Budd Johnson
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Budd Johnson
Albert J. "Budd" Johnson III (December 14, 1910 – October 20, 1984) was an American jazz saxophonist and clarinetist who worked extensively with, among others, Ben Webster, Benny Goodman, Big Joe Turner, Coleman Hawkins, Dizzy Gillespie, Duke Ellington, Quincy Jones, Count Basie, Billie Holiday and, especially, Earl Hines. Life and career Johnson initially played drums and piano before switching to tenor saxophone. In the 1920s, he performed in Texas and parts of the Midwest, working with Jesse Stone among others. Johnson had his recording debut while working with Louis Armstrong's band in 1932 to 1933, but he is more known for his work, over many years, with Earl Hines. It is contended that he and Billy Eckstine, Hines' long-term collaborator, led Hines to hire "modernists" in the birth of bebop, which came largely out of the Hines band. Johnson was also an early figure in the bebop era, doing sessions with Coleman Hawkins in 1944. In the 1950s he led his own group, and did s ...
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Dallas
Dallas () is the List of municipalities in Texas, third largest city in Texas and the largest city in the Dallas–Fort Worth metroplex, the List of metropolitan statistical areas, fourth-largest metropolitan area in the United States at 7.5 million people. It is the largest city in and County seat, seat of Dallas County, Texas, Dallas County with portions extending into Collin County, Texas, Collin, Denton County, Texas, Denton, Kaufman County, Texas, Kaufman and Rockwall County, Texas, Rockwall counties. With a 2020 United States census, 2020 census population of 1,304,379, it is the List of United States cities by population, ninth most-populous city in the U.S. and the List of cities in Texas by population, third-largest in Texas after Houston and San Antonio. Located in the North Texas region, the city of Dallas is the main core of the largest metropolitan area in the Southern United States and the largest inland metropolitan area in the U.S. that lacks any navigable link ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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Budd Johnson And The Four Brass Giants
''Budd Johnson and the Four Brass Giants'' is an album by saxophonist Budd Johnson which was recorded in 1960 and released on the Riverside label. Reception Scott Yanow of AllMusic states, "The great Budd Johnson, who takes tenor solos throughout the date and also contributes a bit of clarinet in addition to providing the arrangements, is matched with four distinctive and very different trumpeters ... the group performs four swing standards and four of Johnson's swinging originals. The colorful brassmen, Budd's versatile solos, and the inventive arrangements make this a particularly memorable set. Highly recommended". In JazzTimes, Duck Baker observed "The soloing is inspired, the program is well chosen and Johnson’s arrangements are great. This is modern-mainstream jazz at its best".Baker, DJazzTimes Review Retrieved July 6, 2017 Track listing All compositions by Budd Johnson except where noted. # "All My Love" (Harry Akst, Saul Chaplin, Al Jolson) – 4:05 # "Blue Lou" (Edgar ...
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Felsted Records
Felsted Records was the name of two record labels. The UK version began as a subsidiary of Decca Records in July 1954 with music mainly in the jazz and dance band genres and recordings leased from the French Blue Star, Riviera, and Classique labels. The label took its name from the village where Sir Edward Lewis, the head of UK Decca, lived. The British label's only release of note was "Smokie", the first single by Bill Black's Combo, Black having been Elvis Presley's bassist, licensed from Hi Records. Late in 1957, Felsted Records US opened, operating from London Records' office in New York and was marketed as a pop label. Releases included Kathy Linden's " Billy" and "Goodbye Jimmy, Goodbye"; Jimmy Wisner's 1961 instrumental "Asia Minor", credited to "Kokomo, his Piano and Orchestra" on the London label in the UK; and The Flares' 1961 release "Foot Stompin' Part 1", which reached No. 20 on the Black Singles chart and No. 25 on the ''Billboard'' Hot 100 In 1958 Felsted wa ...
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Blues A La Mode
''Blues a la Mode'' is an album by saxophonist Budd Johnson which was recorded in 1958 and released on the Felsted label.Discogs album entry
Retrieved July 6, 2017


Reception

Scott Yanow of states, "The leader contributed all six numbers and stars in prime form throughout; Shavers and Bryant also fare quite well".


Track listing

All compositions by Budd Johnson except where noted. # "Foggy Nights" – 5:37 # "Leave Room in Your Heart for Me" (Budd Johnson, John Dobson) – 7:16 # "Destination Blues" – 5:19 # "A la Mode" – 7:31 # "Used Blues" – 7:05 # "Blues by Five" – 6:06


