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Black Bottom Stomp
"Black Bottom Stomp" is a jazz composition. It was composed by Jelly Roll Morton in 1925 and was originally entitled "Queen of Spades". It was recorded in Chicago by Morton and His Red Hot Peppers, for Victor Records on September 15, 1926. __TOC__ Technique The recording has many features that are typical of the New Orleans style: *the frontline of trumpet, clarinet and trombone and rhythm section comprising piano, banjo, double bass and drum kit *the structure, derived from multi-thematic ragtime structures, with a transitional interlude leading to a new key *collective improvisation ensemble sections, the main melody woven together with a counter-melody and the accompaniment *the counter-melody relies upon scalar patterns and arpeggios *the instrumental performance techniques such as the trombone counter-melody glissandos, sometimes known as "tailgating" *the percussive "slapped" bass used to help keep time in the rhythm section. Structure John Szwed notes that in "Bla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Hot Peppers
Red Hot Peppers was a recording jazz band led by Jelly Roll Morton from 1926–1930. It was a seven- or eight-piece band formed in Chicago that recorded for Victor and featured the best New Orleans-style freelance musicians available, including cornetist George Mitchell, trombonist Kid Ory, clarinetists Omer Simeon and Johnny Dodds, banjoists Johnny St. Cyr and Bud Scott, double bass player John Lindsay, and drummers Andrew Hilaire and Baby Dodds. Recordings made by the group in Chicago in 1926–27, such as "Black Bottom Stomp", "Smoke-House Blues" and "Doctor Jazz" set a standard for small group jazz that is still unrivaled. Morton's skills as a composer and arranger are apparent in the structure of the pieces, which combines clarity with variety and manages to maintain a balance between ensemble and solo playing while allowing for a substantial solo from every band member. The quality of the recordings is further enhanced by the band's careful rehearsals, which were unc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stomping
A stomp (also referred to as a stamp) is a downwards strike with the heel of the foot from the stand-up position, and is usually directed at the head or body of a downed opponent. A stomp similar to an axe kick is referred to as an axe stomp, while a particularly powerful jumping stomp with both heels is called a bronco kick, and a stomp from the clinch directed at the opponent's foot is called a foot stomp or a heel stomp. Use in combat sports Stomping is disallowed in most combat sports. Certain mixed martial arts organizations do, however, allow stomping to different extents. The Ultimate Fighting Championship allows stomps to be performed from the clinch, while stomping on a downed opponent is considered illegal.Ultimate Fighting Championship. This includes stomping with both legsUFC Rules ''www.ufc.tv''. URL last accessed February 6, 2006. Although now defunct as a promotion, PRIDE FC rules allowed competitors to stomp on a downed opponent, either to the head or body. Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songs Written By Jelly Roll Morton
A song is a musical composition intended to be performed by the human voice. This is often done at distinct and fixed pitches (melodies) using patterns of sound and silence. Songs contain various forms, such as those including the repetition and variation of sections. Written words created specifically for music, or for which music is specifically created, are called lyrics. If a pre-existing poem is set to composed music in classical music it is an art song. Songs that are sung on repeated pitches without distinct contours and patterns that rise and fall are called chants. Songs composed in a simple style that are learned informally "by ear" are often referred to as folk songs. Songs that are composed for professional singers who sell their recordings or live shows to the mass market are called popular songs. These songs, which have broad appeal, are often composed by professional songwriters, composers, and lyricists. Art songs are composed by trained classical composers fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Compositions
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Bottom (other) , pie with a layer of chocolate pastry cream or pudding
{{Disambig, geo ...
