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Blessed Ludovica Albertoni
''Blessed Ludovica Albertoni'' ( it, Beata Ludovica Albertoni) is a funerary monument by the Italian Baroque artist Gian Lorenzo Bernini.Wittkower 1955, p. 294. The Trastevere sculpture is located in the specially designed Altieri Chapel in the Church of San Francesco a Ripa in Rome, Italy.Avery 1997, p. 151. Bernini started the project in 1671, but his work on two other major works—''The Tomb of Pope Alexander VII'' and the ''Altar of the Blessed Sacrament'' in St. Peter's Basilica—delayed his work on the funerary monument. Bernini completed the sculpture in 1674;Wittkower 1955, p. 295.Perlove 1990 it was installed by 31 August 1674.Bernini 2011, p. 412. Background The subject of the sculpture, Ludovica Albertoni, was a Roman noblewoman who entered the Third Order of St. Francis following the death of her husband. She lived a pious life, working for the poor of the Trastevere neighborhood, under the guidance of the Franciscan friars of San Francesco Church, where she was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gian Lorenzo Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blessed Ludovica Albertoni By Gian Lorenzo Bernini (detail)
Blessed may refer to: * The state of having received a blessing * Blessed, a title assigned by the Roman Catholic Church to someone who has been beatified Film and television * ''Blessed'' (2004 film), a 2004 motion picture about a supernatural pregnancy * ''Blessed'' (2008 film), a 2008 British drama film about a man looking after a shipwrecked girl on a Scottish island * ''Blessed'' (2009 film), a 2009 Australian drama film about the lives of seven youths on the streets of Melbourne * ''Blessed'' (TV series), a 2005 BBC television sitcom about a record producer and his struggles bringing up children Music Albums * ''Blessed'' (Beenie Man album), 1995 * ''Blessed'' (Flavour N'abania album), 2012 * ''Blessed'' (Hillsong album), 2002 * ''Blessed'' (Fady Maalouf album), 2008 * ''Blessed'' (Joe Maneri album), 1997 * ''Blessed'' (Lucinda Williams album), 2011 Songs * "Blessed" (Avicii song), 2011 * "Blessed" (Daniel Caesar song), 2017 * "Blessed" (Elton John song), 1995 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basilica Di Sant'Anastasia Al Palatino
Sant'Anastasia is a minor basilica and titular church for cardinal-priests in Rome, Italy owned by the Syro-Malabar Catholic Church. Basilica Sant'Anastasia was built in the late 3rd century - early 4th century, possibly by a Roman woman named Anastasia. The church is listed under the ''titulus Anastasiae'' in the acts of the 499 synod. Later the church was entitled to the martyr with the same name, Anastasia of Sirmium. Melchiorri in his 19th century guide of Rome, mentions a Roman matron by the name of Apollonia founded the church. The church was restored several times: Pope Damasus I (366-383), Pope Hilarius (461-468), Pope John VII (705-707), Pope Leo III (795-816), Pope Gregory IV (827-844), Pope Innocent III (1201), and Pope Sixtus IV (1471). The current church dates to a restoration in 1636 commissioned by Pope Urban VIII from Luigi Arrigucci. This restoration repaired the collapsed portico and facade. Architect Carlo Gimach restored the church between 1721 and 1722. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anastasia Of Sirmium
Saint Anastasia (died December 25 A.D. 304) is a Christian saint and martyr who died at Sirmium in the Roman province of Pannonia Secunda (modern Serbia). In the Eastern Orthodox Church, she is venerated as St. Anastasia the ''Pharmakolytria'', i.e. "Deliverer from Potions" (). Concerning Anastasia, little is reliably known, save that she died in the persecutions of Diocletian; most stories about her date from several centuries after her death and make her variously a Roman or Sirmian native and a Roman citizen of patrician rank. One legend makes her the daughter of a certain Praetextatus and the pupil of Saint Chrysogonus. Catholic tradition states that her mother was St. Fausta of Sirmium. Anastasia has long been venerated as a healer and exorcist. Her relics lie in the Cathedral of St. Anastasia in Zadar, Croatia. She is one of seven women who, along with Blessed Virgin Mary, are commemorated by name in the Roman Canon of the Mass. Legend Prior to the liturgical refo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ercole Ferrata
Ercole Ferrata (1610 – 10 July 1686) was an Italian sculptor of the Roman Baroque. Biography A native of Pellio Inferiore, near Como, Ferrata initially apprenticed with Alessandro Algardi, and became one of his prime assistants. When his mentor died, Ferrata and another pupil, Domenico Guidi, completed Algardi's unfinished ''Vision of Saint Nicholas'' at San Nicola da Tolentino; ultimately, the innovative arrangement of two independent but interactive groups derives from the original design by Algardi. While Ferrata's initial work still owes much to Algardi, Ferrata distanced himself from the classical serenity found in the work of his mentor and Francois Duquesnoy, and moved towards the expressive emotionalism of Gian Lorenzo Bernini. He is best known for two works in Sant'Agnese in Agone in Rome, the Bernini-inspired ''The Death of St. Agnes'' (1660–64) as well as the marble relief ''Stoning of St Emerenziana'' (1660). The latter has a restraint influenced by his m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastiano Fuori Le Mura
