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Bourrée Fantasque
"Bourrée fantasque" is a piece of music for solo piano by Emmanuel Chabrier (1841–1894), being one of his last major completed works. Background "Bourrée fantasque" is dedicated to the pianist Édouard Risler (1873–1929), who in fact did not play the work in public until after the composer's death. The first public performance was given by (Mme Henry Jossic, 1868–1905) on 7 January 1893 at the Société Nationale de Musique in Paris.Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999. It was composed around April 1891, following a visit to his native Auvergne the previous summer, when Chabrier's health was deteriorating. According to Alfred Cortot it is "one of the most exciting and original works in the whole literature of French piano music".Myers R. ''Emmanuel Chabrier and his circle''. J M Dent and Sons, London, 1973. Unlike much nineteenth century writing for the pianoforte, the instrument is treated almost like an orchestra, and "foreshadows innovations in pian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée D'Auvergne
The bourrée ( oc, borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bourrée
The bourrée ( oc, borrèia; also in England, borry or bore) is a dance of French origin and the words and music that accompany it. The bourrée resembles the gavotte in that it is in double time and often has a dactylic rhythm. However, it is somewhat quicker, and its phrase starts with a quarter-bar anacrusis or "pick-up", whereas a gavotte has a half-bar anacrusis. In the Baroque era, after the Academie de Dance was established by Louis XIV in 1661, the French court adapted the bourrée, like many such dances, for the purposes of concert dance. In this way it gave its name to a ballet step characteristic of the dance, a rapid movement of the feet while en pointe or demi-pointe, and so to the sequence of steps called . The bourrée became an optional movement in the classical suite of dances, and J. S. Bach, Handel and Chopin wrote bourrées, not necessarily intending them to be danced. History The bourrée originates in Auvergne in France. It is sometimes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Balanchine
George Balanchine (; Various sources: * * * * born Georgiy Melitonovich Balanchivadze; ka, გიორგი მელიტონის ძე ბალანჩივაძე; January 22, 1904 (O. S. January 9) – April 30, 1983) was an ethnic Georgian American ballet choreographer who was one of the most influential 20th-century choreographers. Styled as the father of American ballet, he co-founded the New York City Ballet and remained its artistic director for more than 35 years.Joseph Horowitz (2008)''Artists in Exile: How Refugees from 20th-century War and Revolution Transformed the American Performing Arts.''HarperCollins. His choreography is characterized by plotless ballets with minimal costume and décor, performed to classical and neoclassical music. Born in St. Petersburg, Balanchine took the standards and technique from his time at the Imperial Ballet School and fused it with other schools of movement that he had adopted during his tenure on Broadway and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique is a Paris opera company which was founded around 1714 by some of the popular theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with its history and discover its unique repertoire to ensu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Jacques Etchevery
Jean-Jacques de Peyret-Chappuis, called Jean-Jacques Etchevery (1916, Paris – 12 April 1997) was a 20th-century French dancer and choreographer. Trained by Lydia Karpova and Nicolas Zverev, from 1940 he danced at Les Ballets de Monte Carlo. In 1945, he founded his own company "L'Oiseau bleu". In 1946, Georges Hirsch called him as ballet master of the Paris Opera then entrusted him, as director of dance, to establish a new national ballet at the Opéra-Comique. After six years, he left the Opéra-Comique to become choreographer, director of ballet, stage director and finally director at the Théâtre de la Monnaie in Brussels. He signed his first mise en scène in 1956. After three years he left that position to become a full-time stage director all over Europe and even at the Teatro Colón in Buenos Aires. He signed with the Grand Théâtre de Genève, when it reopened in 1962, where he organized the technical and administrative services and directed the stage. In 1973, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kingsway Hall
The Kingsway Hall in Holborn, London, was the base of the West London Mission (WLM) of the Methodist Church, and eventually became one of the most important recording venues for classical music and film music. It was built in 1912 and demolished in 1998. Among the prominent Methodists associated with the Kingsway Hall was Donald Soper, who was Superintendent Minister at the West London Mission from 1936 until his retirement in 1978. Overview Kingsway Hall took its name from the street on to which its main entrance opened. The address was West London Mission, 75 Kingsway, London . In 1899, the London County Council (LCC) was given the power to proceed with major slum clearance in the area between Holborn and the Strand. The Methodist Church had operated its West London Mission since 1887 occupying a number of rented buildings in Piccadilly, St James' Hall and Princes Hall, and the Strand, Exeter Hall. These venues were steadily reclaimed as sites for new hotels, so eventually, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Jones Brass Ensemble
