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Boboli Garden
The Boboli Gardens ( it, Giardino di Boboli) is a historical park of the city of Florence that was opened to the public in 1766. Originally designed for the Medici, it represents one of the first and most important examples of the Italian garden, which later served as inspiration for many European courts. The large green area is a real open-air museum with statues of various styles and periods, ancient and Renaissance that are distributed throughout the garden. It also has large fountains and caves, among them the splendid Buontalenti grotto built by the artist, architect, and sculptor Bernardo Buontalenti between 1536 and 1608. History and layout The Gardens, directly behind the Pitti Palace, the main seat of the Medici grand dukes of Tuscany at Florence, are some of the first and most familiar formal 16th-century Italian gardens. The mid-16th-century garden style, as it was developed here, incorporated longer axial developments, wide gravel avenues, a considerable "built" elem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hippodrome
The hippodrome ( el, ἱππόδρομος) was an ancient Greek stadium for horse racing and chariot racing. The name is derived from the Greek words ''hippos'' (ἵππος; "horse") and ''dromos'' (δρόμος; "course"). The term is used in the modern French language and some others, with the meaning of "horse racecourse". Hence, some present-day horse-racing tracks also include the word "hippodrome" in their names, such as the Hippodrome de Vincennes and the Central Moscow Hippodrome. In the English-speaking world the term is occasionally used for theatres. Overview The Greek hippodrome was similar to the Roman version, the circus. (The hippodrome was not a Roman amphitheatre, which was used for spectator sports, executions, and displays, or a Greek or Roman semicircular amphitheater used for theatrical performances.) The Greek hippodrome was usually set out on the slope of a hill, and the ground taken from one side served to form the embankment on the other side. One en ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Ammannati
Bartolomeo Ammannati (18 June 151113 April 1592) was an Italian architect and sculptor, born at Settignano, near Florence. He studied under Baccio Bandinelli and Jacopo Sansovino (assisting on the design of the Library of St. Mark's, the ''Biblioteca Marciana'', Venice) and closely imitated the style of Michelangelo. He was more distinguished in architecture than in sculpture. He worked in Rome in collaboration with Vignola and Vasari), including designs for the Villa Giulia, but also for works and at Lucca. He labored during 1558–1570, in the refurbishment and enlargement of Pitti Palace, creating the courtyard consisting of three wings with rusticated facades, and one lower portico leading to the amphitheatre in the Boboli Gardens. His design mirrored the appearance of the main external façade of Pitti. He was also named ''Consul'' of Accademia delle Arti del Disegno of Florence, which had been founded by the Duke Cosimo I in 1563. In 1569, Ammanati was commissioned to bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo De' Rossi
Vincenzo de' Rossi (b. Fiesole, 1525. d. Florence, 1587) was an Italian sculptor. Work Rossi was mentored by Baccio Bandinelli. Many of Rossi's works historically were incorrectly attributed to Michelangelo, such as ''Dying Adonis''. Some of his most famous works were his sculptures of the Twelve Labours of Hercules, of which he only completed seven. Six of these sculptures are located in at the Palazzo Vecchio. The seventh labour, Hercules with Atlas, is located at the Villa di Poggio Imperiale Villa del Poggio Imperiale (English: Villa of the Imperial Hill) is a predominantly neoclassical former grand ducal villa in Arcetri, just to the south of Florence in Tuscany, Central Italy. Beginning as a villa of the Baroncelli of Florence, .... References 16th-century Italian sculptors 1525 births 1587 deaths Sculptors from Florence {{Italy-sculptor-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pope Julius II
Pope Julius II ( la, Iulius II; it, Giulio II; born Giuliano della Rovere; 5 December 144321 February 1513) was head of the Catholic Church and ruler of the Papal States from 1503 to his death in February 1513. Nicknamed the Warrior Pope or the Fearsome Pope, he chose his papal name not in honour of Pope Julius I but in emulation of Julius Caesar. One of the most powerful and influential popes, Julius II was a central figure of the High Renaissance and left a significant cultural and political legacy. As a result of his policies during the Italian Wars, the Papal States increased its power and centralization, and the office of the papacy continued to be crucial, diplomatically and politically, during the entirety of the 16th century in Italy and Europe. In 1506, Julius II established the Vatican Museums and initiated the rebuilding of the St. Peter's Basilica. The same year he organized the famous Swiss Guards for his personal protection and commanded a successful campa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mannerism
