|
Bill Haley's Chicks
''Bill Haley's Chicks'' was the eighth album of rock and roll recordings by Bill Haley & His Comets for Decca Records, Decca 8821. Released in January 1959 and produced by Milt Gabler, the album was the third "theme" album Haley recorded for Decca, following ''Rockin' the Oldies'' (rock and roll versions of standards) and ''Rockin' Around the World'' (rock and roll versions of folk songs). This album is built on the theme of women's names, with each song being about a different girl. Included on the album is "Skinny Minnie", which was a major hit for the band in 1958, reaching no.22 on Billboard and no.25 on Cashbox, along with a mixture of originals and cover versions of standards and jazz songs. "Lean Jean", a song musically and thematically almost identical to "Skinny Minnie", also charted in 1958, reaching no. 52 on Cashbox. The song "B.B. Betty", co-written by Bill Haley and released as a Decca 45 single, featured a solo vocal by Haley's steel guitar player, Billy Williamson. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dinah (song)
"Dinah" is a popular song published in 1925 and introduced by Ethel Waters at the Plantation Club on Broadway. It was integrated into the show ''Kid Boots''. The music was written by Harry Akst and the lyrics by Sam M. Lewis and Joe Young. Hit versions in 1926 were by Ethel Waters, The Revelers, Cliff Edwards, and Fletcher Henderson. One singer, Fanny Rose Shore, became so identified with the song that DJ Martin Block called her "Dinah Shore", which then stuck as her stage name for the next 50 years. Other versions *Louis Armstrong. Recorded in New York City on May 4, 1930, it was released by Okeh. "Dinah" became a frequent number in Armstrong's live performances and radio broadcasts after the making of this recording. * Chet Baker. Recorded at Phil Turetsky's House, Los Angeles, on July 9, 1952, it was released on ''The Complete Pacific Jazz and Capitol Recordings of the Original Gerry Mulligan Quartet and Tentette with Chet Baker'' (Mosaic) and ''The Complete Pacific Jazz Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Grande
John Andrew Grande (January 14, 1930 – June 3, 2006) was a member of Bill Haley's backing band, The Comets. Life and career Born in South Philadelphia, Grande played piano and accordion with Bill Haley and the Saddlemen, later known as Bill Haley & His Comets, from 1949 to 1962-63. One of his jobs was to keep track of musical arrangements for the group as he was one of the few members who could read sheet music. Grande and steel guitarist Billy Williamson were both members of the country band, Southern Swingsters before convincing Bill Haley to start a new group, the Saddlemen in 1949. Grande was one of the original business partners who formed the Saddlemen (the other partners being Bill Haley himself (d. 1981) and steel guitarist Billy Williamson (d. 1995)). During the Labor Day weekend of 1952, the Saddlemen, realizing that their musical style was moving away from country and western decided to change their name to The Comets. Although primarily a piano player, Grande pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mitchell Parish
Mitchell Parish (born Michael Hyman Pashelinsky; July 10, 1900 – March 31, 1993) was an American lyricist, notably as a writer of songs for stage and screen. Biography Parish was born to a Jewish family in Lithuania, Russian Empire in July 1900 His family emigrated to the United States, arriving on February 3, 1901, aboard the '' SS Dresden'' when he was less than a year old. They settled first in Louisiana where his paternal grandmother had relatives, but later moved to New York City, where he grew up on the Lower East Side of Manhattan and received his education in the public schools. He attended Columbia University and N.Y.U. and was a member of Phi Beta Kappa. He eventually abandoned the notion of practicing law to become a songwriter. He served his apprenticeship as a writer of special material for vaudeville acts, and later established himself as a writer of songs for stage, screen and numerous musical revues. By the late 1920s, Parish was a well-regarded Tin Pan Alley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bo Chatmon
Armenter (or Armentia) Chatmon (March 21, 1893 or January 1894 – September 21, 1964), known as Bo Carter, was an early American blues musician. He was a member of the Mississippi Sheiks in concerts and on a few of their recordings. He also managed that group, which included his brothers Lonnie Chatmon on fiddle and, occasionally, Sam Chatmon on bass, and their friend Walter Vinson on guitar and lead vocals. Career Since the 1960s, Carter has become best known for his bawdy songs, such as "Let Me Roll Your Lemon", "Banana in Your Fruit Basket", "Pin in Your Cushion", "Your Biscuits Are Big Enough for Me", "Please Warm My Wiener" and "My Pencil Won't Write No More". However, his output was not limited to dirty blues. In 1928, he recorded the original version of "Corrine, Corrina", which later became a hit for Big Joe Turner and has become a standard in various musical genres. Carter and his brothers (including the pianist Harry Chatmon, who also made recordings) first lear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corrine, Corrina