The Philip Jones Brass Ensemble, founded in 1951 by trumpeter Philip Jones, was one of the first modern classical brass ensembles to be formed. The group played either as a quintet or as a ten-piece, for larger halls. It toured and recorded extensively, and numerous arrangements were commissioned, many of which were bequeathed on Jones' death to the library of the Royal Northern College of Music. The ensemble recorded Leonard Salzedo's signature fanfare for the Open University's television transmissions. Following Philip Jones' retirement in 1986, a number of the members of the group continued to collaborate, yet changed their name to London Brass. Members Conductors * Elgar Howarth Elgar Howarth (born 4 November 1935), is an English conductor, composer and trumpeter. Biography Howarth was born at Cannock, Staffordshire. He was educated in the 1950s at Manchester University and the Royal Manchester College of Music (the ... * John Iveson Trumpet French horn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boosey & Hawkes
Boosey & Hawkes is a British music publisher purported to be the largest specialist classical music publisher in the world. Until 2003, it was also a major manufacturer of brass, string and woodwind musical instruments. Formed in 1930 through the merger of two well-established British music businesses, it controls the copyrights to much major 20th-century music, including works by Leonard Bernstein, Benjamin Britten, Aaron Copland, Sergei Prokofiev, and Igor Stravinsky. It also publishes many prominent contemporary composers, including John Adams, Karl Jenkins, James MacMillan, Mark-Anthony Turnage, and Steve Reich. With subsidiaries in Berlin and New York, it also sells sheet music via its online shop. History Pre-merger Boosey & Hawkes was founded in 1930 through the merger of two respected music companies, Boosey & Company and Hawkes & Son. The Boosey family was of Franco–Flemish origin. Boosey & Company traces its roots back to John Boosey, a bookseller in London i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Daniel
Paul Daniel (born 5 July 1958) is an English conductor. Biography Early life Daniel was born in Birmingham. As a boy, he sang in the choir of Coventry Cathedral, where he received musical training; then studied music at King's College, Cambridge. He learned conducting at the Guildhall School of Music and Drama in London, where his teachers included Sir Adrian Boult and Sir Edward Downes. Career In 1982, Daniel received a position on the musical staff of the English National Opera and remained there until 1987. In the late 1980s, he was the musical director of a number of amateur choirs, including Wokingham Choral Society, often featuring his future wife, the soprano Joan Rodgers. From 1987 to 1990, he was music director of Opera Factory. From 1990 to 1997, he was the musical director of Opera North and principal conductor of the English Northern Philharmonia. He attracted attention for his work with neglected operas, including Dukas' '' Ariane et Barbe-bleue'', Tippett's '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Northern Philharmonia
The Orchestra of Opera North (or English Northern Philharmonia as recording name) is the orchestra that plays for the Opera North. It was founded as the English Northern Philharmonia, and changed its name during the period when Steven Sloane was Opera North's Music Director. Since the Royal Scottish National Orchestra ceased to play for Scottish Opera, the OON is the only orchestra in Britain which performs throughout the year in concert halls as well as opera houses. The orchestra made a number of recordings for Naxos Records under former Opera North Music Directors Paul Daniel Paul Daniel (born 5 July 1958) is an English conductor. Biography Early life Daniel was born in Birmingham. As a boy, he sang in the choir of Coventry Cathedral, where he received musical training; then studied music at King's College, Cambr ... and David Lloyd-Jones. ReferencesOrchestra page on the Opera North site [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Elizabeth Hall
The Queen Elizabeth Hall (QEH) is a music venue on the South Bank in London, England, that hosts classical, jazz, and avant-garde music, talks and dance performances. It was opened in 1967, with a concert conducted by Benjamin Britten. The QEH was built along with the smaller Purcell Room as part of Southbank Centre arts complex. It stands alongside the Royal Festival Hall, which was built for the Festival of Britain of 1951, and the Hayward Gallery which opened in 1968. History The QEH stands on the site of a former shot tower, built as part of a lead works in 1826 and retained for the Festival of Britain. The QEH and the Purcell Room were built together by Higgs and Hill and opened in March 1967. The venue was closed for two years of renovations in September 2015, and reopened in April 2018. Description The QEH has over 900 seats and the Purcell Room in the same building has 360 seats. The two auditoriums were designed by a team led by Hubert Bennett, head of the arch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robin Holloway
Robin Greville Holloway (born 19 October 1943) is an English composer, academic and writer. Early life Holloway was born in Leamington Spa. From 1953 to 1957, he was a chorister at St Paul's Cathedral and was educated at King's College School, where his father Robert was Head of the Art Department.Northcott, Bayan, "Robin Holloway" (August 1974). ''The Musical Times'', 115 (1578): pp. 644–646 He attended King's College, Cambridge and studied composition with Bayan Northcott. Career In 1974, Holloway became an Assistant Lecturer in Music at the University of Cambridge, and in 1980 attained a full Lecturer position. In 1999, he became a reader in Musical Composition at Cambridge. He retired in 2011 as professor of Musical Composition. He is also a Fellow of Gonville and Caius College, Cambridge. Among his many pupils are Thomas Adès, Huw Watkins, Peter Seabourne, George Benjamin, Judith Weir, and Jonathan Dove. Holloway's doctoral thesis ''Debussy and Wagner'' (later pub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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