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Bibi Andersson
Berit Elisabet Andersson (11 November 1935 – 14 April 2019), known professionally as Bibi Andersson (), was a Swedish actress who was best known for her frequent collaborations with filmmaker Ingmar Bergman. Early life and career Andersson was born in Kungsholmen, Stockholm, the daughter of Karin (''née'' Mansion), a social worker, and Josef Andersson, a businessman. Her first collaboration with Ingmar Bergman came in 1951, when she participated in his production of an advertisement for the detergent Bris. She also worked as an extra on film sets as a teenager, and studied acting at the Terserus Drama School and at the Royal Dramatic Theatre School (1954–1956). She then joined the Royal Dramatic Theatre in Stockholm. In the 1950s, 1960s, and 1970s, Andersson starred in 10 motion pictures and three television films directed by Bergman. With Ingrid Thulin, Eva Dahlbeck and Barbro Hiort af Ornäs, she shared the Best Actress Prize at the 1958 Cannes Film Festival for ...
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Stockholm
Stockholm () is the Capital city, capital and List of urban areas in Sweden by population, largest city of Sweden as well as the List of urban areas in the Nordic countries, largest urban area in Scandinavia. Approximately 980,000 people live in the Stockholm Municipality, municipality, with 1.6 million in the Stockholm urban area, urban area, and 2.4 million in the Metropolitan Stockholm, metropolitan area. The city stretches across fourteen islands where Mälaren, Lake Mälaren flows into the Baltic Sea. Outside the city to the east, and along the coast, is the island chain of the Stockholm archipelago. The area has been settled since the Stone Age, in the 6th millennium BC, and was founded as a city in 1252 by Swedish statesman Birger Jarl. It is also the county seat of Stockholm County. For several hundred years, Stockholm was the capital of Finland as well (), which then was a part of Sweden. The population of the municipality of Stockholm is expected to reach o ...
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Maternity Ward
Childbirth, also known as labour and delivery, is the ending of pregnancy where one or more babies exits the internal environment of the mother via vaginal delivery or caesarean section. In 2019, there were about 140.11 million births globally. In the developed countries, most deliveries occur in hospitals, while in the developing countries most are home births. The most common childbirth method worldwide is vaginal delivery. It involves four stages of labour: the shortening and opening of the cervix during the first stage, descent and birth of the baby during the second, the delivery of the placenta during the third, and the recovery of the mother and infant during the fourth stage, which is referred to as the postpartum. The first stage is characterized by abdominal cramping or back pain that typically lasts half a minute and occurs every 10 to 30 minutes. Contractions gradually becomes stronger and closer together. Since the pain of childbirth correlates with contracti ...
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4th Guldbagge Awards
The 4th Guldbagge Awards ceremony, presented by the Swedish Film Institute, honored the best Swedish 1966 and 1967, and took place on 9 October 1967. ''Persona'', directed by Ingmar Bergman, was presented with the award for Best Film. Awards * Best Film: ''Persona'' by Ingmar Bergman * Best Director: Jan Troell for ''Here's Your Life'' * Best Actor: Per Oscarsson for ''Hunger'' * Best Actress: Bibi Andersson for ''Persona'' * Special Achievement: Krister Wickman References External linksOfficial websiteGuldbaggen on FacebookGuldbaggen on Twitter4th Guldbagge Awards
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Guldbagge Award For Best Actress In A Leading Role
The Guldbagge for Best Actress in a Leading Role is a Swedish film award presented annually by the Swedish Film Institute (SFI) as part of the Guldbagge Awards (Swedish: "Guldbaggen") to actresses working in the Swedish motion picture industry. Winners and nominees Each Guldbagge Awards ceremony is listed chronologically below along with the winner of the Guldbagge Award for Actress in a Leading Role and the film associated with the award. Before 1991 the awards did not announce nominees, only winners. In the columns under the winner of each award are the other nominees for best actress, which are listed from 1991 and forward. For the first nineteen ceremonies, the eligibility period spanned two calendar years. For example, the 2nd Guldbagge Awards presented on October 15, 1965, recognized films that were released between July, 1964 and June, 1965. Starting with the 20th Guldbagge Awards, held in 1985, the period of eligibility became the full previous calendar year from Januar ...
