Boy Wonder (album)
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Boy Wonder (album)
''Boy Wonder'' is a studio album by jazz guitarist Lenny Breau that was recorded in 1956 and released in 1998. The session was engineered and produced by Al Hawkes of Event Records.CD liner notes History Breau was 15 years old when these tracks were recorded in 1956. At the time, he was performing with his parents Hal "Lone Pine" Breau and Betty Cody, professional country and western musicians who performed and recorded from the mid-1930s until (in Hal Breau's case) the mid-1970s. Breau began playing guitar at the age of eight and by the age of fourteen he was the lead guitarist for his parents' band, billed as "Lone Pine Junior". The final track is an interview of Breau's mother discussing how Breau developed his interest in the guitar. Reception Writing for Allmusic, critic Dave Nathan wrote in his review: "The title of the album is very accurate; Breau was a "wonder," but still a "boy"; technically very sound, but stylistically undeveloped, vestiges of the country music synd ...
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Lenny Breau
Leonard Harold Breau (August 5, 1941 – August 12, 1984) was an American-Canadian guitarist. He blended many styles of music, including jazz, country, classical, and flamenco. Inspired by country guitarists like Chet Atkins, Breau used fingerstyle techniques not often used in jazz guitar. By using a seven-string guitar and approaching the guitar like a piano, he opened up possibilities for the instrument. Biography Early life Breau was born August 5, 1941, in Auburn, Maine, and moved with his family to Moncton, New Brunswick in 1948. His francophone parents, Harold Breau and Betty Cody, were professional country and western musicians who performed and recorded from the mid-1930s until the mid-1970s. From the mid to late 1940s they played summer engagements in southern New Brunswick, advertising their performances by playing free programs on radio station CKCW Moncton. Lenny began playing guitar at the age of eight. When he was twelve, he started a small band with friends, ...
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Lew Brown
Lew Brown (born Louis Brownstein; December 10, 1893 – February 5, 1958) was a lyricist for popular songs in the United States. During World War I and the Roaring Twenties, he wrote lyrics for several of the top Tin Pan Alley composers, especially Albert Von Tilzer. Brown was one third of a successful songwriting and music publishing team with Buddy DeSylva and Ray Henderson from 1925 until 1931. Brown also wrote or co-wrote many Broadway shows and Hollywood films. Among his most-popular songs are "Button Up Your Overcoat", " Don't Sit Under the Apple Tree", "Life Is Just a Bowl of Cherries", " That Old Feeling", and "The Birth of the Blues". Early life and family Brown was born December 10, 1893, in Odessa, Russian Empire, part of today's Ukraine, the son of Etta (Hirsch) and Jacob Brownstein. His family was Jewish. When he was five, his family immigrated to the United States and settled in New York City. He attended DeWitt Clinton High School but, at the suggestion of a tea ...
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Side By Side (1927 Song)
Side by side or side-by-side may refer to: Pairs and parallel arrangements * Side-by-side (graphic), a type of split-screen format in television broadcasts * Side-by-side (vehicle), a utility terrain vehicle * Side-by-side assembly, a Microsoft Windows technology for alleviating DLL issues * Air Command Commander Side-By-Side, an American gyroplane design * Side-by-side display, a type of stereo display for 3D imaging * Side-by-side elements, in pair skating * Side-by-side seating, an alternative to a tandem arrangement * Side-by-side shotgun, a type of double-barreled shotgun * A type of refrigerator Film, television, and video games * ''Side by Side'' (1975 film), a British comedy directed by Bruce Beresford * ''Side by Side'' (1988 film), a film featuring Milton Berle * ''Side by Side'' (1982 film), an American television film about the Osmond family * ''Side by Side'' (2012 film), an American documentary by Christopher Kenneally * Side by Side (film festival), an inte ...
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Anton Karas
Anton Karl Karas (7 July 1906 – 10 January 1985) was an Austrian zither player and composer, best known for his internationally famous 1948 soundtrack to Carol Reed's ''The Third Man''. His association with the film came about as a result of a chance meeting with its director. The success of the film and the enduring popularity of its theme song changed Karas' life. Early life Anton was born illegitimate at Marchfeldstraße 17, Brigittenau, Vienna to Theresia Streckel. He was later legitimized by her marriage to a factory worker, Karl Josef Karas. One of five children, Anton Karas was already keen on music as a child. He wanted to become a bandleader, which was impossible because of his family's financial situation. He was allowed to learn to play an instrument, as were his two brothers and two sisters. He later reported that his first zither was one he found in his grandmother's attic at the age of 12. As ordered by his father, he became an apprentice tool and die maker at t ...
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Third Man Theme
"The Third Man Theme" (also written "3rd Man Theme" and known as "The Harry Lime Theme") is an instrumental written and performed by Anton Karas for the soundtrack to the 1949 film ''The Third Man''. Background ''The Third Man'' is a 1949 British film noir, directed by Carol Reed. One night after a long day of filming ''The Third Man'' on location in Vienna, Reed and cast members Joseph Cotten, Alida Valli and Orson Welles had dinner and retired to a wine cellar. In the bistro, which retained the atmosphere of the pre-war days, they heard the zither music of Anton Karas, a 40-year-old musician who was playing there just for the tips. Reed immediately realized that this was the music he wanted for his film. Karas spoke only German, which no one in Reed's party spoke, but fellow customers translated Reed's offer to the musician that he compose and perform the soundtrack for ''The Third Man''. Karas was reluctant since it meant traveling to England, but he finally accepted. Karas wrote ...
