Blues License
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Blues License
''Blues License'' is the sixth studio album by Australian musician Renée Geyer. The album was released in June 1979 and peaked at number 41 on the Kent Music Report. Track listing ;Vinyl/ cassette (VPL1–0214) Side One # "The Thrill Is Gone" (Rick Darnell, Roy Hawkins) – 6.55 # "That Did It Babe" (Pearl Woods) – 5.15 # "Set Me Free" (Deadric Malone) – 4.08 # "Bellhop Blues" (Kevin Borich) – 3.23 Side Two # "Won't Be Long" (J. Leslie McFarland) – 3.48 # " Stormy Monday" ( Aaron "T-Bone" Walker) – 6.43 # "Dust My Blues" ( Elmore James) – 3.03 # "Feeling Is Believing" (Willie Henderson, Richard Parker) – 7.01 Credits *Renée Geyer: vocals, backing vocals *Mal Logan: keyboards *Kevin Borich: guitar ("The Thrill Is Gone", "Set Me Free", "Bellhop Blues", "Stormy Monday", "Feeling Is Believing") *Tim Partridge: bass guitar (All tracks) *John Annas: drums (All except "Won't Be Long") *Kerrie Biddell: backing vocals ("Won't Be Long", "Feeling is Believing") ...
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Renée Geyer
Renée Rebecca Geyer (born 11 September 1953) is an Australian singer who has long been regarded as one of the finest exponents of jazz, soul and R&B idioms. She had commercial success as a solo artist in Australia, with "It's a Man's Man's World", "Heading in the Right Direction" and " Stares and Whispers" in the 1970s and " Say I Love You" in the 1980s. NOTE: Used for Australian Singles and Albums charting until ARIA created their own charts in mid-1988. Geyer has also been an internationally respected and sought-after backing vocalist, whose session credits include work with Sting, Chaka Khan, Toni Childs and Joe Cocker. In 2000, her autobiography, ''Confessions of a Difficult Woman'', co-written with music journalist Ed Nimmervoll, was published. In her candid book, Geyer detailed her drug addictions, sex life and career in music. She described herself as "a white Hungarian Jew from Australia sounding like a 65-year-old black man from Alabama". She spent more than ten yea ...
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Dust My Broom
"Dust My Broom" is a blues song originally recorded as "I Believe I'll Dust My Broom" by American blues artist Robert Johnson in 1936. It is a solo performance in the Delta blues-style with Johnson's vocal accompanied by his acoustic guitar. As with many of his songs, it is based on earlier blues songs, the earliest of which has been identified as "I Believe I'll Make a Change", recorded by the Sparks brothers as " Pinetop and Lindberg" in 1932. Johnson's guitar work features an early use of a boogie rhythm pattern, which is seen as a major innovation, as well as a repeating triplets figure. In 1951, Elmore James recorded the song as "Dust My Broom" and "made it the classic as we know it", according to blues historian Gerard Herzhaft. James' slide guitar adaptation of Johnson's triplet figure has been identified as one of the most famous blues guitar riffs and has inspired many rock performers. The song has become a blues standard, with numerous renditions by a variety of mu ...
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Blues Rock Albums By Australian Artists
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current ...
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