Brazilian Zouk
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Brazilian Zouk
Brazilian Zouk is a partner dance which began in Brazil during the early 1990s. Brazilian Zouk evolved from the partner dance known as the Lambada. As the Lambada music genre went out of fashion, Lambada dancers turned to Caribbean Zouk (from the francophone, Caribbean Islands) as their music of choice. It was this transition that birthed the dance known as Brazilian Zouk. The term "Brazilian Zouk" was adopted in order to distinguish the dance style from the musical genre "Caribbean Zouk". Nowadays the term "Zouk" is commonly used to refer to the "Brazilian Zouk" dance style. The most characteristic feature of Brazilian Zouk is the follower's upper body movements which are led out of axis by intricate leading and following techniques. Other features include body isolations, tilted turns and more recently counter-balance techniques. Brazilian Zouk is a dance with well defined basic steps and rhythmic patterns. The representation of these steps and rhythmic patterns varies depending ...
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Partner Dance
Partner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner. United States dance history Prior to the 20th century, many ballroom dance and folk dances existed in America. As jazz music developed at the start of the 20th century, Black American communities in tandem developed the Charleston and eventually the Lindy Hop by the end of the 1920s. Many cities had regular local competitions such as the Savoy Ballroom which accelerated the development and popularization of the dance. The dances were introduced to wider public through movies and regular performances such as those done at the Cotton Club in New York. An unusual (for the time) feature of the dance was the inclusion of sections where the dancers would move apart from each other and perform individual steps (known as ...
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Brazil
Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area and the seventh most populous. Its capital is Brasília, and its most populous city is São Paulo. The federation is composed of the union of the 26 States of Brazil, states and the Federal District (Brazil), Federal District. It is the largest country to have Portuguese language, Portuguese as an List of territorial entities where Portuguese is an official language, official language and the only one in the Americas; one of the most Multiculturalism, multicultural and ethnically diverse nations, due to over a century of mass Immigration to Brazil, immigration from around the world; and the most populous Catholic Church by country, Roman Catholic-majority country. Bounded by the Atlantic Ocean on the east, Brazil has a Coastline of Brazi ...
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Lambada
Lambada () is a dance from State of Pará, Brazil. The dance became internationally popular in the 1980s, especially in the Philippines, Latin America and Caribbean countries. It has adopted aspects of dances such as forró, salsa, merengue, maxixe, carimbó and Bolivian saya. Lambada is generally a partner dance. The dancers generally dance with arched legs, with the steps being from side to side, turning or even swaying, and in its original form never front to back, with a pronounced movement of the hips. At the time when the dance became popular, short skirts for women were in fashion and men wore long trousers, and the dance has become associated with such clothing, especially for women wearing short skirts that swirl up when the woman spins around, typically revealing 90s-style thong underwear. Origins ''Carimbó'' Also known as the forbidden dance, from the time that Brazil was a Portuguese colony, Carimbó was a common dance in the northern part of the country. Carim ...
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Zouk (musical Movement)
Zouk is a musical movement pioneered by the French Antillean band Kassav' in the early 1980s. It was originally characterized by a fast tempo (120–145 bpm), a percussion-driven rhythm and a loud horn section. The fast zouk béton of Martinique and Guadeloupe faded away during the 1980s. Musicians from Martinique and Guadeloupe added MIDI instrumentation to their compas style, which developed into zouk-love. Zouk-love is effectively the French Lesser Antilles' compas.Popular Musics of the Non Western World. Peter Manuel, New York Oxford University Press, 1988, p74 Zouk gradually became indistinguishable from the genre known as compas. This light compas influenced the Cape-Verdean new generation. Zouk béton The original fast carnival style of zouk, best represented by the band Kassav', became known as "zouk béton", "zouk chiré" or "zouk hard". Zouk béton is considered a synthesis of various French Antillean dance music styles of the 20th century: kadans (cadence), konp ...
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