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Birgit Nordin
Birgit Nordin (22 February 1934 – 7 April 2022) was a Swedish operatic soprano. She was a member of the Royal Swedish Opera from 1958 to 1986, and regularly appeared at the Drottningholm Festival where she performed twelve major Mozart roles, including Susanna in '' Le nozze di Figaro'' and Pamina in ''The Magic Flute''. She also performed internationally, appearing in the Edinburgh International Festival, Glyndebourne Festival, Copenhagen and others. She became known as the Queen of the Night in '' Trollflöjten'', Ingmar Bergman's film adaptation of Mozart's opera. Life and career Born in Sangis, Norrbotten, Nordin attended school in Haparanda. She attended the Royal College of Music in Stockholm from 1956 to 1958, studying under Britta von Vegesack. Later she trained with Lina Pagliughi in Italy. Nordin joined the company of the Royal Swedish Opera in Stockholm, where she worked from 1958 to 1986. Her debut was as Oscar in Verdi's ''Masked Ball'' on 21 October 1958 an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brackets
A bracket is either of two tall fore- or back-facing punctuation marks commonly used to isolate a segment of text or data from its surroundings. Typically deployed in symmetric pairs, an individual bracket may be identified as a 'left' or 'right' bracket or, alternatively, an "opening bracket" or "closing bracket", respectively, depending on the Writing system#Directionality, directionality of the context. Specific forms of the mark include parentheses (also called "rounded brackets"), square brackets, curly brackets (also called 'braces'), and angle brackets (also called 'chevrons'), as well as various less common pairs of symbols. As well as signifying the overall class of punctuation, the word "bracket" is commonly used to refer to a specific form of bracket, which varies from region to region. In most English-speaking countries, an unqualified word "bracket" refers to the parenthesis (round bracket); in the United States, the square bracket. Glossary of mathematical sym ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lina Pagliughi
Lina Pagliughi (27 May 1907 – 2 October 1980) was an Italian-American opera singer. Based in Italy for the majority of her career, she made a number of recordings and established herself as one of the world's finest lyric coloratura sopranos of the 1930s and 1940s. Career Pagliughi was born in Brooklyn, New York, to Italian immigrants. Her parents took her to live in San Francisco when still a child and she displayed a love of singing at an early age. She was noticed by the legendary soprano Luisa Tetrazzini who sensed her potential and encouraged her to study toward an operatic career. At the age of 15, Pagliughi moved to Italy with her family and she took voice lessons from the conductor/pedagogue Gaetano Bavagnoli in Milan. She made her debut in 1927, at Milan's Teatro Communale, as Gilda in ''Rigoletto''. Her success was such that she was immediately engaged to sing the part in a complete recording of the opera, with the baritone Luigi Piazza and the tenor Tino Folgar per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Michael Bellman
Carl Michael Bellman (; 4 February 1740 – 11 February 1795) was a Swedish songwriter, composer, musician, poet and entertainer. He is a central figure in the Swedish song tradition and remains a powerful influence in Swedish music, as well as in Scandinavian literature, to this day. He has been compared to Shakespeare, Beethoven, Mozart, and Hogarth, but his gift, using elegantly rococo classical references in comic contrast to sordid drinking and prostitution—at once regretted and celebrated in song—is unique. Bellman is best known for two collections of poems set to music, ''Fredman's epistles'' (''Fredmans epistlar'') and '' Fredman's songs'' (''Fredmans sånger''). Each consists of about 70 songs. The general theme is drinking, but the songs "most ingeniously" combine words and music to express feelings and moods ranging from humorous to elegiac, romantic to satirical. Bellman's patrons included King Gustav III of Sweden, who called him a master improviser. Bellma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars-Erik Larsson
Lars-Erik Vilner Larsson (15 May 190827 December 1986) was a Swedish composer, conductor, radio producer, and educator. He wrote three of the most popular works (each a suite) in Swedish art music: ''A Winter's Tale'' (; 1937–1938), the '' Pastoral Suite'' (; 1938), and '' God in Disguise'' (; 1940). Other notable works by Larsson include three symphonies, a sinfonietta, and numerous concertante works. Biography Larsson was born in Åkarp in 1908, the son of a factory worker and a nurse. He studied with Ellberg at the Stockholm Conservatory (1925–1929) and with Alban Berg and Fritz Reuter in Vienna and Leipzig (1929–1930), then worked for Swedish Radio and taught at the Stockholm Conservatory (1947–1959) and Uppsala University, where he held the position as Director musices (1961–1966). His style as a composer is eclectic, ranging from the late Romantic to techniques derived from Arnold Schoenberg's twelve-note system, but original in method. He was the first Swed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Times
