T / The Eliots of St Germans be, / But double T and double L, / Who they are nobody can tell. Scotland The origin of the Scottish surname is obscure, due to much of the genealogy of the Eliott clan being burnt in the destruction of the castle at Stobs in 1712. The clan society usually accepts that the name originated from the town and river Elliot in Angus, Scotland. Other sources claim that the Scottish surnames (Eliott, Elliot) originate from the Ellot Scottish border-clan, f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ike Quebec
Ike Abrams Quebec (August 17, 1918 – January 16, 1963) was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death. Critic Alex Henderson wrote, "Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to down-home blues, sexy ballads, and up-tempo aggression." Biography Quebec was born in Newark, New Jersey, United States. An accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early twenties, and quickly earned a reputation as a promising player. His recording career started in 1940, with the Barons of Rhythm. Later on, he recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge, Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins. Between 1944 and 1951, he worked intermittently with Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Earle Warren
Earle Warren (born Earl Ronald Warren; July 1, 1914 – June 4, 1994) was an American saxophonist. He was part of the Count Basie Orchestra from 1937. Early life Warren was born in Springfield, Ohio, on July 1, 1914. "He played piano, banjo, and ukulele in a family band before taking up C-melody, tenor, and finally alto saxophone." Later life and career When Warren became professional in 1930, he added an "e" to the end of his first name to make it different from other jazz musicians named "Earl". In his early career, he toured the Midwest as a sideman, and led his own bands. He joined the Count Basie Orchestra in 1937, playing baritone and alto saxophones initially, and then being lead altoist and occasional clarinettist and vocalist until 1945. He led bands and occasionally reunited with Basie towards the end of the decade. After managing some bands, he joined trumpeter Buck Clayton in 1957. Warren appeared in ''Born to Swing'', the 1972 film about former members of Basie's ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bud Freeman
Lawrence "Bud" Freeman (April 13, 1906 – March 15, 1991) was an American jazz musician, bandleader, and composer, known mainly for playing tenor saxophone, but also the clarinet. Biography In 1922, Freeman and some friends from high school formed the Austin High School Gang. Freeman played the C melody saxophone with band members such as Jimmy McPartland and Frank Teschemacher. before switching to tenor saxophone two years later. The band was influenced by the New Orleans Rhythm Kings and Louis Armstrong. While Armstrong was in King Oliver's Creole Jazz Band, Freeman attended performances at Lincoln Gardens with McPartland. They were nicknamed "Alligators". In 1927, he moved to New York City, where he worked as a session musician and band member with Red Nichols, Roger Wolfe Kahn, Ben Pollack, and Joe Venuti. One of his most notable performances was a solo on Eddie Condon's 1933 recording, ''The Eel'', which became Freeman's nickname for his long snake-like improvisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wordmark
__notoc__ A wordmark, word mark, or logotype, is usually a distinct text-only typographic treatment of the name of a company, institution, or product name used for purposes of identification and branding. Examples can be found in the graphic identities of the Government of Canada, FedEx, and Microsoft. The organization name is incorporated as a simple graphic treatment to create a clear, visually memorable identity. The representation of the word becomes a visual symbol of the organization or product. In the United States and European Union, a wordmark may be registered, making it a protected intellectual property. In the United States, the term "word mark" refers not to the graphical representation but to only the text. In most cases, wordmarks cannot be copyrighted, as they do not reach the threshold of originality. The wordmark is one of several different types of logos, and is among the most common. It has the benefit of containing the brand name of the company (i.e. the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boehm System
The Boehm system is a system of keywork for the flute, created by inventor and flautist Theobald Boehm between 1831 and 1847. History Immediately prior to the development of the Boehm system, flutes were most commonly made of wood, with an inverse conical bore, eight keys, and tone holes (the openings where the fingers are placed to produce specific notes) that were small in size, and thus easily covered by the fingertips. Boehm's work was inspired by an 1831 concert in London, given by soloist Charles Nicholson who, with his father in the 1820s, had introduced a flute constructed with larger tone holes than were used in previous designs. This large-holed instrument could produce greater volume of sound than other flutes, and Boehm set out to produce his own large-holed design. In addition to large holes, Boehm provided his flute with "full venting", meaning that all keys were normally open (previously, several keys were normally closed, and opened only when the key was oper ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
