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Breakdance
Breakdancing, also called breaking or b-boying/b-girling, is an athletic style of street dance originating from the African American and Puerto Rican communities in the United States. While diverse in the amount of variation available in the dance, breakdancing mainly consists of four kinds of movement: toprock, downrock, power moves and freezes. Breakdancing is typically set to songs containing drum breaks, especially in hip-hop, funk, soul music and breakbeat music, although modern trends allow for much wider varieties of music along certain ranges of tempo and beat patterns. The modern dance elements of breakdancing originated among the poor youth of New York during the early 1970s, where it was introduced as breaking. It is closely attributed to the birth of hip-hop, as DJs developed rhythmic breaks for dancers. The dance form has since expanded globally, with an array of organizations and independent competitions supporting its growth. Breaking will now be featured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freeze (b-boy Move)
A freeze is a b-boying technique that involves halting all body motion, often in an interesting or balance-intensive position. It is implied that the position is hit and held from motion as if freezing in motion, or into ice. Freezes often incorporate various twists and distortions of the body into stylish and often difficult positions. Spins are often combined with freezes, and the spins are usually done in the form of highkicks. Various handstands ("inverts", "Nikes", and "pikes") can be frozen, and skilled breakers sometimes incorporate the technique of ''threading'' into handstands by forming a loop with one arm and leg, then "threading" the other leg in and out of the loop. Variants There are many different variations of freezes. A common naming convention categorizes freezes based on what part of the body is in contact with the ground. First Freezes were chin freaks, Tracks, Splits, deadman freeze, chairs. Thus a "headstand freeze" is done with only the breaker's head ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip-hop Dance
Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show ''Soul Train'' and the 1980s films '' Breakin''', '' Beat Street'', and ''Wild Style'' showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure. The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces. The commercialization of hip-hop dance continued into the 1990s and 2000s with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crazy Legs (dancer)
Richard Colón (born January 1, 1966), better known by his stage name Crazy Legs, is an American b-boy who was featured in the earliest stories on hip hop dancing to appear in mainstream press, and as president of the Rock Steady Crew brought the form to London and Paris in 1983. Today he is also involved in community outreach, dance instruction, and dance theater productions. His pioneering status is reflected in his appearances in fiction films and documentaries. Crazy Legs is the most well known and commercially successful of the few original members remaining of the Rock Steady Crew, and is its current president. Career Richard "Crazy Legs" Colón grew up in the Inwood section of Manhattan, New York City, where he was introduced to "breaking" by his older brother when he was nine.Alan Feuer"Breaking Out Of the Bronx: A Look Back; A Pioneering Dancer Is the Last of His Breed" ''The New York Times'', August 27, 2002. He was an original member of the Rock Steady Crew after it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toprock
In breakdancing, toprock is foot movement performed while standing, serving as the opening display of style, and as a warm-up for transitions into the more acrobatic maneuvers of downrock. It allows the dancer to demonstrate coordination, flexibility, rhythm and style. Breakers may devote considerable time to developing their toprock, and the style they display is a point of pride. Toprocking is a style of dance in and of itself. However, toprocking is very open to modification for individual style. For this reason, it has come to incorporate elements of salsa, Lindy Hop, Liquid dancing and the Robot. In particular, uprock, often confused with "toprock," is a competitively-oriented type of dance consisting of foot shuffles, spins, turns, and creative movements that may mimic combat. Common toprock steps include the Indian step, Bronx step, Charlie rock, hip twist, kick step and side step. References See also *Freeze (b-boy move) A freeze is a b-boying technique tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Breakbeat
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep). Etymology The origin of the word "breakbeat" is the fact that the drum loops that were sampled occurred during a "break" in the music - for example the '' Amen break'' (a drum solo from " Amen, Brother" by The Winstons) or the '' Think Break'' (from "Think (About It)" by Lyn Collins). History 1970s—1980s: Classic breaks and hip hop production Beginning in 1973 and continuing through the late 1970s and early 1980s, hip hop turntablists, such as DJ Kool Herc began using several funk breaks in a row, using drum breaks from jazz-funk tracks such as James Brown's "Funky Drummer" and The Winstons' "Amen Brother", to form the rhythmic base for hip hop songs. DJ Kool Herc's breaks st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
DJ Kool Herc
Clive Campbell (born April 16, 1955), better known by his stage name DJ Kool Herc, is a Jamaican-American DJ who is credited with contributing to the development of hip hop music in the Bronx, New York City, in the 1970s through his "Back to School Jam", hosted on August 11, 1973, at 1520 Sedgwick Avenue. After his younger sister, Cindy Campbell, became inspired to earn extra cash for back-to-school clothes, she decided to have her older brother, then 18 years old, play music for the neighborhood in their apartment building. Campbell began playing hard funk records of the sort typified by James Brown. Campbell began to isolate the instrumental portion of the record which emphasized the drum beat—the "break"—and switch from one break to another. Using the same two-turntable set-up of disco DJs, he used two copies of the same record to elongate the break. This breakbeat DJing, using funky drum solos, formed the basis of hip hop music. Campbell's announcements and exhortatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afrika Bambaataa