''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid digital subscribers. It also is a producer of popular podcasts such as '' The Daily''. Founded in 1851 by Henry Jarvis Raymond and George Jones, it was initially published by Raymond, Jones & Company. The ''Times'' has won 132 Pulitzer Prizes, the most of any newspaper, and has long been regarded as a national " newspaper of record". For print it is ranked 18th in the world by circulation and 3rd in the U.S. The paper is owned by the New York Times Company, which is publicly traded. It has been governed by the Sulzberger family since 1896, through a dual-class share structure after its shares became publicly traded. A. G. Sulzberger, the paper's publisher and the company's chairman, is the fifth generation of the family to head the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Il Barbiere Di Siviglia
''The Barber of Seville, or The Useless Precaution'' ( it, Il barbiere di Siviglia, ossia L'inutile precauzione ) is an ''opera buffa'' in two acts composed by Gioachino Rossini with an Italian libretto by Cesare Sterbini. The libretto was based on Pierre Beaumarchais's French comedy ''The Barber of Seville'' (1775). The première of Rossini's opera (under the title ''Almaviva, o sia L'inutile precauzione'') took place on 20 February 1816 at the Teatro Argentina, Rome, with designs by Angelo Toselli. Rossini's ''Barber of Seville'' has proven to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe". After two hundred years, it remains a popular work. Composition history Rossini's opera recounts the events of the first of the three plays by French playwright Pierre Beaumarchais that revolve around the clever and enterprising character named Figaro, the barber of the title. Mozart's opera ''The Marriage of Fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Matthew Passion
The ''St Matthew Passion'' (german: Matthäus-Passion, links=-no), BWV 244, is a '' Passion'', a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets the 26th and 27th chapters of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the greatest masterpieces of Baroque sacred music. The original Latin title translates to "The Passion of our Lord J susC[hrist">rist.html" ;"title="susC[hrist">susC[hristaccording to the Evangelist Matthew".Markus Rathey. 2016. ''Bach's Major Vocal Works. Music, Drama, Liturgy'', Yale University Press History The ''St Matthew Passion'' is the second of two Passion settings by Bach that have survived in their entirety, the first being the '' St John Passion'', first performed in 1724. Versions and contemporaneous performances Little is known with certainty about the creation proc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lulu (opera)
''Lulu'' (composed from 1929 to 1935, premièred incomplete in 1937 and complete in 1979) is an opera in three acts by Alban Berg. Berg adapted the libretto from Frank Wedekind's two ''Lulu'' plays, ''Erdgeist'' ('' Earth Spirit'', 1895) and ''Die Büchse der Pandora'' (''Pandora's Box'', 1904). The opera tells the story of a mysterious young woman known as Lulu, who follows a downward spiral from a well-kept mistress in Vienna to a street prostitute in London, while being both a victim and a purveyor of destruction. It explores the idea of the '' femme fatale'' and the duality between her feminine and masculine qualities. Berg died before completing the third and final act, and in the following decades the opera was typically performed incomplete. Since the 1979 publication of the version including Friedrich Cerha's orchestration of the act 3 sketches, it has become standard. ''Lulu'' is especially notable for using serialism at a time that was particularly inhospitable to it. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rise And Fall Of The City Of Mahagonny
''Rise and Fall of the City of Mahagonny'' (german: Aufstieg und Fall der Stadt Mahagonny, links=no) is a political-satirical opera composed by Kurt Weill to a German libretto by Bertolt Brecht. It was first performed on 9 March 1930 at the in Leipzig. Some interpreters have viewed the play as a critique of American society. Others have perceived it as a critique of the chaotic and immoral Weimar Republic, particularly Berlin of the 1920s with its rampant prostitution, unstable government, political corruption, and economic crises. Composition history Weill was asked by the 1927 Baden-Baden music festival committee to write a one-act chamber opera for the festival. He ended up writing ''Mahagonny-Songspiel'', sometimes known as ''Das kleine Mahagonny'', a concert work commissioned for voices and a small orchestra. The work was written in May 1927, and performed in June. It consisted of eleven numbers, including "Alabama Song" and "Benares Song". Weill then continued to re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Entführung Aus Dem Serail
' () ( K. 384; ''The Abduction from the Seraglio''; also known as ') is a singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Gottlieb Stephanie, based on Christoph Friedrich Bretzner's ''Belmont und Constanze, oder Die Entführung aus dem Serail''. The plot concerns the attempt of the hero Belmonte, assisted by his servant Pedrillo, to rescue his beloved Constanze from the seraglio of Pasha Selim. The work premiered on 16 July 1782 at the Vienna Burgtheater, with the composer conducting. Origins The company that first sponsored the opera was the ''Nationalsingspiel'' ("national Singspiel"), a pet project (1778–1783) of the Austrian emperor Joseph II. The Emperor had set up the company to perform works in the German language (as opposed to the Italian opera style widely popular in Vienna). This project was ultimately given up as a failure, but along the way it produced a number of successes, mostly a series of translated works. Mozart's opera emerged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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