Bryn Mawr Painter
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Bryn Mawr Painter
The Bryn Mawr Painter is the name given to an Attic Greek red-figure vase painter, active in the late Archaic period (c. 500 – 480 BCE). Name artefact The Bryn Mawr Painter was named by Sir John Beazley for a plate in the Bryn Mawr College Art and Artifact Collections (the Bryn Mawr Painter's ''namepiece''). Interior: A reclining male figure, draped from the waist down, leans against a doubled-over bolster. With the forefinger of his outstretched right hand, he holds a kylix by the handle. A wreath, now so worn as to be all but invisible, dangles from his left hand. Hanging on the wall at his feet is a flute case of spotted animal skin. The figure is a participant in a Greek symposium (drinking party) and is shown playing the popular game of kottabos, in which contestants attempted to hit various types of targets with wine dregs flung from the bottom of a kylix. A kalos inscription A ''kalos'' inscription (''καλός'') is a form of epigraph found on Attic vases and g ...
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Attic Greek
Attic Greek is the Greek language, Greek dialect of the regions of ancient Greece, ancient region of Attica, including the ''polis'' of classical Athens, Athens. Often called classical Greek, it was the prestige (sociolinguistics), prestige dialect of the Hellenistic period, Greek world for centuries and remains the standard form of the language that is taught to students of ancient Greek. As the basis of the Hellenistic Koine Greek, Koine, it is the most similar of the ancient Greek dialects, ancient dialects to later Greek. Attic is traditionally classified as a member or sister dialect of the Ionic Greek, Ionic branch. Origin and range Greek language, Greek is the primary member of the Hellenic languages, Hellenic branch of the Indo-European languages, Indo-European language family. In ancient times, Greek had already come to exist in several dialects, one of which was Attic. The earliest Attested language, attestations of Greek, dating from the 16th to 11th centuries BC, are ...
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Red-figure Pottery
Red-figure vase painting is one of the most important styles of figural Greek vase painting. It developed in Athens around 520 BCE and remained in use until the late 3rd century BCE. It replaced the previously dominant style of black-figure vase painting within a few decades. Its modern name is based on the figural depictions in red color on a black background, in contrast to the preceding black-figure style with black figures on a red background. The most important areas of production, apart from Attica, were in Southern Italy. The style was also adopted in other parts of Greece. Etruria became an important center of production outside the Greek World. Attic red-figure vases were exported throughout Greece and beyond. For a long time, they dominated the market for fine ceramics. Few centers of pottery production could compete with Athens in terms of innovation, quality and production capacity. Of the red-figure vases produced in Athens alone, more than 40,000 specimens and fra ...
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Attic Red-Figure Plate
An attic (sometimes referred to as a ''loft'') is a space found directly below the pitched roof of a house or other building; an attic may also be called a ''sky parlor'' or a garret. Because attics fill the space between the ceiling of the top floor of a building and the slanted roof, they are known for being awkwardly shaped spaces with exposed rafters and difficult-to-reach corners. While some attics are loft conversion, converted into bedrooms, home offices, or attic apartments complete with windows and staircases, most remain difficult to access (and are usually entered using a loft trapdoor, hatch and ladder). Attics help control temperatures in a house by providing a large mass of slowly moving air, and are often used for storage. The hot air rising from the lower floors of a building is often retained in attics, further compounding their reputation as inhospitable environments. However, in recent years attics have been insulated to help decrease heating costs, since, ...
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John Beazley
Sir John Davidson Beazley, (; 13 September 1885 – 6 May 1970) was a British classical archaeologist and art historian, known for his classification of Attic vases by artistic style. He was Professor of Classical Archaeology and Art at the University of Oxford from 1925 to 1956. Early life Beazley was born in Glasgow, Scotland on 13 September 1885, to Mark John Murray Beazley (died 1940) and Mary Catherine Beazley née Davidson (died 1918). He was educated at King Edward VI School, Southampton and Christ's Hospital, Sussex. He then attended Balliol College, Oxford where he read Literae Humaniores: he received firsts in both Mods and Greats. He graduated with a Bachelor of Arts (BA) degree in 1907. While at Oxford he became a close friend of the poet James Elroy Flecker. Academic career After graduating, Beazley spent time at the British School at Athens. He then returned to University of Oxford as a student (equivalent to fellow) and tutor in Classics at Christ Church. ...
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Bryn Mawr College
Bryn Mawr College ( ; Welsh: ) is a women's liberal arts college in Bryn Mawr, Pennsylvania. Founded as a Quaker institution in 1885, Bryn Mawr is one of the Seven Sister colleges, a group of elite, historically women's colleges in the United States, and the Tri-College Consortium along with Haverford College and Swarthmore College. The college has an enrollment of about 1,350 undergraduate students and 450 graduate students. It was the first women's college to offer graduate education through a PhD. History Bryn Mawr College is a private women's liberal arts college founded in 1885. The phrase literally means 'large hill' in Welsh. The Graduate School is co-educational. It is named after the town of Bryn Mawr, in which the campus is located, which had been renamed by a representative of the Pennsylvania Railroad. Bryn Mawr was the name of an area estate granted to Rowland Ellis by William Penn in the 1680s. Ellis's former home, also called Bryn Mawr, was a house near Dolge ...