Lance Taylor (born on April 17, 1957), also known as Afrika Bambaataa (), is an American DJ, rapper, and producer from the South Bronx, New York. He is notable for releasing a series of genre-defining electro tracks in the 1980s that influenced the development of hip hop culture. Afrika Bambaataa is one of the originators of breakbeat DJing. Through his co-opting of the street gang the Black Spades into the music and culture-oriented Universal Zulu Nation, he has helped spread hip hop culture throughout the world. In May 2016, Bambaataa left his position as head of The Zulu Nation due to multiple allegations of child sexual abuse dating as far back as the 1970s. Early life Born Lance Taylor to Jamaican and Barbadian immigrants, Bambaataa grew up in the Bronx River Projects, with an activist mother and uncle. As a child, he was exposed to the black liberation movement and witnessed debates between his mother and uncle regarding the conflicting ideologies in the moveme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Power Move
Power moves are dance moves which are loosely defined as moves relying on speed, momentum, and acrobatic elements for performance. They are prominent in B-boying, often the centerpieces of routines featuring the other elements (toprock, downrock, and freezes) that make up breaking. Power moves are closer to gymnastics than dancing. B-boys who focus heavily on power moves and execute them as a main part of their routines are often called "power heads". Origin B-boy Powerful PEX and the New York City Breakers were credited in 1983 for the B-boy style of combining 2 or 3 difficult moves together. This includes floats, Headmills aka Power windmills, and flares suicides. In the 1990s the B-boys shortened the phrase "powerful moves" down to "power moves" in the 1990s to make it sound more flashy. New generations of B-boys are executing more acrobatics, which is taking moves to the next level. Types Spins *Back spin: One of the first and most famous spinning power moves, the dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Street Dance
Street dance is an umbrella term for a large number of social dance styles such as: breakdancing, popping, locking, house dance, waacking etc. Social dance styles have many accompanying steps and foundations, created organically from a culture, a moment in time, a way of life, influenced by natural social interaction. A street dance is a vernacular dance in an urban context. Vernacular dances are often improvisational and social in nature, encouraging interaction and contact with spectators and other dancers. These dances are a part of the vernacular culture of the geographical area that they come from. History Street dance evolved during the 1970s outside dance studios in any available open space. This includes streets, dance parties, block parties, parks, school yards, raves, and nightclubs. This is partly because African American and Latino people who created the style were generally not accepted into dance studios because of their race. A significant feature of street dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Steady Crew
Rock Steady Crew is an American breaking and hip hop group which has become a franchise name for multiple groups in other locations. The group's 1983 international hit song " (Hey You) The Rock Steady Crew" (from the group's first studio album ''Ready for Battle'') peaked at No. 6 on the UK Singles Chart, and reached the top 10 in many European countries. Members of Rock Steady Crew featured in the films ''Flashdance'' and ''Beat Street'', which ignited international interest in the b-boy subculture. History The group was initially formed in The Bronx, New York City in 1977 by b-boys Jimmy Dee and Jimmy Lee. The Manhattan branch was created by Crazy Legs and B-Boy Fresh. ''The New York Times'' called the Rock Steady Crew "the foremost breakdancing group in the world today." Notable members * Crazy Legs * DJ Cucumber Slice *DJ Qbert *Fever One *Madchild *Mr. Wiggles *Q-Unique *Rahzel *Tony Touch Former members *Frosty Freeze *Mix Master Mike * Ken Swift *Rhettmatic *Daisy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Popping
Popping is a street dance adapted out of the earlier Boogaloo (funk dance) cultural movement in Oakland, California. As Boogaloo spread, it would be referred to as Robottin in Richmond, California, Strutting movements in San Francisco and San Jose, and the Strikin dances of the Oak Park community of Sacramento which were popular through the mid-1960s to the 1970s.Guzman-Sanchez, T. (2012) Underground Dance Masters: Final History of a Forgotten Era. Praeger. Popping would be eventually adapted from earlier Boogaloo (freestyle dance) movements in Fresno, California, in the late 1970s by way of California high-school gatherings of track & meet events - the West Coast Relays. The dance is rooted through the rhythms of live funk music, and is based on the technique of Boogaloo's posing approach, quickly contracting and relaxing muscles to cause a jerk or can be a sudden stop in the dancer's body, referred to as a ''pose'', ''pop'' or a ''hit''.Guzman-Sanchez, T. (2012) "The Oakland ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fab 5 Freddy
Fred Brathwaite (born August 31, 1959), more popularly known as Fab 5 Freddy, is an American visual artist, filmmaker, and hip hop pioneer. He is considered one of the architects of the street art movement. Freddy emerged in New York's downtown underground creative scene in the late 1970s as a graffiti artist. He was the bridge between the burgeoning uptown rap scene and the downtown No Wave art scene. He was immortalized in 1981 when Debbie Harry rapped on the Blondie song "Rapture" that "Fab 5 Freddy told me everybody's fly." In the late 1980s, Freddy became the first host of the groundbreaking hip-hop music video show ''Yo! MTV Raps''. Career In the late 1970s, Freddy became a member of the Brooklyn-based graffiti group the Fabulous 5, known for painting the entire side of New York City Subway cars. Along with other Fabulous 5 member Lee Quiñones, under his direction they began to shift from street graffiti to transition into the art world and in 1979 they both exhibited i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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