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Ballard MacDonald
Ballard MacDonald (October 15, 1882 – November 17, 1935) was an American lyricist, who was one of the writers of Tin Pan Alley. Born in Portland, Oregon, he was a charter member of the American Society of Composers, Authors and Publishers (ASCAP). MacDonald wrote lyrics for a song called "Play That Barber-Shop Chord" in 1910, which became a hit with revised lyrics when it was sung in the ''Ziegfeld Follies'' by vaudeville star Bert Williams. He subsequently worked with composer Harry Carroll on "On the Mississippi" (1912) and " The Trail of the Lonesome Pine" (1912, based on the novel of the same name). He also partnered with James F. Hanley, which produced the 1917 hit "(Back Home Again in) Indiana". In the early 1920s, MacDonald turned his attention to Broadway revues, which in 1924 brought him his most notable musical collaborator in George Gershwin. In 1926, MacDonald teamed up with Walter Donaldson to write songs for the Broadway show ''Sweetheart Time''. '' Thumbs ...
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James F
James is a common English language surname and given name: *James (name), the typically masculine first name James * James (surname), various people with the last name James James or James City may also refer to: People * King James (other), various kings named James * Saint James (other) * James (musician) * James, brother of Jesus Places Canada * James Bay, a large body of water * James, Ontario United Kingdom * James College, a college of the University of York United States * James, Georgia, an unincorporated community * James, Iowa, an unincorporated community * James City, North Carolina * James City County, Virginia ** James City (Virginia Company) ** James City Shire * James City, Pennsylvania * St. James City, Florida Arts, entertainment, and media * ''James'' (2005 film), a Bollywood film * ''James'' (2008 film), an Irish short film * ''James'' (2022 film), an Indian Kannada-language film * James the Red Engine, a character in ''Thomas the Tank En ...
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Back Home Again In Indiana
"(Back Home Again in) Indiana" is a song composed by James F. Hanley with lyrics by Ballard MacDonald that was published in January 1917. Although it is not the state song of Indiana (which is " On the Banks of the Wabash, Far Away"), it is perhaps the best-known song that pays tribute to the Hoosier state. An Indiana signature The tune was introduced as a Tin Pan Alley pop song of the time. It contains a musical quotation from the already well known "On the Banks of the Wabash, Far Away", as well as repetition of words from the lyrics: candlelight, moonlight, fields, new-mown hay, sycamores, and the Wabash River. Since 1946, the chorus of "Back Home Again in Indiana" has been performed during pre-race ceremonies before the Indianapolis 500. During the song, thousands of multicolored balloons are released from an infield tent. The balloon release dates back to 1947, and has coincided with the song since about 1950. From 1972 to 2014, the song was performed most often by Jim ...
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Edward Madden
Edward Madden (July 17, 1878 – March 11, 1952) was an American lyricist. Early life Madden was born in New York City and graduated from Fordham University. After graduation, he wrote material for many singers including Fanny Brice and for vaudeville acts. He eventually worked for the Broadway stage. Works During his career he worked with Ben Jerome, Dorothy Jardon, Joseph Daly, Gus Edwards, Julian Edwards, Louis Hirsch, Theodore Morse, Percy Wenrich and Jerome Kern. Madden produced such standards as “ By the Light of the Silvery Moon”, “ On Moonlight Bay”, “Down in Jungle Town”, “Blue Bell”, “Look Out for Jimmy Valentine”, “Aren't You the Wise Ole Owl”, “My Only One”, “What Could Be Sweeter?”, “The World Can't Go ‘Round Without You”, “Red Rose Rag”, “Silver Bell”, “Arra Wanna”, “I've Got a Feelin' for You”, “A Little Boy Called Taps”, " It Takes the Irish to Beat the Dutch" and “I'd Rather Be a Lobste ...
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Gus Edwards (vaudeville)
Gustave Edwards (August 18, 1878 – November 7, 1945) was an American composer, songwriter and film director. He also was a vaudevillian, organised his own theatre companies and was a music publisher. Early life Edwards was the son of Morris and Johanna Simon. He was born Gustav Schmelowsky in Inowrazlaw, German Empire (present-day Inowrocław, Poland). His family boarded the steamship ''Spaarndam'' as steerage passengers; they arrived at the Port of New York on 29 July 1891 ending up in Williamsburg. During the day, he worked in the family cigar store, and in the evenings, he wandered looking for any sort of show business job. He found work as a singer at various lodge halls, on ferry boat lounges, in saloons, and even between bouts at the athletic clubs. As a very young boy, Edwards worked as a song plugger at Koster and Bial's, at Tony Pastor's theatre, and at the Bowery Theatre. In those old vaudeville days, song publishers would often hire a very young boy to s ...
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By The Light Of The Silvery Moon (song)
"By The Light of the Silvery Moon" or "By the Light of the Silv'ry Moon" is a popular love song. The music was written by Gus Edwards, and the lyrics by Edward Madden. The song was published in 1909 and first performed on stage by Lillian Lorraine in the ''Ziegfeld Follies of 1909''. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show ''Miss Innocence'' (September 27-October 9, 1909) when it was sung by Frances Farr. Popular recordings in 1910 were by Billy Murray and The Haydn Quartet; Ada Jones; and The Peerless Quartet. The song has been used in a great many television shows and motion pictures. In 1935, the song in short was used in the Charles Laughton film ''Ruggles of Red Gap'' in a segue. Later, the movie of the same title was released in 1953, starring Doris Day. It served as a sequel to '' On Moonlight Bay'', which also starred Doris Day. The song was originally recorded in C major, but has s ...
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