Brighton Museum
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Brighton Museum
Brighton Museum & Art Gallery is a municipally-owned public museum and art gallery in the city of Brighton and Hove in the South East of England. It is part of the "Royal Pavilion & Museums, Brighton and Hove". It is free for local residents but charges £7.50 per non-resident for a yearly pass. History The building which houses the collection is part of the Royal Pavilion Estate and was originally built for the Prince of Wales, later George IV and completed in 1805. It was initially intended as a tennis court but had never been finished, and later served as cavalry barracks.''Catalogue of Paintings in Oil Before 1837'' (Brighton Museum and Art Gallery, 1964) After the death of George IV in 1830, his successor King William IV also stayed in the Pavilion on his visits to Brighton. However, after Queen Victoria's last visit to Brighton in 1845, the Government planned to sell the building and grounds. The Brighton Commissioners and the Brighton Vestry successfully petitioned the ...
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Brighton
Brighton () is a seaside resort and one of the two main areas of the City of Brighton and Hove in the county of East Sussex, England. It is located south of London. Archaeological evidence of settlement in the area dates back to the Bronze Age, Roman and Anglo-Saxon periods. The ancient settlement of "Brighthelmstone" was documented in the ''Domesday Book'' (1086). The town's importance grew in the Middle Ages as the Old Town developed, but it languished in the early modern period, affected by foreign attacks, storms, a suffering economy and a declining population. Brighton began to attract more visitors following improved road transport to London and becoming a boarding point for boats travelling to France. The town also developed in popularity as a health resort for sea bathing as a purported cure for illnesses. In the Georgian era, Brighton developed as a highly fashionable seaside resort, encouraged by the patronage of the Prince Regent, later King George IV, who spent ...
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Hove Museum And Art Gallery
Hove Museum and Art Gallery is a municipally-owned museum in the town of Hove, which is part of the larger city of Brighton and Hove in the South East of England. The museum is part of "Royal Pavilion & Museums, Brighton and Hove", and admission is free. Opened in 1927 by the Hove Corporation, the museum is located in a late 19th-century villa originally known as Brooker Hall. The museum features a toy gallery that includes a significant collection of dolls, teddy bears, mechanical toys, toy trains, dollhouses, rocking horses and tricycles. Another focus is contemporary crafts and fine art. The museum also includes local history displays, and a collection of early cinema artifacts from the 1890s and 1900s. The toy collection traces its origins back to the 1950s, when Leslie Daiken founded the National Toy Museum and Institute of Play. Brooker Hall was constructed in 1877 by the architect Thomas Lainson for Major John Vallance. The building is in the Italianate style made p ...
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Manor House
A manor house was historically the main residence of the lord of the manor. The house formed the administrative centre of a manor in the European feudal system; within its great hall were held the lord's manorial courts, communal meals with manorial tenants and great banquets. The term is today loosely applied to various country houses, frequently dating from the Late Middle Ages, which formerly housed the landed gentry. Manor houses were sometimes fortified, albeit not as fortified as castles, and were intended more for show than for defencibility. They existed in most European countries where feudalism was present. Function The lord of the manor may have held several properties within a county or, for example in the case of a feudal baron, spread across a kingdom, which he occupied only on occasional visits. Even so, the business of the manor was directed and controlled by regular manorial courts, which appointed manorial officials such as the bailiff, granted ...
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Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ...
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Edward James
Edward Frank Willis James (16 August 1907 – 2 December 1984) was a British poet known for his patronage of the surrealist art movement. Early life and marriage James was born on 16 August 1907, the only son of William James (who had inherited a fortune from his father, merchant Daniel James) and Evelyn Forbes, a Scots socialite. He was reputedly fathered by the Prince of Wales (later Edward VII) and in his anecdotal reminiscences, recorded in ''Swans Reflecting Elephants – My Early Years'', Edward James also puts forward this hypothesis. In his memoirs he wrote "I was not, I was, in fact, his grandson" saying that it was his grandmother that had an affair with the Prince of Wales. However, there was also popular belief that Forbes was one of the Prince of Wales's mistresses and there was a much-quoted ballad by Hilaire Belloc intimating this at the time. Edward James had four older sisters: Audrey, Millicent, Xandra, and Silvia. He was educated at Lockers Park School, the ...
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Larry Poons
Lawrence M. "Larry" Poons (born October 1, 1937) is an American abstract painter. Poons was born in Tokyo, Japan, and studied from 1955 to 1957 at the New England Conservatory of Music, with the intent of becoming a professional musician. After seeing Barnett Newman's exhibition at French and Company in 1959, he gave up musical composition and enrolled at the School of the Museum of Fine Arts, Boston. He also studied at the Art Students League of New York. Poons taught at The Art Students League from 1966 to 1970 and currently teaches at the League (since 1997). Career Associated with Op Art, Hard-edge painting, Color Field painting, Lyrical Abstraction and Abstract Expressionism, Poons has challenged critical expectations throughout his career, transitioning through several distinct phases of work. According to ''New York Times'' critic Roberta Smith, "Since emerging in the 1960s, Mr. Poons has shown a strong preference for allover fields of pulsing color, even if his means of ...
