Antonio Giorgetti
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Antonio Giorgetti
Antonio Giorgetti (1635 – 24 December 1669) was an Italian sculptor. He was born and died in Rome, where he spent his entire career, a disciple of Gian Lorenzo Bernini. His most prominent sculpture is the ''Angel with the Sponge'' on the ''Ponte Sant'Angelo'', where he was working under the direction of Bernini, who provided sketches and in some instances ''bozzetti'' for the angels. For Borromini's Capella Spada in the church of San Girolamo della Carità (1660), Giorgetti provided the two kneeling angels that hold up the jasper draperies that serve as a balustrade to the altar. By January 1660, Giorgetti was sufficiently closely linked to Cardinal Francesco Barberini to be referred to in several Barberini accounts as ''nostro scultore''. Although sometimes attributed to Antonio, the recumbent statue of ''Saint Sebastian'' (c. 1671/72) in the Basilica di San Sebastiano fuori le mura on the via Appia, Rome, is by his younger brother Giuseppe Giorgetti,Jennifer Montagu di ...
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Angel With Sponge On Sant Angelo Bridge 01
In various theistic religious traditions an angel is a supernatural spiritual being who serves God. Abrahamic religions often depict angels as benevolent celestial intermediaries between God (or Heaven) and humanity. Other roles include protectors and guides for humans, and servants of God. Abrahamic religions describe angelic hierarchies, which vary by religion and sect. Some angels have specific names (such as Gabriel or Michael) or titles (such as seraph or archangel). Those expelled from Heaven are called fallen angels, distinct from the heavenly host. Angels in art are usually shaped like humans of extraordinary beauty. They are often identified in Christian artwork with bird wings, halos, and divine light. Etymology The word ''angel'' arrives in modern English from Old English ''engel'' (with a hard ''g'') and the Old French ''angele''. Both of these derive from Late Latin ''angelus'', which in turn was borrowed from Late Greek ''angelos'' (literally ...
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Lorenzo Ottoni
Lorenzo Ottoni, also known as Lorenzo Ottone or Lorenzone, (1658–1736) was an Italian sculptor who was commissioned by the papacy and various noble houses of Renaissance Italy. Life Ottoni was born in Rome in 1658 and spent the majority of his life in the city. He trained at the famous studio of Ercole Ferrata and later opened his own studio which counted Bernardino Cametti among its students. His large number of assistants meant he was also able to complete commissions outside Rome. He is best known for his Baroque religious sculptures of the Counter-Reformation renovation of Rome. He also created sculptural portraits of high-ranking church officials of his time. Ottoni benefitted greatly from his Catholic contemporaries; enthusiastic patrons of the arts. Ottoni received many commissions from the powerful Barberini family during the 1670s and 1680s. These include marble sculptural portraits of Cardinal Francesco Barberini, Cardinal Antonio Barberini and their nephew Maff ...
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1635 Births
Events January–March * January 23 – 1635 Capture of Tortuga: The Spanish Navy captures the Caribbean island of Tortuga off of the coast of Haiti after a three-day battle against the English and French Navy. * January 25 – King Thalun moves the capital of Burma from Pegu to Ava. * February 22 – The ''Académie française'' in Paris is formally constituted, as the national academy for the preservation of the French language. * March 22 – The Peacock Throne of India's Mughal Empire is inaugurated in a ceremony in Delhi to support the seventh anniversary of Shah Jahan's accession to the throne as Emperor. * March 26 – Philipp Christoph von Sötern, the Archbishop-Elector of Trier, is taken prisoner in a surprise attack by Spanish Habsburg troops, leading to a declaration of war against Spain by France and the beginning of the Franco-Spanish War. April–June * April 13 – Druze warlord Fakhr-al-Din II is executed in Cons ...
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Italian Male Sculptors
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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17th-century Italian Sculptors
The 17th century lasted from January 1, 1601 ( MDCI), to December 31, 1700 ( MDCC). It falls into the early modern period of Europe and in that continent (whose impact on the world was increasing) was characterized by the Baroque cultural movement, the latter part of the Spanish Golden Age, the Dutch Golden Age, the French ''Grand Siècle'' dominated by Louis XIV, the Scientific Revolution, the world's first public company and megacorporation known as the Dutch East India Company, and according to some historians, the General Crisis. From the mid-17th century, European politics were increasingly dominated by the Kingdom of France of Louis XIV, where royal power was solidified domestically in the civil war of the Fronde. The semi-feudal territorial French nobility was weakened and subjugated to the power of an absolute monarchy through the reinvention of the Palace of Versailles from a hunting lodge to a gilded prison, in which a greatly expanded royal court could be more easily k ...
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Art Bulletin
The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understanding through advocacy, intellectual engagement, and a commitment to the diversity of practices and practitioners." CAA currently has individual members across the United States and internationally; and institutional members, such as libraries, academic departments, and museums located in the United States. The organization's programs, standards and guidelines, advocacy, intellectual engagement, and commitment to the diversity of practices and practitioners, align with its broad and diverse membership. CAA publications, programs and grants CAA publishes several academic journals, including ''The Art Bulletin'', one of the foremost journals for art historians in English, and '' Art Journal'', a quarterly journal devoted to twentieth- and t ...
