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Bramantino
Bartolomeo Suardi, best known as Bramantino ( – ), was an Italian painter and architect, mainly active in his native Milan. Biography He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of ''immobile realism'', and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della ...
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The Adoration Of The Kings (Bramantino)
''The Adoration of the Kings'' is a small oil painting on panel of by Bramantino in the National Gallery, London. In it the Holy Family and the Magi are, unusually, joined by an adult John the Baptist, whose Baptism of Jesus, Baptism of Christ was celebrated on the same day as Epiphany (holiday), Epiphany in the liturgical year, liturgical calendar. At 56.8 cm (22.4 in) × 55 cm (22 in), it was probably commissioned for private use by an individual rather than for placing in a church, but nothing is known about its early history. The panel entered the National Gallery in 1916 as part of the Layard Bequest. Bramantino was a painter in Milan, who is relatively little known outside northern Italy, where most of his paintings remain; this is the only known example in the United Kingdom. In a Milanese art scene dominated by Leonardo da Vinci, Bramantino instead belonged to a tradition of "the structured but immobile realism of the Quattrocento ... that was fundamen ...
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Bramantino2
Bartolomeo Suardi, best known as Bramantino ( – ), was an Italian painter and architect, mainly active in his native Milan. Biography He was born in Milan, the son of Alberto Suardi, but his biography remains unclear, and was long complicated by two "Pseudo-Bramantinos". He was trained by Donato Bramante, adopting a diminutive form of his master's name. This training gave him influences from by the Urbino quattrocento tradition of ''immobile realism'', and later he assimilated some elements of the style of Leonardo, after he arrived in Milan, although in other respects he remained faithful to his training in the style of Central Italy. He is documented in late 1508 as helping in the decoration of the Vatican Stanze though nothing remains of his work there, and by 1509 he was back in Milan. His style changed considerably during his career, and also shows strongly individual traits. His main influences were the serene and sometimes unnatural quietist classicism of Piero della ...
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Christus Dolens (Bramantino)
''Christus Dolens'' or ''Christ as the Man of Sorrows'' is a tempera on panel painting by Bramantino, executed ''c.'' 1490, in the Museo Thyssen-Bornemisza in Madrid. The original Thyssen-Bornemisza Collection acquired it in 1937 from Countess Teresa Soranza-Mocenigo. A similar work by Bramantino is in the Certosa di Pavia, Museo della Certosa in Pavia. The painting was recorded in the Della Porta Pusterla family collection in Milan in 1590, where it remained until the first quarter of the 20th century. It was published for the first time by Müller Walde in 1898 and various studies attributed it to Bramantino or Bramante. In 1905 William Suida was the first to suggest an attribution to Bramantino. Mulazzini dated it to 1490, early in Bramantino's career. Description and style The work represents Christ as a Man of Sorrows, frontal, half-length up to the knee, but it may also want to represent the Resurrection. Against the background of a ruined architecture (possibly the sepulche ...
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Adoration Of The Christ Child (Bramantino)
''Adoration of the Christ Child'' is a painting in tempera and oils of by Bramantino in the Pinacoteca Ambrosiana, Milan. Produced for an unknown commissioner from Milan, it shows the Christ Child being adored by the kneeling figures of Bernardino of Siena (recognisable by his grey Franciscan habit), Francis of Assisi (with his stigmata), Benedict of Nursia (in a black Benedictine habit) and the Virgin Mary. Behind them is a group of angel musicians standing on a column base. On the far left and right of the painting are the emperor Augustus and a sibyl in standing poses based on that of the '' Pothos'' sculpture. Their presence and that of a Roman arch in the background refer to a passage in the ''Golden Legend The ''Golden Legend'' (Latin: ''Legenda aurea'' or ''Legenda sanctorum'') is a collection of hagiographies by Jacobus de Voragine that was widely read in late medieval Europe. More than a thousand manuscripts of the text have survived.Hilary ...'' (1.40) in whi ...
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Biblioteca Ambrosiana
The Biblioteca Ambrosiana is a historic library in Milan, Italy, also housing the Pinacoteca Ambrosiana, the Ambrosian art gallery. Named after Ambrose, the patron saint of Milan, it was founded in 1609 by Cardinal Federico Borromeo, whose agents scoured Western Europe and even Greece and Syria for books and manuscripts. Some major acquisitions of complete libraries were the manuscripts of the Benedictine monastery of Bobbio (1606) and the library of the Paduan Vincenzo Pinelli, whose more than 800 manuscripts filled 70 cases when they were sent to Milan and included the famous ''Iliad'', the '' Ilias Picta''. History During Cardinal Borromeo's sojourns in Rome, 1585–95 and 1597–1601, he envisioned developing this library in Milan as one open to scholars and that would serve as a bulwark of Catholic scholarship in the service of the Counter-Reformation against the treatises issuing from Protestant presses. To house the cardinal's 15,000 manuscripts and twice that many ...