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Kylix (drinking Cup)
In the pottery of ancient Greece, a kylix ( , ; grc, κύλιξ, pl. κύλικες; also spelled cylix; pl.: kylikes , ) is the most common type of wine-drinking cup. It has a broad, relatively shallow, body raised on a stem from a foot and usually two horizontal handles disposed symmetrically. The main alternative wine-cup shape was the ''kantharos'', with a narrower and deeper cup and high vertical handles. The almost flat interior circle of the base of the cup, called the tondo, was generally the primary surface for painted decoration in the black-figure or red-figure pottery styles of the 6th and 5th century BC, and the outside was also often painted. As the representations would be covered with wine, the scenes would only be revealed in stages as the wine was drained. They were often designed with this in mind, with scenes created so that they would surprise or titillate the drinker as they were revealed. Etymology The word comes from the Greek ''kylix'' ("cup"), ...
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Symposium
In ancient Greece, the symposium ( grc-gre, συμπόσιον ''symposion'' or ''symposio'', from συμπίνειν ''sympinein'', "to drink together") was a part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation.Peter Garnsey, ''Food and Society in Classical Antiquity'' (Cambridge University Press, 1999), p. 13online Sara Elise Phang, ''Roman Military Service: Ideologies of Discipline in the Late Republic and Early Principate'' (Cambridge University Press, 2008), pp. 263–264. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's '' Symposium'' and Xenophon's '' Symposium'', as well as a number of Greek poems such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes. In modern usage, it has come to mean an academic conference or meeting such as a scientific conference. The equivalent of a Gr ...
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Kottabos (game)
Kottabos ( grc, κότταβος) was a game of skill played at Ancient Greek and Etruscan symposia (drinking parties), especially in the 6th and 5th centuries BC. It involved flinging wine-lees (sediment) at a target in the middle of the room. The winner would receive a prize (κοττάβιον or "kottabion"), comprising cakes, sweetmeats, or kisses. Ancient writers, including Dionysius Chalcus, Alcaeus, Anacreon, Pindar, Bacchylides, Aeschylus, Sophocles, Euripides, Aristophanes, and Antiphanes, make frequent and familiar allusion to the practice; and it is depicted on contemporaneous red-figure vases. References to the practice by the writers of the Roman and Alexandrian periods show that the fashion had died out. In Latin literature it is almost entirely unknown. Dexterity was required to succeed in the game, and unusual ability was rated as highly as corresponding excellence in throwing the javelin. Kottabos was customary, and, at least in Sicily, special circula ...
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Kalos Inscription
A ''kalos'' inscription (''καλός'') is a form of epigraph found on Attic vases and graffiti in antiquity, mainly during the Classical period from 550 to 450 BC. The word ''kalos'' (καλός) means "beautiful", and in the inscriptions it had an erotic connotation. Overview The ''kalos'' inscription is typically found on vessels used for a symposium. The scenes that accompany the inscription vary, and include athletic exercises and myths. Some inscriptions are generic, reading only "the boy is beautiful" (ὁ παῖς καλός). The inscription more often took the form of the beloved's name, in the nominative singular, followed by "kalos" (''X kalos'', i.e. "X is beautiful"). The beloved is most often a male youth, but a few times girls or women were spoken of as ''kalē'' (καλή). In one early cataloging of the inscriptions, among the individuals labeled as beautiful were 30 women and girls, and 528 youths. Male names outnumber female by more than twenty to one. At ...
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Ancient Greek Vase Painters
Ancient history is a time period from the beginning of writing and recorded human history to as far as late antiquity. The span of recorded history is roughly 5,000 years, beginning with the Sumerian cuneiform script. Ancient history covers all continents inhabited by humans in the period 3000 BCAD 500. The three-age system periodizes ancient history into the Stone Age, the Bronze Age, and the Iron Age, with recorded history generally considered to begin with the Bronze Age. The start and end of the three ages varies between world regions. In many regions the Bronze Age is generally considered to begin a few centuries prior to 3000 BC, while the end of the Iron Age varies from the early first millennium BC in some regions to the late first millennium AD in others. During the time period of ancient history, the world population was already exponentially increasing due to the Neolithic Revolution, which was in full progress. While in 10,000 BC, the world population stood at ...
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Anonymous Artists Of Antiquity
Anonymous may refer to: * Anonymity, the state of an individual's identity, or personally identifiable information, being publicly unknown ** Anonymous work, a work of art or literature that has an unnamed or unknown creator or author * Anonymity (social choice), a property of a voting rule, saying that it does not discriminate apriori between voters Organizations * Anonymous (hacker group), the collective name of loosely affiliated individuals who participate in hacktivism Film and television * Anonymous (Australian Playhouse), "Anonymous" (''Australian Playhouse''), an Australian television play * Anonymous (2011 film), ''Anonymous'' (2011 film), a 2011 film * Anonymous (TV series), ''Anonymous'' (TV series), a 2006 Irish television show * Anonymous (CSI), "Anonymous" (''CSI''), a 2000 episode of ''CSI: Crime Scene Investigation'' * Anonymous (NCIS: Los Angeles), "Anonymous" (''NCIS: Los Angeles''), a 2010 episode of ''NCIS: Los Angeles'' Music * Anonymous (band), ...
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People From Attica
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of ...
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