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Jennifer Montagu
Jennifer Iris Rachel Montagu (born 20 March 1931) is a British art historian with emphasis in the study of Italian Baroque sculpture. Early life Montagu is a daughter of Ewen Montagu, a British judge, writer and Naval intelligence officer. She was educated at Brearley School, New York, Benenden School, Kent, and Lady Margaret Hall, Oxford, where she gained a BA in PPE, then studied under Ernst Gombrich at the Warburg Institute, London, where she gained her PhD degree. Career Montagu lectured in History of Art at Reading University 1958–64, and was assistant Curator 1964–71, and Curator 1971–91, of the Photographic Collection at the Warburg Institute. She was Slade Professor of Fine Art and fellow of Jesus College, Cambridge, 1980–81. She was Andrew W. Mellon Lecturer at the National Gallery of Art, Washington, in 1991 and Invited Professor at the Collège de France, Paris, in 1994. She was a trustee of the Wallace Collection 1989–2001 and of the British Museum 1994â ...
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Giuseppe Giorgetti
Giuseppe Giorgetti (documented 1668–82) was an Italian sculptor in Rome who worked first under his older brother Antonio Giorgetti and took over his workshop after Antonio died in late 1669. He then also became the principal sculptor for the Barberini family for whom he undertook some restoration of ancient sculptures, most importantly of the Barberini Faun in 1679, carried out together with Lorenzo Ottoni. His masterpiece is the recumbent statue of ''Saint Sebastian'' (c. 1671/72) in the Basilica di San Sebastiano fuori le mura on the via Appia, Rome, possibly after a design by Ciro Ferri.The statue is sometimes erroneously attributed to his brother. On Antonio and Giuseppe Giorgetti see Jennifer Montagu, in: ''Art Bulletin The College Art Association of America (CAA) is the principal organization in the United States for professionals in the visual arts, from students to art historians to emeritus faculty. Founded in 1911, it "promotes these arts and their understa ... ...
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Via Appia
The Appian Way (Latin and Italian: ''Via Appia'') is one of the earliest and strategically most important Roman roads of the ancient republic. It connected Rome to Brindisi, in southeast Italy. Its importance is indicated by its common name, recorded by Statius, of ("the Appian Way, the queen of the long roads"). The road is named after Appius Claudius Caecus, the Roman censor who began and completed the first section as a military road to the south in 312 BC"Appian Way" in ''Chambers's Encyclopædia''. London: George Newnes, 1961, Vol. 1, p. 490. during the Samnite Wars. Origins The need for roads The Appian Way was a Roman road used as a main route for military supplies for its conquest of southern Italy in 312 BC and for improvements in communication. The Appian Way was the first long road built specifically to transport troops outside the smaller region of greater Rome (this was essential to the Romans). The few roads outside the early city were Etruscan and went mai ...
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San Sebastiano Fuori Le Mura
San Sebastiano fuori le mura (Saint Sebastian beyond the Walls), or San Sebastiano ''ad Catacumbas'' (Saint Sebastian at the Catacombs), is a Minor basilica in Rome, Central Italy. Up to the Great Jubilee of 2000, San Sebastiano was one of the Seven Pilgrim Churches of Rome, and many pilgrims still favor the traditional list (not least perhaps because of the Catacombs, and because the Santuario della Madonna del Divino Amore, which replaced it in the list, is farther from the inner city). History Built originally in the first half of the 4th century, the basilica is dedicated to St. Sebastian, a popular Roman martyr of the 3rd century. The name ''ad catacumbas'' refers to the catacombs of St Sebastian, over which the church was built, while "fuori le mura" refers to the fact that the church is built outside the Aurelian Walls, and is used to differentiate the basilica from the church of San Sebastiano al Palatino on the Palatine Hill. According to the founding tradition, in 25 ...
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Francesco Barberini (1597–1679)
Francesco Barberini (23 September 1597 – 10 December 1679) was an Italian Catholic Cardinal. The nephew of Pope Urban VIII (reigned 1623–1644), he benefited immensely from the nepotism practiced by his uncle. He was given various roles within the Vatican administration but his personal cultural interests, particularly in literature and the arts, meant that he became a highly significant patron. His secretary was the antiquarian Cassiano dal Pozzo who was also a discerning patron of the arts. Francesco was the elder brother of Cardinal Antonio Barberini and Taddeo Barberini who became Prince of Palestrina. Career He was born in Florence to Carlo Barberini and Costanza Magalotti, and studied at the University of Pisa where he was assisted by family friend Galileo Galilei, graduating in canon and civil law in 1623. On 2 October the same year, his uncle, Maffeo Barberini, newly elected as Pope Urban VIII, made him a cardinal, state secretary and papal legate to Avignon when he ...
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Allgemeines Künstlerlexikon
Thieme-Becker is a German biographical dictionary of artists. Thieme-Becker The dictionary was begun under the editorship of Ulrich Thieme (1865–1922) (volumes one to fifteen) and Felix Becker (1864–1928) (volumes one to four). It was completed under the editorship of Frederick Charles Willis (b. 1883) (volumes fourteen and fifteen) and Hans Vollmer (1878–1969) (volumes sixteen to thirty-seven)."The Project: From Thieme-Becker to the Artists’ Database,"
GmbH.
Heinz Ladendorf, "Das Allgemeine Lexikon der bildenden Künstler Thieme-Becker-Vollmer," in Magdalena George (ed.), ''Festschrift Hans Vollmer'' ...
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