Mannerism, which may also be known as Late Renaissance, is a style in European art that emerged in the later years of the Italian High Renaissance around 1520, spreading by about 1530 and lasting until about the end of the 16th century in Italy, when the Baroque style largely replaced it. Northern Mannerism continued into the early 17th century. Mannerism encompasses a variety of approaches influenced by, and reacting to, the harmonious ideals associated with artists such as Leonardo da Vinci, Raphael, Vasari, and early Michelangelo. Where High Renaissance art emphasizes proportion, balance, and ideal beauty, Mannerism exaggerates such qualities, often resulting in compositions that are asymmetrical or unnaturally elegant.Gombrich 1995, . Notable for its artificial (as opposed to naturalistic) qualities, this artistic style privileges compositional tension and instability rather than the balance and clarity of earlier Renaissance painting. Mannerism in literature and music is not ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambologna
Giambologna (1529 – 13 August 1608), also known as Jean de Boulogne (French), Jehan Boulongne (Flemish) and Giovanni da Bologna (Italian), was the last significant Italian Renaissance sculptor, with a large workshop producing large and small works in bronze and marble in a late Mannerist style. Biography Giambologna was born in Douai, Flanders ( then and now in France), in 1529. After youthful studies in Antwerp with the architect-sculptor Jacques du Broeucq, he moved to Italy in 1550 and studied in Rome, making a detailed study of the sculpture of classical antiquity. He was also much influenced by Michelangelo, but developed his own Mannerist style, with perhaps less emphasis on emotion and more emphasis on refined surfaces, cool elegance, and beauty. Pope Pius IV gave Giambologna his first major commission, the colossal bronze Neptune and subsidiary figures for the Fountain of Neptune (the base designed by Tommaso Laureti, 1566) in Bologna. Giambologna spent his most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bosquet
In the French formal garden, a ''bosquet'' (French, from Italian ''bosco'', "grove, wood") is a formal plantation of trees in a wide variety of forms, some open at the bottom and others not. At a minimum a bosquet can be five trees of identical species planted as a quincunx (like a 5 dice), or set in strict regularity as to rank and file, so that the trunks line up as one passes along either face. In large gardens they were dense artificial woodland, often covering large areas, with tall hedges on the outside and other trees inside the hedges. Symbolic of order in a humanized and tamed gardens of the French Renaissance and Baroque French formal gardens, the bosquet is an analogue of the orderly orchard, an amenity that has been intimately associated with pleasure gardening from the earliest Persian gardens of the Achaemenid Empire. Bosket is an English rendition of the word, now obselete; the usual English term for a large hedged bosquet was a "wilderness", while smaller unhed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giulio Parigi
Giulio Parigi (6 April 1571 – 13 July 1635) was an Italian architect and designer. He was the main member of a family of architects and designers working for the Grand Ducal court of the Medici. His father, Alfonso Parigi the Elder, was an architect and designer working in Florence for the Grand Duke of Tuscany. He became noted as one of the most innovative stage designers of the 17th-century and was also the first architect to use the loggia style in public buildings. Early life and education Giulio Parigi was born in Florence on 6 April 1571, the son of Alfonso di Santi Parigi and his wife, Alessandra di Berto Fiammeri. His father was an architect and set designer who was in service to the Grand Duke of Tuscany. Giulio grew up in Medici Florence, amongst the craftsmen who worked for his father. In 1594 he was enrolled at the Academy of Design as a painter and in 1597 he was enrolled at the Grand Ducal Court He was apprenticed to his father, Alfonso, Bartolomeo di Ant ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stoldo Lorenzi
Stoldo Lorenzi (''Stoldo di Gino Lorenzi''; 1534 – after 1583) was an Italian Mannerist sculptor active in Florence and Pisa. Born 1534 in Settignano, Tuscany, close to Florence. He was born the son of Gino Lorenzi, of a family of renowned stone-carvers (''scalpellini''), and had a brother Antonia, at least 10 years his senior. He studied drawing under Michele Tosini in Florence, where Girolamo Macchietti was a fellow student, intending eventually to become a painter, He would later apprentice to become a sculptor under Niccolò Tribolo. He was influenced by artists such as Giambologna and Tribolo. Lorenzi mostly executed bronze sculptures. Among his best known works are the Annunciation in Santa Maria della Spina, Pisa (1561), the Fountain of Neptune 1565–1568) placed in the Boboli Gardens, Florence, and the bronze angel holding a candelabra which he executed for the Duomo di Pisa. He was also part of a team of artists providing sculpture for the Studiolo of Francesco I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neptune (god)
Neptune ( la, Neptūnus ) is the god of freshwater and the sea in Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek tradition, he is a brother of Jupiter and Pluto; the brothers preside over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea. Like Poseidon, he was also worshipped by the Romans as a god of horses, as ''Neptunus equestris'' (a patron of horse-racing). Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theology was later tied to a Roman deity. The ''lectisternium'' of 399 BC indicated that the Greek figures of Poseidon, Arte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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