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Museo Thyssen-Bornemisza
The Thyssen-Bornemisza National Museum (in Spanish, the Museo Nacional Thyssen-Bornemisza (), named after its founder), or simply the Thyssen, is an art museum in Madrid, Spain, located near the Prado Museum on one of the city's main boulevards. It is known as part of the "Golden Triangle of Art", which also includes the Prado and the Reina Sofía national galleries. The Thyssen-Bornemisza fills the historical gaps in its counterparts' collections: in the Prado's case this includes Italian primitives and works from the English, Dutch and German schools, while in the case of the Reina Sofia it concerns Impressionists, Expressionists, and European and American paintings from the 20th century. With over 1,600 paintings, it was once the second largest private collection in the world after the British Royal Collection.Jonathan Kandell"Baron Thyssen-Bornemisza, Industrialist Who Built Fabled Art Collection, Dies at 81,"New York ''Times'', 28 April 2002. A competition was held to house t ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Santa Maria Presso San Satiro
Santa Maria presso San Satiro ( Saint Mary near Saint Satyrus) is a church in Milan. The Italian Renaissance structure (1476-1482) houses the early medieval shrine to Satyrus, brother of Saint Ambrose. The church is known for its false apse, an early example of ''trompe-l'œil'', attributed to Donato Bramante. History The church lies on the site of a primitive worship place erected by the archbishop Anspertus in 879, dedicated to Saint Satyrus, confessor and brother of Saints Ambrose and Marcellina. The current church was instead built from 1472 to 1482 under commission from Duchess Bona di Savoia and Duke Gian Galeazzo Sforza. According to some sources, the designer was Donato Bramante, who had recently moved from the Marche. However, recent documents prove that Bramante had a minor role, with most of the work being attributable to Giovanni Antonio Amadeo, who designed the façade. It is certain that Bramante is responsible for the sacristy perspective. According to sour ...
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Francesco II Sforza
Francesco II Sforza (February 4, 1495 – November 2, 1535) was Duke of Milan from 1521 until his death. He was the last member of the Sforza family to rule Milan. He was the second son of Ludovico Sforza and Beatrice d'Este. When Ludovico was ousted from Milan in the course of the Italian Wars, he brought Francesco with him to the court of the Emperor Maximilian I, who had married a Sforza, Francesco's cousin Bianca Maria. Francesco was assigned to an ecclesiastical career. His father was imprisoned in Loches by Louis XII of France, and died in 1508, but when Charles V re-conquered Milan from the French in 1521, Francesco was appointed its duke, the last of the family to hold that title. His sovereignty, however, remained circumscribed by the military occupation of Milan by Spanish troops.Schulin p. 151 He returned to his state, depleted by twenty years of combat, promoting a cultural and economic recovery. Francesco fought at the Battle of Bicocca, on the side of the emp ...
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Michael (archangel)
Michael (; he, מִיכָאֵל, lit=Who is like El od, translit=Mīḵāʾēl; el, Μιχαήλ, translit=Mikhaḗl; la, Michahel; ar, ميخائيل ، مِيكَالَ ، ميكائيل, translit=Mīkāʾīl, Mīkāl, Mīkhāʾīl), also called Saint Michael the Archangel, Saint Michael the Taxiarch in Orthodoxy and Archangel Michael is an archangel in Judaism, Christianity, Islam and the Baha'i faith. The earliest surviving mentions of his name are in 3rd- and 2nd-century BC Jewish works, often but not always apocalyptic, where he is the chief of the angels and archangels and responsible for the care of Israel. Christianity adopted nearly all the Jewish traditions concerning him, and he is mentioned explicitly in Revelation 12:7–12, where he does battle with Satan, and in the Epistle of Jude, where the author denounces heretics by contrasting them with Michael. Second Temple Jewish writings The earliest surviving mention of Michael is in a 3rd century BC Jewish ...
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Satan
Satan,, ; grc, ὁ σατανᾶς or , ; ar, شيطانالخَنَّاس , also known as Devil in Christianity, the Devil, and sometimes also called Lucifer in Christianity, is an non-physical entity, entity in the Abrahamic religions that seduces humans into sin or falsehood. In Judaism, Satan is seen as an agent subservient to God in Judaism, God, typically regarded as a metaphor for the ''yetzer hara'', or "evil inclination." In Christianity and Islam, he is usually seen as a fallen angel or jinn who has rebelled against God in Abrahamic religions, God, who nevertheless allows him temporary power over the fallen world and a host of demons. In the Quran, Shaitan, also known as Iblis, is an entity made of fire who was cast out of Heaven because he refused to bow before the newly created Adam in Islam, Adam and incites humans to sin by infecting their minds with ''waswās'' ("evil suggestions"). A figure known as ''ha-satan'' ("the satan") first appears in the Hebrew B ...
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Ambrose
Ambrose of Milan ( la, Aurelius Ambrosius; ), venerated as Saint Ambrose, ; lmo, Sant Ambroeus . was a theologian and statesman who served as Bishop of Milan from 374 to 397. He expressed himself prominently as a public figure, fiercely promoting the Christian faith against Arianism and paganism. He left a substantial collection of writings, of which the best known include the ethical commentary ''De officiis ministrorum'' (377–391), and the exegetical (386–390). His preachings, his actions and his literary works, in addition to his innovative musical hymnography, made him one of the most influential ecclesiastical figures of the 4th century. Ambrose was serving as the Roman governor of Aemilia-Liguria in Milan when he was unexpectedly made Bishop of Milan in 374 by popular acclamation. As bishop, he took a firm position against Arianism and attempted to mediate the conflict between the emperors Theodosius I and Magnus Maximus. Tradition credits Ambrose with developing ...
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