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Big Muddy Records
Big Muddy Records is an independent American roots music record label based out of St Louis, Missouri. Founded by Chris (Kristo) Baricevic in 2005, Big Muddy Records has been a pivotal element in the development of many of St Louis' roots music acts, ranging from garage rock, punk, country, traditional jazz, blues, and folk music. Big Muddy Records is distributed by Entertainment One and Amped. Big Muddy Records artists include The Hooten Hallers, Jack Grelle, Ryan Koenig, Maximum Effort, Sidney Street Shakers, Rum Drum Ramblers, The Strange Places, The Loot Rock Gang, The Hobosexuals, Tortuga, and Southwest Watson Sweethearts. Past Big Muddy recording artists include Pokey LaFarge, Bob Reuter of The Dinosaurs and Alley Ghost, and 7 Shot Screamers. Bob Reuter and his legacy After the death of Bob Reuter in 2013, Chris Baricevic and Big Muddy Records became executors of Reuter's estate, including his catalog of music and his photography. They were tasked with preserving his leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entertainment One
Entertainment One Ltd., trading as eOne, is an American-owned Canadian multinational entertainment company. Based in Toronto, Ontario, the company is primarily involved in the acquisition, distribution, and production of films and television series. The company was listed on the London Stock Exchange before it was acquired by Hasbro on December 30, 2019. History Establishment The company has its origins in the music distributor Records on Wheels Limited (which was established in 1970), and the music retail chain CD Plus. The chain was in the process of acquiring other companies to bolster its wholesale operations in music and home video, leading to its purchase of ROW in 2001. Its vice president of operations, Darren Throop, had joined the company after CD Plus acquired his Halifax-based record store chain Urban Sound Exchange. The combined company later became known as ROW Entertainment, with Throop as president and CEO. The company listed itself on the Toronto Stock Excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proto-punk
Proto-punk (or protopunk) is rock music played mostly by garage bands from the 1960s to mid-1970s that foreshadowed the punk rock movement. The phrase is a retrospective label; the musicians involved were generally not originally associated with each other and came from a variety of backgrounds and styles; together, they anticipated many of punk's musical and thematic attributes. Definition According to the Allmusic guide: Most musicians classified as proto-punk are rock music, rock performers of the 1960s and early-1970s, with garage rock/art rock bands Them (band), Them, the Velvet Underground, the Shaggs, los Saicos, MC5 and the Stooges considered to be archetypal proto-punk artists, along with glam rock band the New York Dolls. Origins and etymology One of the earliest written uses of the term "punk rock" was by critic Dave Marsh who used it in 1970 to describe US group Question Mark & The Mysterians, who had scored a major hit with their song "96 Tears" in 1966. Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Music
Country (also called country and western) is a genre of popular music that originated in the Southern and Southwestern United States in the early 1920s. It primarily derives from blues, church music such as Southern gospel and spirituals, old-time, and American folk music forms including Appalachian, Cajun, Creole, and the cowboy Western music styles of Hawaiian, New Mexico, Red Dirt, Tejano, and Texas country. Country music often consists of ballads and honky-tonk dance tunes with generally simple form, folk lyrics, and harmonies often accompanied by string instruments such as electric and acoustic guitars, steel guitars (such as pedal steels and dobros), banjos, and fiddles as well as harmonicas. Blues modes have been used extensively throughout its recorded history. The term ''country music'' gained popularity in the 1940s in preference to '' hillbilly music'', with "country music" being used today to describe many styles and subgenres. It came to encomp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Honky Tonk
A honky-tonk (also called honkatonk, honkey-tonk, or tonk) is both a bar that provides country music for the entertainment of its patrons and the style of music played in such establishments. It can also refer to the type of piano ( tack piano) used to play such music. Bars of this kind are common in the South and Southwest United States. Many eminent country music artists, such as Jimmie Rodgers, Loretta Lynn, Patsy Cline, Ernest Tubb, Johnny Horton, and Merle Haggard, began their careers as amateur musicians in honky-tonks. The origin of the term "honky-tonk" is disputed, originally referring to bawdy variety shows in areas of the old West (Oklahoma, the Indian Territories and mostly Texas) and to the actual theaters showing them. The first music genre to be commonly known as honky-tonk was a style of piano playing related to ragtime but emphasizing rhythm more than melody or harmony; the style evolved in response to an environment in which pianos were often poorly care ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hooten Hallers
The Hooten Hallers are an American blues/ rock'n'roll band that formed in Columbia, Missouri in 2007. History The band was founded by guitarist/lead vocalist John Randall and drummer/ falsetto vocalist Andy Rehm, who performed as a duo and were known for their raucous and often improvised live performances. Paul Weber briefly joined the band in 2013–14 on harmonica and tuba, and wrote several of the group's songs, such as "She Used to Love My Music" and "Trouble Is". Baritone and bass saxophonist Kellie Everett joined in 2014 and solidified the group's line-up as a trio. The Hooten Hallers are a "high-energy blues, soul and rock and roll band known for their gritty Americana roots music". After a number of self-released albums, the Hooten Hallers signed with Big Muddy Records in 2012, releasing their album "Greetings From Welp City!" which featured harmonica work by Ryan Koenig of Pokey LaFarge. The full length follow-up album "Chillicothe Fireball" was released in 2014 on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ryan Koenig
Ryan McGrath Koenig (born October 4, 1985 in St. Louis, Missouri, United States) is an American roots musician. Koenig's early career began in 2004 as singer and guitarist for garage-rock band The Vultures. He later formed acoustic blues group The Rum Drum Ramblers with Mat Wilson and Joey Glynn. Koenig and Glynn joined up with Pokey LaFarge in 2008 and began touring extensively as Pokey LaFarge and the South City Three. The band, later shortened to Pokey LaFarge, toured the United States, Canada, Europe, Asia, Australia, and New Zealand, and made appearances on ''The Late Show with David Letterman'', ''The Grand Ole Opry'', ''The Marty Stuart Show'', ''The Conan O'Brien Show'', and in the motion picture ''The Lone Ranger'', and many others. Ryan Koenig's other current acts include duo with wife Kellie Everett, Southwest Watson Sweethearts, in addition to Rum Drum Ramblers, New Missouri Fox Hunters, Ryan Koenig and the Goldenrods, and appears as a guest with The Hooten Hallers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pokey LaFarge
Pokey LaFarge (born Andrew Heissler, June 26, 1983) is an American musician, writer, and actor. Early life LaFarge was born Andrew Heissler in Bloomington, Illinois. The nickname "Pokey" was coined by his mother, who would scold him to hurry when he was a child. LaFarge took an interest in history and literature during his childhood, and was greatly influenced by his grandfathers. One was a member of the St. Louis Banjo Club who gave him his first guitar and tenor banjo. The other, an amateur historian, taught him about the American Civil War and World War II. In his early teens, he discovered an appreciation for older blues musicians like Skip James, Robert Wilkins, and Sleepy John Estes. After hearing Bill Monroe at age 16, LaFarge traded the guitar his grandfather had given him for a mandolin. He adopted the name "Pokey LaFarge" because it sounded like what he was looking for musically during the time he was moving around the country. After graduating from University H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
