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Blade Runner (soundtrack)
''Blade Runner: Original Motion Picture Soundtrack'' is the soundtrack for Ridley Scott's 1982 science-fiction noir film ''Blade Runner'', composed by Greek electronic musician Vangelis. It has received acclaim as an influential work in the history of electronic music and one of Vangelis's best works. It was nominated in 1983 for a BAFTA and Golden Globe for best original score. The score evokes the film's bleak futurism with an emotive synthesizer-based sound, drawing on the jazz scores of classic film noir as well as Middle Eastern texture and neo-classical elements. The official release of the soundtrack was delayed for over a decade. The first 1994 release omitted much of the film's score and included compositions not used in the film. A 25th anniversary edition released in 2007 included further unreleased material and a disc of new music inspired by the film. Various bootleg recordings containing more comprehensive versions of the score, as well as superior sound quality ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vangelis
Evangelos Odysseas Papathanassiou ( el, Ευάγγελος Οδυσσέας Παπαθανασίου ; 29 March 1943 – 17 May 2022), known professionally as Vangelis ( ; el, Βαγγέλης, links=no ), was a Greek composer and arranger of electronic, progressive, ambient, and classical orchestral music. He was best known for his Academy Award-winning score to '' Chariots of Fire'' (1981), as well as for composing scores to the films '' Blade Runner'' (1982), ''Missing'' (1982), ''Antarctica'' (1983), '' The Bounty'' (1984), '' 1492: Conquest of Paradise'' (1992), and '' Alexander'' (2004), and for the use of his music in the 1980 PBS documentary series '' Cosmos: A Personal Voyage'' by Carl Sagan. Born in Agria and raised in Athens, Vangelis began his career in the 1960s as a member of the rock bands The Forminx and Aphrodite's Child; the latter's album '' 666'' (1972) is now recognised as a progressive-psychedelic rock classic. Vangelis first settled in Paris, and ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
40th Golden Globe Awards
The 40th Golden Globe Awards, honoring the best in film and television for 1982, were given on 29 January 1983. Winners and nominees Film The following films received multiple nominations: The following films received multiple wins: Television The following programs received multiple nominations: The following programs received multiple wins: Ceremony Presenters * Catherine Bach * James Brolin * Joan Collins * Richard Dreyfuss * Robert Goulet * Lisa Hartman * Dustin Hoffman * Shelley Long * Donna Mills * Stefanie Powers * Victoria Principal * Aileen Quinn * Wayne Rogers * Tom Selleck * Jane Seymour * William Shatner * Robert Wagner * Dee Wallace Cecil B. DeMille Award Laurence Olivier See also *55th Academy Awards *3rd Golden Raspberry Awards *34th Primetime Emmy Awards *35th Primetime Emmy Awards * 36th British Academy Film Awards * 37th Tony Awards * 1982 in film * 1982 in American television ReferencesIMdb 1983 Golden Globe Awards {{DEFAUL ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dick Morrissey
Richard Edwin Morrissey (9 May 1940 – 8 November 2000) was a British jazz musician and composer. He played the tenor saxophone, soprano saxophone and flute. Biography Background He was born in Horley, Surrey, England. Dick Morrissey emerged in the early 1960s in the wake of Tubby Hayes, Britain’s pre-eminent sax player at the time. Self-taught, he started playing clarinet in his school band, The Delta City Jazzmen, at the age of sixteen with fellow pupils Robin Mayhew (trumpet), Eric Archer (trombone), Steve Pennells (banjo), Glyn Greenfield (drums), and young brother Chris on tea-chest bass. He then joined the Original Climax Jazz Band. Going on to join trumpeter Gus Galbraith's Septet, where alto-sax player Peter King introduced him to Charlie Parker's recordings, he began specialising on tenor saxophone shortly after. Making his name as a hard bop player, he appeared regularly at the Marquee Club from August 1960, and recorded his first solo album at the age of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demis Roussos
Artemios "Demis" Ventouris-Roussos ( ; el, Αρτέμιος "Ντέμης" Βεντούρης-Ρούσσος, ; 15 June 1946 – 25 January 2015) was a Greek singer, songwriter and musician. As a band member he is best remembered for his work in the progressive rock music act Aphrodite's Child, but as a vocal soloist, his repertoire included hit songs like "Goodbye, My Love, Goodbye", " From Souvenirs to Souvenirs" and " Forever and Ever". Roussos sold over 60 million albums worldwide and became "an unlikely kaftan-wearing sex symbol". Early life Roussos was born and raised in Alexandria, Egypt, in a Greek family. His father George (Yorgos) Roussos was a classical guitarist and an engineer and his mother Olga participated with her husband in an amateur theatrical Greek group in Alexandria (there were three such groups in the Greek community); her family originally came from Greece. As a child, he studied music and joined the Greek Church Byzantine choir in Alexandria. His for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diegetic
