Branko Bauer
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Branko Bauer
Branko Bauer (18 February 1921 – 11 April 2002) was a Croatian film director. He is considered to be the leading figure of classical narrative cinema in Croatian and Yugoslav cinema of the 1950s. Early life Bauer became interested in cinema as a school boy. During World War Two he attended local cinemas in Zagreb, which were very popular during the Nazi occupation. His father Čedomir Bauer and he hid their Jewish tenant Ljerka Freiberger from the Ustashi police in 1942. As a result of these actions, Yad Vashem honored both of them as Righteous among the Nations in 1992. In 1949, Branko began working in the Zagreb-based Jadran Film studio as a documentary filmmaker. His feature debut was the 1953 children's adventure film ''The Blue Seagull'' (''Sinji galeb'') which distinguished his work from then-native Yugoslav productions through vivid visual style and natural acting. Selected works ''Don't Look Back, My Son'' Bauer became one of the most respected directors in Yugos ...
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Dubrovnik
Dubrovnik (), historically known as Ragusa (; see notes on naming), is a city on the Adriatic Sea in the region of Dalmatia, in the southeastern semi-exclave of Croatia. It is one of the most prominent tourist destinations in the Mediterranean, a seaport and the centre of the Dubrovnik-Neretva County. Its total population is 42,615 (2011 census). In 1979, the city of Dubrovnik was added to the UNESCO list of World Heritage Sites in recognition of its outstanding medieval architecture and fortified old town. The history of the city probably dates back to the 7th century, when the town known as was founded by refugees from Epidaurum (). It was under the protection of the Byzantine Empire and later under the sovereignty of the Republic of Venice. Between the 14th and 19th centuries, Dubrovnik ruled itself as a free state. The prosperity of the city was historically based on maritime trade; as the capital of the maritime Republic of Ragusa, it achieved a high level of develo ...
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Only People (film)
''Only People'' (''Samo ljudi'') is a 1957 Yugoslav film directed by Branko Bauer, starring and Milorad Margetić. In 1999, a poll of Croatian film critics found it to be one of the best films ever made in Croatia , image_flag = Flag of Croatia.svg , image_coat = Coat of arms of Croatia.svg , anthem = "Lijepa naša domovino"("Our Beautiful Homeland") , image_map = , map_caption = , capit .... References External links * 1957 films 1950s Croatian-language films Films directed by Branko Bauer Jadran Film films Croatian drama films Croatian black-and-white films 1957 drama films Yugoslav drama films {{Croatia-film-stub ...
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Hrvoje Hribar
Hrvoje is a Croatian male ethnic first name derived from "Hrvat" meaning "Croat". Notable people with the name include: * Hrvoje Čale (born 1985), Croatian football back * Hrvoje Horvat (born 1946), Croatian handball back * Hrvoje Klasić (born 1972), Croatian historian * Hrvoje Kovačević (born 1982), Croatian football midfielder * Hrvoje Panžić (born 1978), Croatian judoka * Hrvoje Perić (born 1985), Croatian basketball forward * Hrvoje Petek (born 1958), Croatian American physicist * Hrvoje Šarinić (1935–2017), Croatian politician who served as Prime Minister * Hrvoje Slovenc, (born 1976) Croatian-American fine-art photographer * Hrvoje Vejić (born 1977), Croatian footballer * Hrvoje Vukčić Hrvatinić (c. 1350–1416), Bosnian nobleman, duke of medieval Bosnia See also * Slavic names Given names originating from the Slavic languages are most common in Slavic countries. The main types of Slavic names: * Two-basic names, often ending in mir/měr (''Ostromir/mě ...
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Yugoslav Cinema
The Cinema of Yugoslavia were the films produced in Yugoslavia. Overview The Socialist Federal Republic of Yugoslavia had an internationally acclaimed film industry. Yugoslavia List of Yugoslav submissions for the Academy Award for Best Foreign Language Film, submitted many films to the Academy Award for Best Foreign Language Film, six of which were nominated. Film companies included Jadran Film from Zagreb, SR Croatia; Avala Film from Belgrade, SR Serbia; Sutjeska film and Studio film from Sarajevo, SR Bosnia and Herzegovina; Zeta film from Budva, SR Montenegro; Vardar film and Makedonija film from Skopje, SR Macedonia, Triglav Film from Ljubljana, SR Slovenia and others. Prominent male actors included Danilo Stojković, Ljuba Tadić, Bekim Fehmiu, Fabijan Šovagović, Mustafa Nadarević, Bata Živojinović, Boris Dvornik, Ljubiša Samardžić, Dragan Nikolić and Rade Šerbedžija, while Milena Dravić, Neda Arnerić, Mira Furlan and Ena Begović were notable actresses. Acclai ...
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Vojvodina
Vojvodina ( sr-Cyrl, Војводина}), officially the Autonomous Province of Vojvodina, is an autonomous province that occupies the northernmost part of Serbia. It lies within the Pannonian Basin, bordered to the south by the national capital Belgrade and the Sava and Danube Rivers. The administrative center, Novi Sad, is the second-largest city in Serbia. The historic regions of Banat, Bačka, and Syrmia overlap the province. Modern Vojvodina is multi-ethnic and multi-cultural, with some 26 ethnic groups and six official languages. About two million people, nearly 27% of Serbia's population, live in the province. Naming ''Vojvodina'' is also the Serbian word for voivodeship, a type of duchy overseen by a voivode. The Serbian Voivodeship, a precursor to modern Vojvodina, was an Austrian province from 1849 to 1860. Its official name is the Autonomous Province of Vojvodina. Its name in the province's six official languages is: * Croatian: ''Autonomna Pokrajina Vojvodina'' * ...
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Auteur
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film ''The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, howev ...