Black Bottom may refer to: *Black Bottom, Alabama *Black Bottom, Detroit, former neighborhood * Black Bottom, Kentucky, in Harlan County, Kentucky * Black Bottom Historic District, in Russellville, Logan County, Kentucky *Black Bottom, Philadelphia, former neighborhood *Black Bottom, West Virginia *Black Bottom (dance) *"Black Bottom", 1982 single by The Troggs See also *"Black Bottom Stomp", jazz composition *Black bottom pie Black bottom pie is a type of pie originating in the United States that features a layer of chocolate pastry cream or pudding, the "black bottom," topped with whipped cream or meringue. The single crust is pre-baked and of variable composition, but ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrew Hilaire
Andrew Henry Hilaire (February 1, 1899 – August 3, 1935) was an American jazz drummer active from the 1910s to early-1930s. Early life Hilaire was born in New Orleans of a middle-class, Creole of color family that lived in the French Quarter. His family moved to Chicago in the 1910s. By 1917, he was touring Vaudeville with the Tennessee Ten jazz band, fronted by Florence Mills. Career Hilaire was active in Chicago's "Roaring Twenties" music scene, playing with the bands of Lil Hardin Armstrong and Carroll Dickerson before eight years with Doc Cook. He took part in various recording sessions during his time with the Doc Cook Orchestra, including with Freddie Keppard and as a member of Jelly Roll Morton's Red Hot Peppers. In the 1930s, he played with Jerome Don Pasquall and Eddie South in addition to leading his own band. Personal life During his life, Hilaire had trouble breathing due to either asthma or tuberculosis Tuberculosis (TB) is an infectious d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny St
Johnny is an English language personal name. It is usually an affectionate diminutive of the masculine given name John, but from the 16th century it has sometimes been a given name in its own right for males and, less commonly, females. Variant forms of Johnny include Johnnie, Johnney, Johnni and Johni. The masculine Johnny can be rendered into Scottish Gaelic as . Notable people and characters named Johnny or Johnnie include: People Johnny * Johnny Adams (born 1932), American singer * Johnny Aba (born 1956), Papua New Guinean professional boxer * Johnny Abarrientos (born 1970), Filipino professional basketball player * Johnny Abbes García (1924–1967), chief of the government intelligence office of the Dominican Republic * Johnny Abel (1947–1995), Canadian politician * Johnny Abrego (born 1962), former Major League baseball player * Johnny Ace (1929–1954), American rhythm and blues singer * John Laurinaitis, (born 1962) also known as Johnny Ace, American wrestler and p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii. Biography Ory was born in 1886 to a Louisiana French-speaking family of Black Creole descent, on Woodland Plantation in Laplace, now the site of 1811 Kid Ory Historic House. Ory started playing music with homemade ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Mitchell (jazz Musician)
George "Little Mitch" Mitchell (March 8, 1899 – May 22, 1972) was an American jazz cornet player active in the 1920s. Early life Mitchell was born in Louisville, Kentucky. He began playing the cornet at the age of 12 and joined a local brass band in Louisville. Career From 1921 to 1923, Mitchell recorded with Johnny Dunn's Original Jazz Hounds and Johnny Dunn's Original Jazz Band Retrieved 16 May 2013. on the Columbia label. In 1926, he recorded with the New Orleans Wanderers and [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Omer Simeon
Omer Victor Simeon (July 21, 1902 – September 17, 1959) was an American jazz clarinetist. He also played soprano, alto, and baritone saxophone and bass clarinet. Biography The son of a cigar maker, Omer Simeon was born in New Orleans, Louisiana, United States. His family moved to Chicago, Illinois. He learned clarinet from the New Orleans musician Lorenzo Tio, Jr. and started playing professionally in 1920. He worked in Chicago and Milwaukee, Wisconsin, with various bands, including Jimmy Bell's Band and Charlie Elgar's Creole Orchestra. Starting in 1926, he began playing with Jelly Roll Morton, and made a well regarded series of recordings with Morton's Red Hot Peppers and smaller groups. Simeon also taught music. In 1927, he joined King Oliver's Dixie Syncopators with whom he moved to New York City. After time back in Chicago with Elgar, he joined the Luis Russell in Manhattan, then again returned to Chicago in 1928 to play with the Erskine Tate Orchestra. In 1931, he began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charleston (dance)
The Charleston is a dance named after the harbor city of Charleston, South Carolina. The rhythm was popularized in mainstream dance music in the United States by a 1923 tune called "The Charleston" by composer/pianist James P. Johnson, which originated in the Broadway show '' Runnin' Wild'' and became one of the most popular hits of the decade. ''Runnin' Wild'' ran from October 28, 1923, through June 28, 1924. The peak year for the Charleston as a dance by the public was mid-1926 to 1927. Origins While the dance probably came from the "star" or challenge dances that were all part of the African-American dance called Juba, the particular sequence of steps which appeared in ''Runnin' Wild'' were probably newly devised for popular appeal. "At first, the step started off with a simple twisting of the feet, to rhythm in a lazy sort of way. his could well be the Jay-Bird.When the dance hit Harlem, a new version was added. It became a fast kicking step, kicking the feet, both forwar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Break
In popular music, a break is an instrumental or percussion section during a song derived from or related to stop-time – being a "break" from the main parts of the song or piece. A break is usually interpolated between sections of a song, to provide a sense of anticipation, signal the start of a new section, or create variety in the arrangement. Jazz A solo break in jazz occurs when the rhythm section (piano, bass, drums) stops playing behind a soloist for a brief period, usually two or four bars leading into the soloist's first improvised solo chorus (at which point the rhythm section resumes playing). A notable recorded example is sax player Charlie Parker's solo break at the beginning of his solo on "A Night in Tunisia". While the solo break is a break for the rhythm section, for the soloist, it is a solo cadenza, where they are expected to improvise an interesting and engaging melodic line. DJing and dance music In DJ parlance, in disco, hip hop and electronic dance mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