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Mobb Deep
Mobb Deep was an American hip hop duo from New York City. The duo consisted of rappers Prodigy and Havoc. They are considered to be among the principal progenitors of hardcore East Coast hip hopEdwards, Paul, 2009, ''How to Rap: The Art & Science of the Hip-Hop MC'', Chicago Review Press, p. 323. and hip hop in the mid-1990s. Mobb Deep became one of the most successful rap duos of all time, having sold over three million records. Their best-known albums are ''The Infamous'' (1995), '' Hell on Earth'' (1996) and ''Murda Muzik'' (1999), and their most successful singles were "Shook Ones (Part II)" and " Survival of the Fittest." They were known for their dark and hardcore delivery. The duo disbanded in 2012, but reunited the following year. Prodigy died in June 2017. Havoc is currently working on a new Mobb Deep album. Biography Early career Havoc and Prodigy met while both were students at the High School of Art and Design in Manhattan—a school that produced creatives like C ...
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Prodigy (rapper)
Albert Johnson (November 2, 1974 – June 20, 2017), better known by his stage name Prodigy, was an American rapper. With Havoc, he was one half of the hip hop duo Mobb Deep. Early life Prodigy was born on November 2, 1974, in Hempstead, New York, on Long Island. He was raised in LeFrak City, in Queens. He had one elder brother, Greg Johnson. He came from a musical family. His grandfather Budd Johnson was a saxophonist who was inducted into the Big Band and Jazz Hall of Fame in 1993. His grand-uncle, Keg Johnson, was a trombonist. Both of them are remembered for their contributions to the bebop era of jazz. His mother, Fatima Frances (Collins) Johnson,Blisteen, JonMobb Deep Rapper Prodigy Dead at 42 ''Rolling Stone''. June 20, 2017. was a member of The Crystals. His father, Budd Johnson Jr., was a member of a doo-wop music group called The Chanters. His great-great-great-grandfather, William Jefferson White, founded Georgia's Morehouse College. While attending the High S ...
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Teardrops From My Eyes
"Teardrops from My Eyes", written by Rudy Toombs, was the first upbeat major hit for Ruth Brown, establishing her as an important figure in rhythm and blues. Recorded for Atlantic Records in New York City in September 1950, and released in October, it was ''Billboard''s number-one R&B hit for 11 non-consecutive weeks. It was Atlantic's first release on the new 45-rpm record format. The huge hit earned Brown the nickname "Miss Rhythm" and within a few months she became the acknowledged queen of R&B. "Teardrops from My Eyes" was her first of five number-one R&B hits. Background Before this hit single, Brown was thought of strictly as a torch singer. When Ruby Toombs showed her the song, Brown was initially reluctant to do it as it was so rhythmically different from the popular standards and ballads she was comfortable singing. The change of tempo, the backbeat of four/four, at first led her to dig in her heels. But Ahmet Ertegün, sensing the time was right, urged her to try the son ...
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Ruth Brown
Ruth Alston Brown (; January 12, 1928 – November 17, 2006) was an American singer-songwriter and actress, sometimes referred to as the " Queen of R&B". She was noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 1950s, such as " So Long", "Teardrops from My Eyes" and " (Mama) He Treats Your Daughter Mean". For these contributions, Atlantic became known as "the house that Ruth built" (alluding to the popular nickname for the old Yankee Stadium). Brown was a 1993 inductee into the Rock and Roll Hall of Fame. Following a resurgence that began in the mid-1970s and peaked in the 1980s, Brown used her influence to press for musicians' rights regarding royalties and contracts; these efforts led to the founding of the Rhythm and Blues Foundation. Her performances in the Broadway musical ''Black and Blue'' earned Brown a Tony Award, and the original cast recording won a Grammy Award. Brown was a recipient of the Grammy Lifetime Achie ...
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Bebop
Bebop or bop is a style of jazz developed in the early-to-mid-1940s in the United States. The style features compositions characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody. Bebop developed as the younger generation of jazz musicians expanded the creative possibilities of jazz beyond the popular, dance-oriented swing music-style with a new "musician's music" that was not as danceable and demanded close listening.Lott, Eric. Double V, Double-Time: Bebop's Politics of Style. Callaloo, No. 36 (Summer, 1988), pp. 597–605 As bebop was not intended for dancing, it enabled the musicians to play at faster tempos. Bebop musicians explored advanced harmonies, complex syncopation, altered chords, extended chords, chord substitutions, asymmetrical phrasing, and intricate melodi ...
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Billy Eckstine
William Clarence Eckstine (July 8, 1914 – March 8, 1993) was an American jazz and pop singer and a bandleader during the swing and bebop eras. He was noted for his rich, almost operatic bass-baritone voice. In 2019, Eckstine was posthumously awarded the Grammy Lifetime Achievement Award "for performers who, during their lifetimes, have made creative contributions of outstanding artistic significance to the field of recording." His recording of " I Apologize" (MGM, 1948) was given the Grammy Hall of Fame Award in 1999. ''The New York Times'' described him as an "influential band leader" whose "suave bass-baritone" and "full-throated, sugary approach to popular songs inspired singers like Earl Coleman, Johnny Hartman, Joe Williams, Arthur Prysock, and Lou Rawls." Early life and education Eckstine was born in Pittsburgh, Pennsylvania, United States, the son of William Eckstein, a chauffeur, and Charlotte Eckstein, a seamstress. Eckstine's paternal grandparents were William F. ...
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Louis Armstrong
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed "Satchmo", "Satch", and "Pops", was an American trumpeter and vocalist. He was among the most influential figures in jazz. His career spanned five decades and several eras in the history of jazz. Armstrong was born and raised in New Orleans. Coming to prominence in the 1920s as an inventive trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the . In Chicago, he spent time with other popular jazz musicians, reconnecting with his friend Bix Beiderbecke and spending time with Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and his fame reached band leader Fletcher Henderson. Henderson persuaded Armstrong to come to New York City, where he became a featured and musically influential band soloist ...
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