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Bouladjel
Bouladjèl (also sometimes Boulagèl or Bannjogita) is a vocal percussion technique practiced on the French Caribbean island of Guadeloupe. It consists of a poly-rhythmic superposition of percussive vocalizations (throat sounds, onomatopoeia, gasps) and hand claps performed as an accompaniment to certain forms of traditional singing, mostly songs of mourning and funeral wakes. A bouladjèl performer is known as a ''boularien''. Origins Written accounts of bouladjèl are few and recent. It is thought to have developed among Guadeloupean enslaved field workers to replicate drumming at a time when the Code Noir forbade them to use drums, and transmitted orally since. In 1988, Lafontaine presented "boula-gueule" as a vocal polyphony performed during funeral wakes. However, although it is nowadays most specifically a funeral singing practice, local oral accounts state that it was also commonly heard outwith wakes up to the 1970s (e.g. child play, work, leisure singing...). Indee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwo Ka
Gwo ka is a French creole term for big drum. Alongside ''Gwotanbou'', simply ''Ka'' or ''Banboula'' (archaic), it refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music. Moreover, the term is occasionally found in reference to the small, flat-bottomed tambourine (''tanbou d'bas'') played in kadri music, or even simply to drum (''tanbou'') in general. The Gwo Ka musical practice emerged in the seventeenth century, during the transatlantic slave trade Seven simple drum patterns form the basis of gwo ka music, on which the drummers build rhythmic improvisations. Different sizes of drums provide the foundation and its flourishes. The largest, the boula, plays the central rhythm while the smaller ''maké'' (or markeur) embellishes upon it, inter-playing with dancers, audience, or singer. Gwo ka singing is usually guttural, nasal, and rough, though it can also be bright and smooth, and is accompanied by upliftin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwo Ka
Gwo ka is a French creole term for big drum. Alongside ''Gwotanbou'', simply ''Ka'' or ''Banboula'' (archaic), it refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music. Moreover, the term is occasionally found in reference to the small, flat-bottomed tambourine (''tanbou d'bas'') played in kadri music, or even simply to drum (''tanbou'') in general. The Gwo Ka musical practice emerged in the seventeenth century, during the transatlantic slave trade Seven simple drum patterns form the basis of gwo ka music, on which the drummers build rhythmic improvisations. Different sizes of drums provide the foundation and its flourishes. The largest, the boula, plays the central rhythm while the smaller ''maké'' (or markeur) embellishes upon it, inter-playing with dancers, audience, or singer. Gwo ka singing is usually guttural, nasal, and rough, though it can also be bright and smooth, and is accompanied by upliftin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Percussion
Vocal percussion is the art of creating sounds with one's mouth that approximate, imitate, or otherwise serve the same purpose as a percussion instrument, whether in a group of singers, an instrumental ensemble, or solo. In Western music Recent musicological research points at Brazilian songwriter and musician Marcos Valle as a pioneer of vocal percussion. In the track "Mentira" from his 1973 album "Previsao do Tempo", Valle imitates a drum kit with his voice. Beatboxing, an art form pioneered by rapper Doug E. Fresh, is one school of vocal percussion, originating in hip-hop music and often used to accompany rapping. Stylistically, it is more expansive than traditional vocal percussion as it involves mimicking other sound effects and instruments with the voice such as trumpets, scratches, and bass-lines. It is utilized by many musicians spanning over a wide variety of genres. In Indian music Vocal percussion is also an integral part of many world music traditions, most notab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caribbean
The Caribbean (, ) ( es, El Caribe; french: la Caraïbe; ht, Karayib; nl, De Caraïben) is a region of the Americas that consists of the Caribbean Sea, its islands (some surrounded by the Caribbean Sea and some bordering both the Caribbean Sea and the North Atlantic Ocean) and the surrounding coasts. The region is southeast of the Gulf of Mexico and the North American mainland, east of Central America, and north of South America. Situated largely on the Caribbean Plate, the region has more than 700 islands, islets, reefs and cays (see the list of Caribbean islands). Island arcs delineate the eastern and northern edges of the Caribbean Sea: The Greater Antilles and the Lucayan Archipelago on the north and the Lesser Antilles and the on the south and east (which includes the Leeward Antilles). They form the West Indies with the nearby Lucayan Archipelago (the Bahamas and Turks and Caicos Islands), which are considered to be part of the Caribbean despite not bordering the Caribbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guadeloupe
