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Blues Fiddle
"Blues fiddle" is a generic term for bowed, stringed instruments played on the arm or shoulder that are used to play blues music. Since no blues artists played violas, the term is synonymous with violin, and blues players referred to their instruments as "fiddle" and "violin". While unequivocally an African-American creation, with the rising popularity of the blues, violinists in the Anglo-American dance fiddling traditions and white country fiddlers, adopted stylistic elements and added songs from the blues to their repertoire. Blues violin features most prominently in rural blues, string-band, jug band and jazz. It won this attention because, "The violin is by nature a lead instrument that can replicate vocal expressions through the use of vibrato and sliding notes." History In the 17th century, before the blues existed as a genre, the violin featured prominently in African-American string bands. As a result of the social climate in the early 20th century, especially in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Music
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Chatmon
Armenter (or Armentia) Chatmon (March 21, 1893 or January 1894 – September 21, 1964), known as Bo Carter, was an early American blues musician. He was a member of the Mississippi Sheiks in concerts and on a few of their recordings. He also managed that group, which included his brothers Lonnie Chatmon on fiddle and, occasionally, Sam Chatmon on bass, and their friend Walter Vinson on guitar and lead vocals. Career Since the 1960s, Carter has become best known for his bawdy songs, such as "Let Me Roll Your Lemon", "Banana in Your Fruit Basket", "Pin in Your Cushion", "Your Biscuits Are Big Enough for Me", "Please Warm My Wiener" and "My Pencil Won't Write No More". However, his output was not limited to dirty blues. In 1928, he recorded the original version of " Corrine, Corrina", which later became a hit for Big Joe Turner and has become a standard in various musical genres. Carter and his brothers (including the pianist Harry Chatmon, who also made recordings) first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Folk Music
The term American folk music encompasses numerous music genres, variously known as ''traditional music'', ''traditional folk music'', ''contemporary folk music'', ''vernacular music,'' or ''roots music''. Many traditional songs have been sung within the same family or folk group for generations, and sometimes trace back to such origins as the British Isles, Mainland Europe, or Africa. Musician Mike Seeger once famously commented that the definition of American folk music is "...all the music that fits between the cracks." American folk music is a broad category of music including bluegrass, gospel, old time music, jug bands, Appalachian folk, blues, Cajun and Native American music. The music is considered American either because it is native to the United States or because it developed there, out of foreign origins, to such a degree that it struck musicologists as something distinctly new. It is considered "roots music" because it served as the basis of music later develope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don "Sugarcane" Harris
Don Francis Bowman "Sugarcane" Harris (June 18, 1938 – November 30, 1999) was an American blues and rock and roll violinist and guitarist. He is considered a pioneer in the amplification of the violin. Career Harris was born and raised in Pasadena, California, United States. His parents were carnival entertainers. As a youth, he studied classical violin, and learned additional instruments including harmonica, piano and guitar. Harris began performing with a doo-wop group, The Squires, which included his childhood friend, the pianist Dewey Terry. The Squires recorded for Vita Records. Harris performed in Little Richard's band in the 1960s. Don & Dewey Harris and Terry formed a duo in 1956 as Don and Dewey. They were recorded by Art Rupe on his Specialty label, mostly utilizing the services of legendary drummer Earl Palmer. The duo also recorded on Rupe's other labels, Los Angeles Spot and Shade. Don & Dewey had no hits as an act, but several songs they co-wrote and recorde ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa John Creach
John Henry Creach (May 28, 1917 – February 22, 1994), better known as Papa John Creach, was an American blues violinist who also played classical, jazz, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton. Following his rediscovery by drummer Joey Covington in 1967, he fronted a variety of bands (including Zulu and Midnight Sun) in addition to playing with Jefferson Airplane, Hot Tuna, Jefferson Starship, the San Francisco All-Stars (1979–1984), Dinosaurs (1982–1989) and Steve Taylor. Creach recorded a number of solo albums and guested at several Grateful Dead and Charlie Daniels Band concerts. He was a regular guest at the early annual Volunteer Jams, hosted by Charlie Daniels, which exposed him to a new audience that was receptive to fiddle players. Early life, family and education Creach was born in Beaver Fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence "Gatemouth" Brown
