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Bonnefantenmuseum
The Bonnefanten Museum is a museum of fine art in Maastricht, Netherlands. History The museum was founded in 1884 as the historical and archaeological museum of the Dutch province of Limburg. The name Bonnefanten Museum is derived from the French 'bons enfants' ('good children'), the popular name of a former convent that housed the museum from 1951 until 1978. In 1995, the museum moved to its present location, a former industrial site named 'Céramique'. The new building was designed by Italian architect Aldo Rossi. With its rocket-shaped cupola overlooking the river Maas, it is one of Maastricht's most prominent modern buildings. Since 1999, the museum has become exclusively an art museum. The historical and archaeological collections were housed elsewhere. The museum is largely funded by the province of Limburg. In 2009, the museum celebrated its 125th anniversary with the exhibition ''Exile on Main Street''. In 2012, Stijn Huijts became director. Collection The combination ...
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Jan Van Steffeswert
Jan van Steffeswert or alternatively Jan van Steffenswert or Jan van Stevensweert (c. 1460 – c. 1531) was an Early Netherlandish sculptor and wood carver based in Maastricht. Contrary to the customs of the time, he signed at least some of the works he produced, using variously ''Jan Bieldesnider'', ''Jan van Weerd'' or ''Jan van Steffeswert''. To date, fourteen works have been positively identified as his.Bonnefantenmuseum">''Jan van Steffeswert'' biography on the Bonnefantenmuseum website Works *Seated unidentified bishop – Bonnefantenmuseum, Maastricht, Netherlands. *Saint Catherine of Alexandria – British Museum, London, England *Iohannes in disco (head of Saint John the Baptist) – Curtius Museum, Liège, Belgium *Marianum (German: ''Strahlenkranzmadonna'') – Aachen Cathedral, Germany *Saint Mary – Sint-Martinuskerk in Beek, Netherlands *Saint Barbara – Sint-Martinuskerk, Born, Netherlands *Saint Cecilia – St Matthiaskerk, Maastricht, Netherlands *Saint Crispin ...
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Maastricht
Maastricht ( , , ; li, Mestreech ; french: Maestricht ; es, Mastrique ) is a city and a municipality in the southeastern Netherlands. It is the capital and largest city of the province of Limburg. Maastricht is located on both sides of the Meuse ( nl, Maas), at the point where the Jeker joins it. Mount Saint Peter (''Sint-Pietersberg'') is largely situated within the city's municipal borders. Maastricht is about 175 km south east of the capital Amsterdam and 65 km from Eindhoven; it is adjacent to the border with Belgium and is part of the Meuse-Rhine Euroregion, an international metropolis with a population of about 3.9 million, which includes the nearby German and Belgian cities of Aachen, Liège and Hasselt. Maastricht developed from a Roman settlement (''Trajectum ad Mosam'') to a medieval religious centre. In the 16th century it became a garrison town and in the 19th century an early industrial centre. Today, the city is a thriving cultural and regional hub. It beca ...
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Aldo Rossi
Aldo Rossi (3 May 1931 – 4 September 1997) was an Italian architect and designer who achieved international recognition in four distinct areas: architectural theory, drawing and design and also product design. He was one of the leading exponents of the postmodern movement. He was the first Italian to receive the Pritzker Prize for architecture. Early life He was born in Milan, Italy. After early education by the Somascan Religious Order and then at Alessandro Volta College in Lecco in 1949, he went to the school of architecture at the Polytechnic University of Milan. His thesis advisor was Piero Portaluppi and he graduated in 1958. In 1955, he had started writing for, and from 1959 was one of the editors of, the architectural magazine Casabella-Continuità, with the editor in chief Ernesto Nathan Rogers. Rossi left in 1964 when the chief editorship went to Gian Antonio Bernasconi. Rossi went on to work for Società magazine and Il_contemporaneo, making him one of the mo ...
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England
England is a country that is part of the United Kingdom. It shares land borders with Wales to its west and Scotland to its north. The Irish Sea lies northwest and the Celtic Sea to the southwest. It is separated from continental Europe by the North Sea to the east and the English Channel to the south. The country covers five-eighths of the island of Great Britain, which lies in the North Atlantic, and includes over 100 smaller islands, such as the Isles of Scilly and the Isle of Wight. The area now called England was first inhabited by modern humans during the Upper Paleolithic period, but takes its name from the Angles, a Germanic tribe deriving its name from the Anglia peninsula, who settled during the 5th and 6th centuries. England became a unified state in the 10th century and has had a significant cultural and legal impact on the wider world since the Age of Discovery, which began during the 15th century. The English language, the Anglican Church, and Engli ...
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Pieter Coecke Van Aelst
Pieter Coecke van Aelst or Pieter Coecke van Aelst the Elder ( Aalst, 14 August 1502 – Brussels, 6 December 1550) was a Flemish painter, sculptor, architect, author and designer of woodcuts, goldsmith's work, stained glass and tapestries.Pieter Coecke van Aelst (I)
at the
His principal subjects were Christian religious themes. He worked in Antwerp and Brussels and was appointed to

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Roelandt Savery
Roelant Savery (or ''Roeland(t) Maertensz Saverij'', or ''de Savery'', or many variants; 1576 – buried 25 February 1639) was a Flanders-born Dutch Golden Age painter. Life Savery was born in Kortrijk. Like so many other artists, he belonged to an Anabaptist family that fled north from the Spanish-occupied Southern Netherlands when Roelant was about 4 years old and settled in Haarlem around 1585. He was taught painting by his older brother Jacob Savery (c. 1565 – 1603) and Hans Bol. After his schooling, Savery traveled to Prague around 1604, where he became court painter of the Emperors Rudolf II (1552–1612) and Mathias (1557–1619), who had made their court a center of mannerist art. Between 1606 and 1608 he traveled to Tyrol to study plants. Gillis d'Hondecoeter became his pupil. Before 1616 Savery moved back to Amsterdam, and lived in the Sint Antoniesbreestraat. In 1618 he settled in Utrecht, where he joined the artist's guild a year later. His nephew Hans w ...