Guadeloupe (; ; gcf, label=Antillean Creole, Gwadloup, ) is an archipelago and overseas department and region of France in the Caribbean. It consists of six inhabited islands—Basse-Terre, Grande-Terre, Marie-Galante, La Désirade, and the two inhabited Îles des Saintes—as well as many uninhabited islands and outcroppings. It is south of Antigua and Barbuda and Montserrat, north of the Commonwealth of Dominica. The region's capital city is Basse-Terre, located on the southern west coast of Basse-Terre Island; however, the most populous city is Les Abymes and the main centre of business is neighbouring Pointe-à-Pitre, both located on Grande-Terre Island. It had a population of 384,239 in 2019.Populations légales 2019: 971 Guadeloupe INSEE Like the other overseas departments, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythm
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playing toget ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Code Noir
The (, ''Black code'') was a decree passed by the French King Louis XIV in 1685 defining the conditions of slavery in the French colonial empire. The decree restricted the activities of free people of color, mandated the conversion of all enslaved people throughout the empire to Roman Catholicism, defined the punishments meted out to slaves, and ordered the expulsion of all Jews from France's colonies. The code's effects on the enslaved population of the French colonial empire were complex and multifaceted. It outlawed the worst punishments owners could inflict upon their slaves, and led to an increase in the free population. Despite this, enslaved persons were still subject to harsh treatment at the hands of their owners, and the expulsion of Jews was an extension of antisemitic trends in the Kingdom of France. Free people of color were still placed under restrictions via the , but were otherwise free to pursue their own careers. Compared to other European colonies in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morne-à-l'Eau
Morne-à-l'Eau (''Monalô'' in creole) is a commune located in the department of Guadeloupe. Events In March or April each year since 1993, the town organises a crab festival which features crab races and many stalls selling crab-based dishes. In 2008 the event's 18th edition attracted over 20,000 visitors and included a Brazilian music plus a cycle-race passing through the already congested town. Hamlets Béguette, Berlette, Blanchette, Boisvin, Bosrédon, Belle-Espérance, Blain, Blanchet, Bonne-Terre, Le Bourg (Grippon), Brion, Bubelloy, Chastel, Chaumette, Chazeau, Chevalier, Chouioutte, Clugny, Cocoyer, Croustère, Dubelloy, Dubisquet, Espérance, Geffrier, Gensolin, Lemesle, Lola, Jabrun, Jabrun-Saint-Cyr, Labuthie, Lasserre, Lebraire, Marchand, Marieulle, Perrin, Pierrefite, Point-à-Retz, Quirine, Réduit, Rousseau, Richeval, Salette, Sauvia, Vieux-Bourg, et Zabeth. Population Politics Education Public preschools include: [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alan Lomax
Alan Lomax (; January 31, 1915 – July 19, 2002) was an American ethnomusicologist, best known for his numerous field recordings of folk music of the 20th century. He was also a musician himself, as well as a folklorist, archivist, writer, scholar, political activist, oral historian, and film-maker. Lomax produced recordings, concerts, and radio shows in the US and in England, which played an important role in preserving folk music traditions in both countries, and helped start both the American and British folk revivals of the 1940s, 1950s, and early 1960s. He collected material first with his father, folklorist and collector John Lomax, and later alone and with others, Lomax recorded thousands of songs and interviews for the Archive of American Folk Song, of which he was the director, at the Library of Congress on aluminum and acetate discs. After 1942, when Congress terminated the Library of Congress's funding for folk song collecting, Lomax continued to collect independentl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's '' Boléro'' and the ''Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from ''Peter Gunn'' (1959), The Who's "Baba O'Riley" (1971), and The Verve's " Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of an os ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rapping
Rapping (also rhyming, spitting, emceeing or MCing) is a musical form of vocal delivery that incorporates "rhyme, rhythmic speech, and street vernacular". It is performed or chanted, usually over a backing beat or musical accompaniment. The components of rap include "content" (what is being said), "flow" (rhythm, rhyme), and "delivery" (cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. Rap is a primary ingredient of hip hop music commonly associated with that genre; however, the origins of rap predate hip-hop culture by many years. Precursors to modern rap include the West African griot tradition, Cockney rhyming slang, certain vocal styles of blues, jazz, 1960s African-American poetry and ''Sprechgesang''. The use of rap in popular music originated in the Bronx, New York City in the 1970s, alongside the hip hop genre and cultural movement. Rapping developed from the role of master of ceremonies (MC) at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