"Corrine, Corrina" (sometimes "Corrina, Corrina") is a 12-bar country blues song in the AAB form. "Corrine, Corrina" was first recorded by Bo Carter ( Brunswick 7080, December 1928). However, it was not copyrighted until 1932 by Armenter "Bo Carter" Chatmon and his publishers, Mitchell Parish and J. Mayo Williams. The song is familiar for its opening verse: The Mississippi Sheiks, as the Jackson Blue Boys with Papa Charlie McCoy on vocals, recorded the same song in 1930; this time as "Sweet Alberta" ( Columbia 14397-D), substituting the words ''Sweet Alberta'' for ''Corrine, Corrina''. "Corrine, Corrina" has been recorded in a number of musical styles, including blues, jazz, rock and roll, Cajun, and Western swing. The title of the song varies from recording to recording, most often with the variant "Corrina, Corrina". History "Corrine, Corrina" may have traditional roots, however, earlier songs are different musically and lyrically. One of the earliest is the commercial shee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lew Pollack
Lew Pollack (June 16, 1895 – January 18, 1946) was an American song composer and musician active during the 1920s and the 1930s. Career Pollack was born in New York City where he went to DeWitt Clinton High School and was active as a boy soprano in a choral group headed by Walter Damrosch. Starting out as a singer and pianist in vaudeville acts he began writing theme music for silent films before collaborating with others on popular songs. In 1914, he wrote "That's a Plenty", a rag that became an enduring Dixieland standard. Among his best-known songs are " Charmaine" and " Diane" with Ernö Rapée, "Miss Annabelle Lee", My Yiddishe Momme" with Jack Yellen, made famous by Sophie Tucker, "Two Cigarettes in the Dark", "At the Codfish Ball" (featured in the Shirley Temple movie " Captain January" with Buddy Ebsen, and later the title of a ''Mad Men'' television episode), and '' Go In and Out The Window'', now a children's music standard. He also collaborated with Paul Francis W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charmaine (song)
"Charmaine" is a popular song written by Ernö Rapée and Lew Pollack. The song was written in 1926 and published in 1927. However, Desmond Carrington on his BBC Radio 2 programme marked the song's writing as being in 1913. Background The song was originally in waltz time, but later versions were in common time."Charmaine" is one of many popular songs whose lyrics use a "Bluebird of happiness" as a symbol of cheer: "I wonder, when bluebirds are mating, will you come back again?" The song was originally composed for the 1926 silent movie '' What Price Glory?'' Shel Talmy produced the Bachelors version with Big Jim Sullivan on lead guitar and Jimmy Page on guitar. Recordings *The best-selling version, recorded by Guy Lombardo & his Orchestra, spent seven weeks at the #1 position in 1927. It was featured in the movie ''Two Girls and a Sailor''. A version was also recorded by the Harry James orchestra in 1944. *The 1951 instrumental arrangement by Ronald Binge, performed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Young
Albert Victor Young (August 8, 1899– November 10, 1956)"Victor Young, Composer, Dies of Heart Attack", ''Oakland Tribune'', November 12, 1956. was an American composer, arranger, violinist and conductor. Biography Young is commonly said to have been born in Chicago on August 8, 1900, but according to Census data and his birth certificate, his birth year is 1899. His grave marker shows his birth year as 1901. He was born into a very musical Jewish family, his father being a tenor with Joseph Sheehan's touring opera company. After his mother died, his father abandoned the family. The young Victor, who had begun playing violin at the age of six, and was sent to Poland when he was ten to stay with his grandfather and study at Warsaw Imperial Conservatory (his teacher was Polish composer Roman Statkowski), achieving the Diploma of Merit. He studied the piano with Isidor Philipp of the Paris Conservatory. While still a teenager he embarked on a career as a concert violinist with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Sue, Just You
"Sweet Sue, Just You" is an American popular song of 1928, composed by Victor Young with lyrics by Will J. Harris. Popular versions in 1928 were by Earl Burtnett (vocal by the Biltmore Trio) and by Ben Pollack (vocal by Franklyn Baur). It has become a popular jazz standard, with versions recorded by many artists. It's also widely popular among jug bands. Other recordings *Paul Whiteman and His Orchestra (vocal by Jack Fulton), recorded on September 18, 1928. *Django Reinhardt - recorded in March 1935. * Benny Goodman and His Quartet - recorded on November 18, 1936 for Victor Records, catalog No. 25473A. *The Mills Brothers had a hit with the song in 1932. * Bing Crosby recorded the song for Brunswick Records on October 25, 1932 but it was not released until 1968. * Fats Waller - recorded June 24, 1935 for Victor Records (catalog No. 25087). *Tommy Dorsey and His Orchestra (vocal by Jack Leonard) enjoyed success with the song in 1939. * Johnny Long and His Orchestra reached the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