San Sebastiano fuori le mura (Saint Sebastian beyond the Walls), or San Sebastiano ''ad Catacumbas'' (Saint Sebastian at the Catacombs), is a Minor basilica in Rome, Central Italy. Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches of Rome, and many pilgrims still favor the traditional list (not least perhaps because of the Catacombs, and because the Santuario della Madonna del Divino Amore, which replaced it in the list, is farther from the inner city). History Built originally in the first half of the 4th century, the basilica is dedicated to St. Sebastian, a popular Roman martyr of the 3rd century. The name ''ad catacumbas'' refers to the catacombs of St Sebastian, over which the church was built, while "fuori le mura" refers to the fact that the church is built outside the Aurelian Walls, and is used to differentiate the basilica from the church of San Sebastiano al Palatino on the Palatine Hill. According to the founding tradition, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Giorgetti
Antonio Giorgetti (1635 – 24 December 1669) was an Italian sculptor. He was born and died in Rome, where he spent his entire career, a disciple of Gian Lorenzo Bernini. His most prominent sculpture is the ''Angel with the Sponge'' on the ''Ponte Sant'Angelo'', where he was working under the direction of Bernini, who provided sketches and in some instances ''bozzetti'' for the angels. For Borromini's Capella Spada in the church of San Girolamo della Carità (1660), Giorgetti provided the two kneeling angels that hold up the jasper draperies that serve as a balustrade to the altar. By January 1660, Giorgetti was sufficiently closely linked to Cardinal Francesco Barberini to be referred to in several Barberini accounts as ''nostro scultore''. Although sometimes attributed to Antonio, the recumbent statue of ''Saint Sebastian'' (c. 1671/72) in the Basilica di San Sebastiano fuori le mura on the via Appia, Rome, is by his younger brother Giuseppe Giorgetti, Jennifer Montagu d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Vittoria, Rome
Santa Maria della Vittoria ( en, Saint Mary of Victory, la, S. Mariae de Victoria) is a Catholic titular church and basilica dedicated to the Virgin Mary in Rome, Italy. The church is known for the masterpiece of Gian Lorenzo Bernini in the Cornaro Chapel, the ''Ecstasy of Saint Teresa''. The church is in the Rione Sallustiano, on number 98 via XX Settembre, where this street intersects with Largo Santa Susanna. It stands to the side of the Fontana dell'Acqua Felice. The church mirrors the Church of Santa Susanna across the Largo. It is about two blocks northwest of the Piazza della Repubblica and Teatro dell'Opera metro stop. History The land for the church was purchased on April 20, 1607, and built from 1608 to 1620, as a chapel dedicated to Saint Paul for the Discalced Carmelites. After the Catholic victory at the battle of White Mountain in 1620, which reversed the Reformation in Bohemia, the church was rededicated to the Virgin Mary. Turkish standards captured at the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ecstasy Of Saint Teresa
The ''Ecstasy of Saint Teresa'' (also known as ''Saint Teresa in Ecstasy'' or the ''Transverberation of Saint Teresa''; it, L'Estasi di Santa Teresa or ) is a sculptural group in white marble set in an elevated aedicule in the Cornaro Chapel of the church of Santa Maria della Vittoria in Rome. It was designed and completed by Gian Lorenzo Bernini, the leading sculptor of his day, who also designed the setting of the Chapel in marble, stucco and paint. It is generally considered to be one of the sculptural masterpieces of the High Roman Baroque. The sculpture depicts Teresa of Ávila, a Spanish Carmelite nun and saint, swooning in a state of religious ecstasy, while an angel holding a spear stands over her. Commission The entire ensemble was overseen and completed by a mature Bernini during the Pamphili papacy of Innocent X. When Innocent acceded to the papal throne, he shunned Bernini's artistic services; the sculptor had been the favourite artist of the previous and prof ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernini
Gian Lorenzo (or Gianlorenzo) Bernini (, , ; Italian Giovanni Lorenzo; 7 December 159828 November 1680) was an Italian sculptor and architect. While a major figure in the world of architecture, he was more prominently the leading sculptor of his age, credited with creating the Baroque style of sculpture. As one scholar has commented, "What Shakespeare is to drama, Bernini may be to sculpture: the first pan-European sculptor whose name is instantaneously identifiable with a particular manner and vision, and whose influence was inordinately powerful ..." In addition, he was a painter (mostly small canvases in oil) and a man of the theater: he wrote, directed and acted in plays (mostly Carnival satires), for which he designed stage sets and theatrical machinery. He produced designs as well for a wide variety of decorative art objects including lamps, tables, mirrors, and even coaches. As an architect and city planner, he designed secular buildings, churches, chapels, and publi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baciccio
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovanni B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Spirit
In Judaism, the Holy Spirit is the divine force, quality, and influence of God over the Universe or over his creatures. In Nicene Christianity, the Holy Spirit or Holy Ghost is the third person of the Trinity. In Islam, the Holy Spirit acts as an agent of divine action or communication. In the Baha’i Faith, the Holy Spirit is seen as the intermediary between God and man and "the outpouring grace of God and the effulgent rays that emanate from His Manifestation". Comparative religion The Hebrew Bible contains the term " spirit of God" (''ruach hakodesh'') which by Jews is interpreted in the sense of the might of a unitary God. This interpretation is different from the Christian conception of the Holy Spirit as one person of the Trinity. The Christian concept tends to emphasize the moral aspect of the Holy Spirit more than Judaism, evident in the epithet Spirit that appeared in Jewish religious writings only relatively late but was a common expression in the Christian Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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