Brutus Of Alba (play)
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Brutus Of Alba (play)
''Brutus of Alba; Or, The Enchanted Lovers'' is a 1678 tragedy by the Irish writer Nahum Tate. It was first performed by the Duke's Company at the Dorset Garden Theatre in London. The name's of the original cast are unknown. The published version was dedicated to the Duke of Dorset. It was based on the fourth book of the Aeneid by Virgil, and was produced in the context of the Exclusion Crisis. Tate was at the time a supporter of James, Duke of York and the play is strongly propagandistic about the Stuart monarchy. Tate later took elements of the play for the libretto of ''Dido and Aeneas'', scored by Henry Purcell Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest E ....Welch p.184 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. South ...
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Nahum Tate
Nahum Tate ( ; 1652 – 30 July 1715) was an Irish poet, hymnist and lyricist, who became Poet Laureate in 1692. Tate is best known for ''The History of King Lear'', his 1681 adaptation of Shakespeare's ''King Lear'', and for his libretto for Henry Purcell's opera, ''Dido and Aeneas''. Life Nahum Tate was born in Dublin and came from a family of Puritan clerics. He was the son of Faithful Teate, an Irish cleric who had been rector of Castleterra, Ballyhaise, until his house was burnt and his family attacked after he had passed on information to the government about plans for the Irish Rebellion of 1641. After living at the provost's lodgings in Trinity College Dublin, Faithful Teate moved to England. He was the incumbent at East Greenwich around 1650, and "preacher of the gospel" at Sudbury from 1654 to 1658. He had returned to Dublin by 1660. He published a poem on the Trinity entitled ''Ter Tria'', as well as some sermons, two of which he dedicated to Oliver and Henry Cro ...
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Stuart Monarchy
The House of Stuart, originally spelt Stewart, was a royal house of Scotland, England, Ireland and later Great Britain. The family name comes from the office of High Steward of Scotland, which had been held by the family progenitor Walter fitz Alan (c. 1150). The name Stewart and variations had become established as a family name by the time of his grandson Walter Stewart. The first monarch of the Stewart line was Robert II, whose male-line descendants were kings and queens in Scotland from 1371, and of England and Great Britain from 1603, until 1714. Mary, Queen of Scots, was brought up in France where she adopted the French spelling of the name Stuart. In 1503, James IV married Margaret Tudor, thus linking the royal houses of Scotland and England. Elizabeth I of England died without issue in 1603, and James IV's great-grandson (and Mary's only son) James VI of Scotland succeeded to the thrones of England and Ireland as James I in the Union of the Crowns. The Stuarts were m ...
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Historical Plays
History is one of the three main genres in Western theatre alongside tragedy and comedy, although it originated, in its modern form, thousands of years later than the other primary genres. For this reason, it is often treated as a subset of tragedy. A play in this genre is known as a history play and is based on a historical narrative, often set in the medieval or early modern past. History emerged as a distinct genre from tragedy in Renaissance England. The best known examples of the genre are the history plays written by William Shakespeare, whose plays still serve to define the genre. History plays also appear elsewhere in British and Western literature, such as Thomas Heywood's ''Edward IV'', Schiller's '' Mary Stuart'' or the Dutch play '' Gijsbrecht van Aemstel''. Precursors Plays with some connection to historic narratives date to the beginnings of Athenian theatre. For one, although many early Greek plays covered subjects that modern audiences consider myth (rather tha ...
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Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fraction ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1678 Plays
Events January–March * January 10 – England and the Dutch Republic sign a mutual defense treaty in order to fight against France. * January 27 – The first fire engine company (in what will become the United States) goes into service. * February 18 – The first part of English nonconformist preacher John Bunyan's Christian allegory, ''The Pilgrim's Progress'', is published in London. * March 21 – Thomas Shadwell's comedy ''A True Widow'' is given its first performance, at The Duke's Theatre in London, staged by the Duke's Company. * March 23 – Rebel Chinese general Wu Sangui takes the imperial crown, names himself monarch of "The Great Zhou", based in the Hunan report, with Hengyang as his capital. He contracts dysentery over the summer and dies on October 2, ending the rebellion against the Kangxi Emperor. * March 25 – The Spanish Netherlands city of Ypres falls after an eight-day siege by the French Army. It is later returned ...