Diegesis (; from the Greek from , "to narrate") is a style of fiction storytelling that presents an interior view of a world in which: # Details about the world itself and the experiences of its characters are revealed explicitly through narrative. # The story is told or recounted, as opposed to shown or enacted. # There is a presumed detachment from the story of both the speaker and the audience. In diegesis, the narrator ''tells'' the story. The narrator presents the actions (and sometimes thoughts) of the characters to the readers or audience. In a rather different usage, diegetic elements are part of the fictional world ("part of the story"), as opposed to non-diegetic elements which are stylistic elements of how the narrator tells the story ("part of the storytelling"). Diegesis and mimesis according to the Greeks ''Diegesis'' (Greek διήγησις "narration") and ''mimesis'' (Greek μίμησις "imitation") have been contrasted since Plato's and Aristotle's time ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Foley (filmmaking)
In filmmaking, Foley is the reproduction of everyday sound effects that are added to films, videos, and other media in post-production to enhance audio quality. These reproduced sounds, named after sound-effects artist Jack Foley, can be anything from the swishing of clothing and footsteps to squeaky doors and breaking glass. Foley sounds are used to enhance the auditory experience of the movie. Foley can also be used to cover up unwanted sounds captured on the set of a movie during filming, such as overflying airplanes or passing traffic.Singer, Philip R. "Art Of Foley". Marblehead Publishing Co. Web. 1 July 2010. Places where the Foley process takes place are often referred to as a Foley stage or Foley studio. Foley artists recreate the realistic ambient sounds that the film portrays. The props and sets of a film often do not react the same way acoustically as their real life counterparts, requiring filmmakers to Foley the sounds. The best Foley art is so well integrated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New American Orchestra
Irwin Elliott Zucker (August 6, 1927 – August 18, 2001) was an American television and film composer, conductor, music arranger, television producer, and co-founder of the New American Orchestra, later renamed the American Jazz Philharmonic. Life and career Elliott was born Irwin Elliott Zucker in Hartford, Connecticut. He was of Romanian Jewish descent. Elliott graduated from the Hartt School of Music and worked as a jazz pianist in New York and Paris in the 1950s. He continued his post-graduate studies in composition with Arnold Franchetti, Isadore Freed, Bohuslav Martinů, and Lukas Foss, but it was Judy Garland who brought Elliott to California to become an arranger for her television show. Elliott continued his run in television as music director for Andy Williams' long-running series and later produced and conducted the NBC television special ''Live From Studio 8H: 100 Years of America's Popular Music''. He also wrote themes for television shows ''Night Court'', and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bootleg Recording
A bootleg recording is an audio or video recording of a performance not officially released by the artist or under other legal authority. Making and distributing such recordings is known as ''bootlegging''. Recordings may be copied and traded among fans without financial exchange, but some bootleggers have sold recordings for profit, sometimes by adding professional-quality sound engineering and packaging to the raw material. Bootlegs usually consist of unreleased studio recordings, live performances or interviews without the quality control of official releases. The practice of releasing unauthorised performances had been established before the 20th century, but reached new popularity with Bob Dylan's '' Great White Wonder'', a compilation of studio outtakes and demos released in 1969 using low-priority pressing plants. The following year, the Rolling Stones' '' Live'r Than You'll Ever Be'', an audience recording of a late 1969 show, received a positive review in '' Rollin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2007 Release
7 (seven) is the natural number following 6 and preceding 8. It is the only prime number preceding a cube. As an early prime number in the series of positive integers, the number seven has greatly symbolic associations in religion, mythology, superstition and philosophy. The seven Classical planets resulted in seven being the number of days in a week. It is often considered lucky in Western culture and is often seen as highly symbolic. Unlike Western culture, in Vietnamese culture, the number seven is sometimes considered unlucky. It is the first natural number whose pronunciation contains more than one syllable. Evolution of the Arabic digit In the beginning, Indians wrote 7 more or less in one stroke as a curve that looks like an uppercase vertically inverted. The western Ghubar Arabs' main contribution was to make the longer line diagonal rather than straight, though they showed some tendencies to making the digit more rectilinear. The eastern Arabs developed the digit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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