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Frank Stella
Frank Philip Stella (born May 12, 1936) is an American painter, sculptor and printmaker, noted for his work in the areas of minimalism and post-painterly abstraction. Stella lives and works in New York City. Biography Frank Stella was born in Malden, Massachusetts, to parents of Italian descent. His father was a gynecologist, and his mother was a housewife and artist who attended fashion school and later took up landscape painting.Deborah Solomon (September 7, 2015)The Whitney Taps Frank Stella for an Inaugural Retrospective at Its New Home''The New York Times''. After attending high school at Phillips Academy in Andover, Massachusetts, where he learned about abstract modernists Josef Albers and Hans Hofmann, he attended Princeton University, where he majored in history and met Darby Bannard and Michael Fried. Early visits to New York art galleries fostered his artistic development, and his work was influenced by the abstract expressionism of Jackson Pollock and Franz Kline. S ...
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Munich School
Munich School ( el, Σχολή του Μονάχου) is the name given to a group of painters who worked in Munich or were trained at the Royal Academy of Fine Arts of Munich (german: Münchner Akademie der Bildenden Künste) between 1850 and 1918. In the second half of the 19th century the Academy became one of the most important institutions in Europe for training artists and attracted students from across Europe and the United States. History and representative artists Munich was an important center of painting and visual art in the period between 1850 and 1914. The mid-century movement away from the Romanticism and emphasis on fresco painting of the earlier Munich school was led by Karl von Piloty, who was a professor at the Munich Academy from 1856 and became its director in 1874.Norman 1978, p. 167. Piloty's approach to history painting was influenced by the French academician Paul Delaroche, and by the painterly colorism of Rubens and the Venetians. Besides Piloty, oth ...
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Italian Renaissance Painting
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring in the Italian Peninsula, which was at that time divided into many political states, some independent but others controlled by external powers. The painters of Renaissance Italy, although often attached to particular courts and with loyalties to particular towns, nonetheless wandered the length and breadth of Italy, often occupying a diplomatic status and disseminating artistic and philosophical ideas. The city of Florence in Tuscany is renowned as the birthplace of the Renaissance, and in particular of Renaissance painting, although later in the era Rome and Venice assumed increasing importance in painting. A detailed background is given in the companion articles Renaissance art and Renaissance architecture. Italian Renaissance painting is most often divided into four periods: the Proto-Renaissance (1300–1425), the ...
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Old Master
In art history, "Old Master" (or "old master")Old Masters Department
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refers to any of skill who worked in Europe before about 1800, or a painting by such an artist. An "" is an original print (for example an or

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Mixed Media
In visual art, mixed media describes artwork in which more than one medium or material has been employed. Assemblages, collages, and sculpture are three common examples of art using different media. Materials used to create mixed media art include, but are not limited to, paint, cloth, paper, wood and found objects. Mixed media art is distinguished from multimedia art which combines visual art with non-visual elements, such as recorded sound, literature, drama, dance, motion graphics, music, or interactivity. History of mixed media The first modern artwork to be considered mixed media is Pablo Picasso's 1912 collage ''Still Life with Chair Caning'', which used paper, cloth, paint and rope to create a pseudo-3D effect. The influence of movements like Cubism and Dada contributed to the mixed media's growth in popularity throughout the 20th century with artists like Henri Matisse, Joseph Cornell, Jean Dubuffet, and Ellsworth Kelly adopting it. This led to further innovations ...
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Burma
Myanmar, ; UK pronunciations: US pronunciations incl. . Note: Wikipedia's IPA conventions require indicating /r/ even in British English although only some British English speakers pronounce r at the end of syllables. As John Wells explains, the English spellings of both Myanmar and Burma assume a non-rhotic variety of English, in which the letter r before a consonant or finally serves merely to indicate a long vowel: mjænmɑː, ˈbɜːmə So the pronunciation of the last syllable of Myanmar as ɑːror of Burma as ɜːrməby some speakers in the UK and most speakers in North America is in fact a spelling pronunciation based on a misunderstanding of non-rhotic spelling conventions. The final ''r'' in ''Myanmar'' was not intended for pronunciation and is there to ensure that the final a is pronounced with the broad ''ah'' () in "father". If the Burmese name my, မြန်မာ, label=none were spelled "Myanma" in English, this would be pronounced at the end by all ...
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