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Henry Purcell
Henry Purcell (, rare: September 1659 – 21 November 1695) was an English composer. Purcell's style of Baroque music was uniquely English, although it incorporated Italian and French elements. Generally considered among the greatest English opera composers, Purcell is often linked with John Dunstaple and William Byrd as England's most important early music composers. No later native-born English composer approached his fame until Edward Elgar, Ralph Vaughan Williams, Gustav Holst, William Walton and Benjamin Britten in the 20th century. Life and work Early life Purcell was born in St Ann's Lane, Old Pye Street, Westminster – the area of London later known as Devil's Acre, a notorious slum – in 1659. Henry Purcell Senior, whose older brother Thomas Purcell was a musician, was a gentleman of the Chapel Royal and sang at the coronation of King Charles II of England. Henry the elder had three sons: Edward, Henry and Daniel. Daniel Purcell, the youngest of the b ...
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Dido And Aeneas
''Dido and Aeneas'' (Z. 626) is an opera in a prologue and three acts, written by the English Baroque composer Henry Purcell with a libretto by Nahum Tate. The dates of the composition and first performance of the opera are uncertain. It was composed no later than July 1688, and had been performed at Josias Priest's girls' school in London by the end of 1689.White, Bryan, 'Letter from Aleppo: dating the Chelsea School performance of Dido and Aeneas', 417 Some scholars argue for a date of composition as early as 1683.Pinnock, Andrew, 'Which Genial Day? More on the court origin of Purcell's Dido and Aeneas, with a shortlist of dates for its possible performance before King Charles II’, Early Music 43 (2015), 199–212Bruce Wood and Andrew Pinnock, Unscared by turning times'? The dating of Purcell's Dido and Aeneas," The story is based on Book IV of Virgil's ''Aeneid''. It recounts the love of Dido, Queen of Carthage, for the Trojan hero Aeneas, and her despair when he abandons he ...
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James, Duke Of York
James VII and II (14 October 1633 16 September 1701) was King of England and King of Ireland as James II, and King of Scotland as James VII from the death of his elder brother, Charles II, on 6 February 1685. He was deposed in the Glorious Revolution of 1688. He was the last Catholic monarch of England, Scotland, and Ireland. His reign is now remembered primarily for conflicts over religious tolerance, but it also involved struggles over the principles of absolutism and the divine right of kings. His deposition ended a century of political and civil strife in England by confirming the primacy of the English Parliament over the Crown. James succeeded to the thrones of England, Ireland, and Scotland following the death of his brother with widespread support in all three countries, largely because the principles of eligibility based on divine right and birth were widely accepted. Tolerance of his personal Catholicism did not extend to tolerance of Catholicism in general, and the ...
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Dorset Garden Theatre
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709. Background After years of being banned during the Interregnum, theatre performances were again permitted on the Restoration of Charles II with the grant of Letters Patent to two companies to perform "legitimate drama" in London. The Duke's Company was patronised by the Duke of York (later James II); the other patent theatre company, t ...
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Exclusion Crisis
The Exclusion Crisis ran from 1679 until 1681 in the reign of King Charles II of England, Scotland and Ireland. Three Exclusion bills sought to exclude the King's brother and heir presumptive, James, Duke of York, from the thrones of England, Scotland and Ireland because he was Roman Catholic. None became law. Two new parties formed. The Tories were opposed to this exclusion while the "Country Party", who were soon to be called the Whigs, supported it. While the matter of James's exclusion was not decided in Parliament during Charles's reign, it would come to a head only three years after James took the throne, when he was deposed in the Glorious Revolution of 1688. Finally, the Act of Settlement 1701 decided definitively that Catholics were to be excluded from the English, Scottish and Irish thrones, now the British throne. Background In 1673, when he refused to take the oath prescribed by the new Test Act, it became publicly known that the Duke of York was a Roman Cathol ...
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Virgil
Publius Vergilius Maro (; traditional dates 15 October 7021 September 19 BC), usually called Virgil or Vergil ( ) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the ''Eclogues'' (or ''Bucolics''), the ''Georgics'', and the epic ''Aeneid''. A number of minor poems, collected in the ''Appendix Vergiliana'', were attributed to him in ancient times, but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature, most notably Dante's ''Divine Comedy'', in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His ''Aeneid'' is also considered a national epic of ancient Rome, a title held since composition. Life and works Birth and biographical tradition Virgil's biographical tradition is thought to depend on a lost biography by the Roman ...
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