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Živojin Pavlović
Živojin "Žika" Pavlović (15 April 1933 – 29 November 1998) was a Yugoslav and Serbian film director, writer, painter and professor. In his films and novels, Pavlović depicted the cruel reality of small, poor and abandoned people living in the corners of society. He was one of the major figures of the Black Wave in Yugoslav cinema in 1960s, a movement which portrayed the darker side of life rather than the shiny facades of communist Yugoslavia. Biography Pavlović was born in Šabac in 1933. When he was 19, he started writing about film and art for Belgrade newspapers. He graduated in painting at the Academy of Applied Arts, University of Belgrade, and directed his first professional film, ''Žive Vode'' (''Living Water'') in 1961. The film received a special jury award at the Pula Film Festival. He died in Belgrade. Pavlović received numerous awards, including two NIN Prizes for his novels, Isidora Sekulić Award, one Silver Bear of the Berlin International Film Festi ...
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Face To Face (1963 Film)
''Face to Face'' (''Licem u lice'') is a 1963 Yugoslavian political film. It is directed by Branko Bauer, written by Bogdan Jovanović, and stars Ilija Džuvalekovski, Husein Čokić, and Vladimir Popović. Plot A worker named Milun is falsely charged by officials for writing an anonymous letter critical of the company. Company management subsequently fires Milun. Although other workers fail to come to his aid during the process, they afterwards come together in a demonstration of labor rights to vote to remove the manager. Political background and themes At the time of release, the film industry in Yugoslavia was controlled by the government, but individual filmmakers were given some autonomy. ''Face to Face'' was an early example of political criticism in Yugoslavian film. The film highlights conflict between workers fighting for democratization and self-management and the management structures of the socialist party, providing an ultimately optimistic story in support ...
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Milena Dravić
Milena Dravić ( sr-Cyrl, Милена Дравић, ; 5 October 1940 – 14 October 2018) was a Yugoslav and Serbian film, television and theatre actress. Biography Born in Belgrade, Dravić became involved with performing arts at the age of four via her parents enrolling her in a dance program. She would later switch to classical ballet. In 1959, still a high school student, Dravić got spotted by director František Čáp who approached the eighteen-year-old about being in his film ''Vrata ostaju otvorena'' after seeing her on the cover of a youth magazine in a ballet dancers' group photo. After appearing in a few more films, she decided to pursue acting full-time and to that end successfully enrolled at the Academy of Theatre Arts (APU) within the Arts Academy in Belgrade. Her big break came in 1962 in Branko Bauer's ''Prekobrojna'' for which she won the Golden Arena for Best Actress (Yugoslav equivalent of an Academy Award). The memorable role, as well as the much-publiciz ...
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Martin In The Clouds
''Martin in the Clouds'' (''Martin u oblacima'') is a 1961 Croatian film directed by Branko Bauer, starring Boris Dvornik and Ljubica Jović. This movie established Boris Dvornik as a big star of former Yugoslav cinema, comparable to Ljubiša Samardžić, Milena Dravić, and Velimir "Bata" Živojinović (with whom he later developed a close friendship). In 1999, a poll of Croatian film critics found it to be one of the best Croatian films ever made. Cast * Boris Dvornik ... Martin Baric * Ljubica Jovic ... Zorica * Joza Seb ... Vjenceslav Baric * Antun Nalis ... Carmine * Braco Reiss ... Robert Eugen Mrazek zvan Kliker * Ljerka Prekratic ... Marcella * Lila Andres ... Solarica (as Lila Anders) * Nela Eržišnik ... Prevarena zena * Rikard Simonelli ... Darko * Vera Misita ... Darkova Znanica * Fahro Konjhodžić Fahrudin "Fahro" Konjhodžić (13 January 1931 – 26 May 1984) was a Bosnian film and television actor. Death Konjhodžić died in 1984 after a long illne ...
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Vittorio De Sica
Vittorio De Sica ( , ; 7 July 1901 – 13 November 1974) was an Italian film director and actor, a leading figure in the neorealist movement. Four of the films he directed won Academy Awards: ''Sciuscià'' and ''Bicycle Thieves'' (honorary), while ''Yesterday, Today and Tomorrow'' and '' Il giardino dei Finzi Contini'' won the Academy Award for Best Foreign Language Film. Indeed, the great critical success of ''Sciuscià'' (the first foreign film to be so recognized by the Academy of Motion Picture Arts and Sciences) and ''Bicycle Thieves'' helped establish the permanent Best Foreign Film Award. These two films are considered part of the canon of classic cinema. ''Bicycle Thieves'' was deemed the greatest film of all time by ''Sight & Sound'' magazine's poll of filmmakers and critics in 1958, and was cited by Turner Classic Movies as one of the 15 most influential films in cinema history. De Sica was also nominated for the 1957 Oscar for Best Supporting Actor for playing M ...
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Umberto D
''Umberto D.'' () is a 1952 Italian neorealist film directed by Vittorio De Sica. Most of the actors were non-professional, including Carlo Battisti who plays the title role of Umberto Domenico Ferrari, a poor elderly man in Rome who is desperately trying to keep his rented room. His landlady ( Lina Gennari) is evicting him and his only true friends, the housemaid (Maria-Pia Casilio) and his dog Flike (called 'Flag' in some subtitled versions of the film) are of no help. According to Robert Osborne of Turner Classic Movies, this was De Sica's favorite of all his films. The movie was included in ''TIME'' magazine's "All-TIME 100 Movies" in 2005. The film's sets were designed by Virgilio Marchi. Plot Police disperse an organized street demonstration of elderly men demanding a raise in their meager pensions. One of the marchers is Umberto D. Ferrari, a retired government worker. He returns to his room and finds that his landlady has rented it out for an hour to an amorous couple ...
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