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Buah Rindu
''Boeah Rindoe'' (Perfected Spelling: ''Buah Rindu'', Indonesian for ''Fruits of Longing'') is a 1941 poetry collection by Amir Hamzah. The poems date to Amir's first years in Java, between 1928 and 1935. According to Anthony Johns of Australia National University, the poems are arranged chronologically, as indicated by Amir's increasing maturity as a writer while developing the poems. The collection includes twenty-three titled poems and two untitled pieces. Ten of the poems had previously been published, including Amir's first published works (both from 1932), "Mabuk..." and "Sunyi". In ''Buah Rindu'', Amir shows an affinity for using traditional Malay poetic forms such as the quatrain, but unlike the highly fixed traditional forms, he mixes the rhyming patterns. The text is dominated by terms related to love and searching, and according to Dutch scholar of Indonesian literature A. Teeuw the collection is united by a theme of longing. Johns states that the imagery in ''Buah Rind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amir Hamzah
Tengku Amir Hamzah (February 1911 – 20 March 1946) was an Indonesian poet and National Hero of Indonesia. Born into a Malay aristocratic family in the Sultanate of Langkat in North Sumatra, he was educated in both Sumatra and Java. While attending senior high school in Surakarta around 1930, Amir became involved with the nationalist movement and fell in love with a Javanese schoolmate, Ilik Sundari. Even after Amir continued his studies in legal school in Batavia (now Jakarta) the two remained close, only separating in 1937 when Amir was recalled to Sumatra to marry the sultan's daughter and take on responsibilities of the court. Though unhappy with his marriage, he fulfilled his courtly duties. After Indonesia proclaimed its independence in 1945, he served as the government's representative in Langkat. The following year he was killed in a social revolution led by the PESINDO (''Pemuda Sosialis Indonesia''), and buried in a mass grave. Amir began writing poetry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Literature
Persian literature ( fa, ادبیات فارسی, Adabiyâte fârsi, ) comprises oral compositions and written texts in the Persian language and is one of the world's oldest literatures. It spans over two-and-a-half millennia. Its sources have been within Greater Iran including present-day Iran, Iraq, Afghanistan, the Caucasus, and Turkey, regions of Central Asia (such as Tajikistan) and South Asia where the Persian language has historically been either the native or official language. For example, Rumi, one of the best-loved Persian poets, born in Balkh (in modern-day Afghanistan) or Wakhsh (in modern-day Tajikistan), wrote in Persian and lived in Konya (in modern-day Turkey), at that time the capital of the Seljuks in Anatolia. The Ghaznavids conquered large territories in Central and South Asia and adopted Persian as their court language. There is thus Persian literature from Iran, Mesopotamia, Azerbaijan, the wider Caucasus, Turkey, Pakistan, Bangladesh, India, Tajikist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simple 4-line
Simple 4-line rhymes are usually characterized by having a simple rhyme scheme of ABCB repeated throughout the entire poem. Though usually simplistic looking, the songs can be very complex and are widely used today in most poetry and songs. Many poets and authors use this pattern, including popular children's poets Bruce Larkin Bruce Larkin (born January 23, 1957) is a children's book author, poet, and ESL expert who writes in English and Spanish. Many of his works are published by Wilbooks, an educational publishing company. Larkin's books are primarily used to teach ... and Kenn Nesbitt. Sonnet studies Rhyme Stanzaic form Poetic forms {{poetry-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monorhyme
Monorhyme is a passage, stanza, or entire poem in which all lines have the same end rhyme. The term "monorhyme" describes the use of one ( mono) type of repetitious sound (rhyme). This is common in Arabic, Latin and Welsh work, such as ''The Book of One Thousand and One Nights'', e.g. ''qasida'' and its derivative ''kafi''. Some styles of monorhyme use the end of a poem's line to utilize this poetic tool. The Persian ''ghazal'' poetry style places the monorhyme before the refrain in a line. This is seen in the poem "Even the Rain" by Agha Shahid Aili: :"''What will suffice for a true-love knot? Even the rain?'' :'' But he has bought grief's lottery, bought even the rain.''" The monorhyme ''knot'' is introduced before the line’s refrain or pause. The corresponding rhyme ''bought'' is used in the next line. Although these are not the last words of the lines in the poem, monorhyme is incorporated in identical rhyme schemes in each line. Example An example of monorhyme is the poem " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Syair