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Jan Provost
Jan Provoost, or Jean Provost, or Jan Provost (1462/65 – January 1529) was a Belgian painter born in Mons. Provost was a prolific master who left his early workshop in Valenciennes to run two workshops, one in Bruges, where he was made a burgher in 1494, the other simultaneously in Antwerp, which was the economic centre of the Low Countries. Provost was also a cartographer, engineer, and architect. He met Albrecht Dürer in Antwerp in 1520, and a Dürer portrait drawing at the National Gallery, London, is conjectured to be of Provost. He married the widow of the miniaturist and painter Simon Marmion, after whose death he inherited the considerable Marmion estate. He died in Bruges, in January 1529. The styles of Gerard David and Hans Memling can be detected in Provoost's religious paintings. The ''Last Judgement'' painted for the Bruges town hall in 1525 is the only painting for which documentary evidence identifies Provost. Surprising discoveries can still be made: in 1971 a ...
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Jan Mandyn
Jan Mandijn or Jan Mandyn (c. 1500, Haarlem – c. 1560, Antwerp) was a Dutch Renaissance painter, who worked in Antwerp after 1530. Biography Mandijn trained in Haarlem. He moved to Antwerp in 1530.Els Vermandere. "Mandijn, Jan."
Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 May. 2014
He was the teacher of Jan van der Elburcht, Gillis Mostaert and Bartholomeus Spranger.Frans en Gillis Mostart
in Karel van Mander's ''Schilder-boeck'', 1604
He died in Antwerp.


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Only one signed work of Mandijn survives, the ''Temptation of Saint Anthony'' (Frans Hals Museum in ...
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Colijn De Coter
Colijn de Coter (c. 1440–1445 – c. 1522–1532) was an early Netherlandish painter who produced mainly altarpieces. He worked primarily in Brussels and Antwerp. His name was sometimes given as ''Colijn van Brusele'' (Colijn of Brussels), indicating that he hailed from Brussels or at least that he lived there most of his active life. He also signed several paintings with ''Coliin de Coter pinxit me in Brabancia Bruselle'' ("Colijn de Coter painted me in Brussels in the region of Brabant"). Biography De Coter was born circa 1440–1445. This can be deduced from a 1479 document in the Brussels archives, naming him as a husband, painter and tenant of a house; in other words, he must have already reached adulthood in that year. Another document, dating from 1483, refers to him as ''Colijn van Brusele'' (Colijn of Brussels). This document states that he had registered with the Guild of Saint Luke in Antwerp and decorated a vault in the chapel of that guild in the Cathedral of O ...
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Pietro Nelli
Pietro Nelli (1672 – after 1730) was an Italian painter of the late- Baroque period. He was born in Massa, where he had been a pupil of Giovanni Maria Morandi in Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption .... He was known for his portraits including those of Cardinal Lodovico Pico (engraved by Frey); Andrea Giuseppe Rossi (engraved by Niccolo Billy); and Bishop Giovanni Francesco Tenderini (engraved by Giovanni Battista Rossi). References * 1670s births 17th-century Italian painters Italian male painters 18th-century Italian painters Italian Baroque painters 18th-century deaths 18th-century Italian male artists {{Italy-painter-17thC-stub ...
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Sano Di Pietro
Sano di Pietro or Ansano di Pietro di Mencio (1405–1481) was an Italian painter of the Sienese school of painting. He was active for about half a century during the Quattrocento period, and his contemporaries included Giovanni di Paolo and Sassetta. Life Sano was born in 1405. His name entered the roll of painters in 1428 where it remained until his death in 1481. In addition to his own painting and overseeing the pupils and assistants in his workshop, Sano was part of the civic fabric of Siena; in 1431 and 1442 he was the leader of the San Donato district of Siena. Sano was also employed as an arbitrator; in 1475 he was called upon to settle a dispute between fellow painters Neroccio di Bartolommeo and Francesco di Giorgio Martini. However, he made his living as a painter. The workshop he ran produced a large number of artworks. He wasn't merely a painter of altarpieces. He also produced frescoes, miniatures, and book bindings. Sano died in 1481. His death notice read: :::' ...
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Jacopo Del Casentino
Jacopo del Casentino (c. 1297 – 1358) was an Italian painter, active mainly in Tuscany in the first half of the 14th century. Life Very little is known about this artist other than that he likely came from Casentino. Giorgio Vasari incorrectly identified him as a member of the Landini family and that is the reason why in the past he was referred to as Jacopo Landino. Vasari also incorrectly placed his origins in Arezzo. It is likely he received his training in Florence in the milieu of the Master of St Cecilia. His career appears to have been confined to the first half of the 14th century. He was one of the founders of the ''Compagnia di S Luca'' (Company of Painters), which was under the patronage of the Virgin and Saints John the Baptist, Saint Zenobius, Saint Reparata, and Saint Luke and was elected in 1339 its first ''consigliere''.Andrew Ladis. "Jacopo del Casentino." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 15 June 2016 Work Casentino ...
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