Clarence "Gatemouth" Brown (April 18, 1924 – September 10, 2005) was an American singer and multi-instrumentalist from Louisiana. He won a Grammy Award for Best Traditional Blues Album in 1983 for his album, ''Alright Again!''. Early life Brown was born in Vinton, Louisiana, and raised near Orange, Texas. His father was a railroad worker and local musician who taught him several musical instruments, including fiddle by age 5; as well as piano and guitar. He had at least one brother. Career Brown was performing guitar by age ten. He also played drums in swing bands as a teenager. 1940s and 1950s Brown served in the military during World War II. His professional music career began in 1945, playing drums in San Antonio, Texas. He was given the nickname "Gatemouth" by a high school teacher who said he had a "voice like a gate". His career was boosted when he attended a concert by T-Bone Walker in Don Robey's Bronze Peacock Houston nightclub in 1947; Walker became ill, and Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry "Son" Sims
Henry "Son" Sims (August 22, 1890 – December 23, 1958) was an American Delta blues fiddler and songwriter. He is best known as an accompanist for Charley Patton and the young Muddy Waters. Life and career Sims was born in Anguilla, Mississippi, the only son of five children. He learned to play the fiddle from his grandfather. Sims served with the US Army in France during World War I. Sims went on to be the leader of the Mississippi Corn Shuckers, a rural string ensemble, and played with them for a number of years. He joined his childhood friend Charley Patton in a recording session for Paramount Records in Grafton, Wisconsin, in June 1929. Sims accompanied Patton on fiddle on thirteen tracks, including "Elder Greene Blues", "Going to Move to Alabama" and "Devil Sent the Rain Blues"; and recorded four of his own songs, including "Tell Me Man Blues", his best-known composition, and "Farrell Blues". He played alongside Patton at times until the Patton's death in 1934, when S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Coe
James "Jimmy" R. Coe (March 20, 1921 – February 26, 2004) was an American jazz saxophonist. Early life Coe was born in Tompkinsville, Kentucky, and moved to Indianapolis with his family as a child. He first played in a band with Erroll "Groundhog" Grandy, who mentored J. J. Johnson and Wes Montgomery. Career From 1938 to 1940, Coe performed with Buddy Bryant's band and by the age of 20, was already touring with the Jay McShann band, which included Charlie Parker, Al Hibbler, Walter Brown, Bernard Anderson, Gene Ramey and Doc West. In the 1950s, Coe recorded for King as a member of Tiny Bradshaw's band, then made a session with his own combo (though the company oddly insisted on billing him as Jimmy "Cole.") In 1953, States recorded his Gay Cats of Rhythm. In the late 1950s, Coe led the house band for the small Indianapolis-based label Note Records; some of the material was licensed to Checker, which had better distribution. Coe backed performers including Aretha Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Armstrong (musician)
Howard "Louie Bluie" Armstrong (March 4, 1909 – July 30, 2003) was an American string band and country blues musician, who played fiddle, mandolin, and guitar and sang. He was also a notable visual artist and raconteur. Early life William Howard Taft Armstrong was born in Dayton, Tennessee, and grew up in LaFollette, Tennessee. He was the middle son from a musically talented family of nine children. His father was also a musician but supported his family with a job in a local steel mill. As a young teenager he taught himself to play the fiddle and joined a band led by Blind Roland Martin and his brother Carl Martin. They toured the United States performing a wide range of music, from work songs and spirituals through popular Tin Pan Alley tunes and foreign-language songs. For a few years, Armstrong attended Tennessee State Normal School as an arts student studying painting and design, while also playing cello in the symphony orchestra as well as fiddle in a jazz band. M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Pierce
Charles Patrick Pierce (born December 28, 1953) is an American sportswriter, political blogger, liberal pundit author, and game show panelist. Biography Pierce graduated from St. John's High School in Shrewsbury, Massachusetts, and from Marquette University in Journalism (1975). Pierce's first job was as a forest ranger for the Commonwealth of Massachusetts. He wrote for '' Worcester Magazine'' in the 1970s, where he covered the Blizzard of 1978. In the 1980s and '90, he was a staff reporter for the '' Boston Phoenix'' and, later, a sports columnist for the ''Boston Herald''. Pierce is currently the lead political blogger for ''Esquire'', a position he has held since September 2011. He also wrote for ESPN's Grantland. He has also written for '' The New York Times'', the '' Los Angeles Times'', the '' Chicago Tribune'', the '' Boston Globe'' Sunday magazine, the '' Milwaukee Journal-Sentinel'', '' Sports Illustrated'', '' The National Sports Daily'', '' GQ'', and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew And Jim Baxter
Andrew Baxter (March 1869 – April15, 1955), African-American fiddle player, and Jim Baxter (James Baxter; January18, 1898 – June11, 1950), African-American-Cherokee singer and guitar player, were a father and son fiddle and guitar duet from Gordon County, Georgia, who recorded in the 1920s. The Georgia Yellow Hammers and the Baxters traveled to Charlotte, North Carolina, to record for Victor in the summer of 1927. Because of the Jim Crow laws, the Baxters had to ride several cars behind the Yellow Hammers on the train ride to Charlotte. In Charlotte, each group recorded their individual sessions, with one exception: Andrew Baxter played fiddle on "G Rag" with the Yellow Hammers. It is thought that "G Rag" is one of the earliest integrated recordings of Georgia musicians. Among their recordings is "40 Drops", a tribute to Georgia corn moonshine, an instrumental with vocal comments - a style typical of instrumental recordings of the 1920s. In May 2012, their recording of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