Syair ( Jawi: شعير) is a form of traditional Malay (also subsequently modern Indonesian and Malaysian) poetry that is made up of four-line stanzas or quatrains. The syair can be a narrative poem, a didactic poem, a poem used to convey ideas on religion or philosophy, or even one to describe a historical event. In contrast to pantun ''Pantun'' ( Jawi: ) is a Malay oral poetic form used to express intricate ideas and emotions. It is generally consists of even-numbered lines and based on ABAB rhyming schemes. The shortest consists of two lines better known as the in Malay, ... form, the syair conveys a continuous idea from one stanza to the next, maintains a unity of ideas from the first line to the last line in each stanza, and each stanza is rhymed a-a-a-a-a. Syair is sung in set rhythms that differ from syair to syair. The recitation of syair can be accompanied by music or not. Etymology The word syair is derived from the Arabic word shi’r, a term that covers all genr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pantun
''Pantun'' ( Jawi: ) is a Malay oral poetic form used to express intricate ideas and emotions. It is generally consists of even-numbered lines and based on ABAB rhyming schemes. The shortest consists of two lines better known as the in Malay, while the longest , the have 16 lines. is a disjunctive form of poetry which always come in two parts, the first part being the prefatory statement called or that has no immediate logical or the narrative connection with the second or closing statement called or . However, they are always connected by the rhymes and other verbal associations, such as puns and repeating sounds. There is also an oblique but necessary relationship and the first statement often turns out to be a metaphor for the second one. The most popular form of is the quatrain (four lines), and the couplet (two-lines), which both featured prominently in the literature and modern popular culture. The form of pantun grew and spread from the Srivijaya Empire in Sumatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacques Perk
Jacques Fabrice Herman Perk (10 June 1859 – 1 November 1881) was an important Dutch poet of the late 19th century, who died young. His crown of sonnets ''Mathilde'', published by Willem Kloos, was the first important announcement of a renewal in Dutch-language literature, Dutch poetry brought about by artists that came to be known as the Tachtigers. Perk's lyrical poems about nature, especially his sonnets, were influenced by Percy Bysshe Shelley, and were of great importance to Dutch poetry. Biography Youth and education Jacques Perk was born into a prominent family; he was the son of Marie Adrien Perk, a minister in the Walloon church (part of the Dutch Reformed Church), and a nephew of Betsy Perk, an important suffragette. Perk's father preached in French, and was a progressive with great literary interests and acquaintances. Perk grew up in an environment that resembled European aristocracy more than Dutch bourgeoisie. This literary environment was conducive to young Jacq ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petrarch
Francesco Petrarca (; 20 July 1304 – 18/19 July 1374), commonly anglicized as Petrarch (), was a scholar and poet of early Renaissance Italy, and one of the earliest humanists. Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio, and, to a lesser extent, Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the " Dark Ages".Renaissance or Prenaissan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achdiat Karta Mihardja
Achdiat Karta Mihardja (March 6, 1911 – July 8, 2010) was an Indonesian author, novelist and playwright. He is best known for his novel, '' Atheis'', which was published in 1949. ''Atheis'' is considered one of Indonesia's most important literary works following World War II. Biography Mihardja was born on March 6, 1911, in Garut, West Java. His father, a bank manager, had a collection of books which Mihardja credited with sparking his interest in literature. He worked as a journalist early in his career. In 1949, he published his most important work, ''Atheist'', which centered on a Muslim man from West Java, Hasan, and his relationship with his friends, who had been influenced by foreign ideas, such as Marxism. The book is considered as one of Indonesia's most important modern literary works. ''Atheist'' was later adapted into a 1974 film, which was directed by Sjumandjaja and co-starred Christine Hakim and . Mihardja was a recipient on Indonesia's national literary award in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abhimanyu
Abhimanyu is a legendary warrior from the ancient Hindu history ''Mahabharata''. He was born to the third Pandava prince Arjuna and the Yadu princess Subhadra, who was Krishna's younger sister. The ''Sambhava Parva'' of the Adi Parva states that he was an incarnation of Varchas, son of Soma. Soma was reluctant to part with his son, agreeing to do so solely on the condition that Varchas would return to him after he turned sixteen. Abhimanyu was raised by his mother and her relatives as his father Arjuna, along with his brothers and their common wife Draupadi, had been exiled for thirteen years. After his father's return Abhimanyu married Uttarā, the princess of the Matsya Kingdom. During the Kurukshetra War, Abhimanyu fought for the Pandavas. On the thirteenth day of the war, the mightiest Kaurava warriors came together and formed the Chakravyuha to trap the Pandavas, Arjuna having been enticed to another side of the battlefield. The young Abhimanyu was able to br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