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Liv Ullmann
Liv Johanne Ullmann (born 16 December 1938) is a Norwegian actress and film director. Recognised as one of the greatest European actresses of all time, Ullmann is known as the muse and frequent partner of filmmaker Ingmar Bergman. She acted in many of his films, including ''Persona'' (1966), ''Cries and Whispers'' (1972), ''Scenes from a Marriage'' (1973), ''The Passion of Anna'' (1969), and ''Autumn Sonata'' (1978). Ullmann won a Golden Globe Award for Best Actress – Motion Picture Drama in 1972 for the film '' The Emigrants'' (1971) and has been nominated for another four. In 2000, she was nominated for the Palme d'Or for her second directorial feature film, ''Faithless''. She has received two BAFTA Award nominations, and two nominations for the Academy Award for Best Actress, for '' The Emigrants'' (1971) and Ingmar Bergman's '' Face to Face'' (1976). On March 25, 2022, Ullmann was presented with an Honorary Academy Award in recognition of her "bravery and emotional transpa ...
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The Mistress (1962 Film)
''The Mistress'' ( sv, Älskarinnan) is a 1962 Swedish drama film directed by Vilgot Sjöman. It marked Sjöman's directoral debut and was entered into the 13th Berlin International Film Festival where Bibi Andersson won the Silver Bear for Best Actress award. The film was also selected as the Swedish entry for the Best Foreign Language Film at the 35th Academy Awards, but was not accepted as a nominee.Margaret Herrick Library, Academy of Motion Picture Arts and Sciences Cast * Bibi Andersson - The Girl * Birger Lensander - Conductor * Per Myrberg - The Boy * Gunnar Olsson - Old Man * Birgitta Valberg - Motherly Woman * Max von Sydow - Married Man * Öllegård Wellton - Married Woman See also * List of submissions to the 35th Academy Awards for Best Foreign Language Film * List of Swedish submissions for the Academy Award for Best Foreign Language Film Swedish submissions for the Academy Award for Best International Feature Film are handed out annually by representative ...
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Vilgot Sjöman
David Harald Vilgot Sjöman (2 December 1924 – 9 April 2006) was a Swedish writer and film director. His films deal with controversial issues of social class, morality, and sexual taboos, combining the emotionally tortured characters of Ingmar Bergman with the avant garde style of the French New Wave. He is best known as the director of the films '' 491'' (1964), ''I Am Curious (Yellow)'' (in Swedish, "Jag är nyfiken – gul") (1967), and ''I Am Curious (Blue)'' ("Jag är nyfiken – blå") (1968), which stretched the boundaries of acceptability of what could then be shown on film, deliberately treating their subjects in a provocative and explicit manner. Career Sjöman was born in Stockholm, in a working-class family. His father, Anders W. Sjöman, was a builder; his mother was Mandis Pettersson. Sjöman became a clerk with a cereal company aged 15, but passed his ''studentexamen'' in 1945 and studied at the later Stockholm University. He then worked in a prison whil ...
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13th Berlin International Film Festival
The 13th annual Berlin International Film Festival was held from 21 June to 2 July 1963. The Golden Bear was awarded ''ex aequo'' to the Italian film ''Il diavolo'' directed by Gian Luigi Polidoro and Japanese film '' Bushidô zankoku monogatari'' directed by Tadashi Imai. Jury The following people were announced as being on the jury for the festival: International feature film jury * Wendy Toye, actress and director (United Kingdom) - Jury President * Harry R. Sokal, producer (West Germany) * Fernando Ayala, director, screenwriter and producer (Argentina) * Jean-Pierre Melville, director and screenwriter (France) * Baldev Raj Chopra, director and producer (India) * Guglielmo Biraghi, journalist and film critic (Italy) * Masatora Sakurai (Japan) * Karl Malden, actor (United States) * Günther Engels (West Germany) International documentary and short jury * T.O.S. Benson, minister of culture (Nigeria) - Jury President * Charles Boost, illustrator and writer (Netherlands) * ...
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Silver Bear For Best Actress
The Silver Bear for Best Actress (german: Silberner Bär/Beste Darstellerin) was an award presented at the Berlin International Film Festival from 1956 to 2020. It was given to an actress who has delivered an outstanding performance and was chosen by the International Jury from the films in the Competition slate at the festival. Beginning with the 71st Berlin International Film Festival, the award was replaced with two gender-neutral categories, Silver Bear for Best Leading Performance and Silver Bear for Best Supporting Performance. At the 6th Berlin International Film Festival held in 1956, Elsa Martinelli was the first winner of this award for her performance in '' Donatella'', and Paula Beer was the last winner in this category for her role in ''Undine'' at the 70th Berlin International Film Festival in 2020. History The award was first presented in 1956, and can be for lead or supporting roles. The prize was not awarded on four occasions (1969, 1973–74, and 1990). In 197 ...
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Persona (1966 Film)
''Persona'' is a 1966 Swedish psychological drama film, written and directed by Ingmar Bergman and starring Bibi Andersson and Liv Ullmann. The story revolves around a young nurse named Alma (Andersson) and her patient, well-known stage actress Elisabet Vogler (Ullmann), who has suddenly stopped speaking. They move to a cottage, where Alma cares for Elisabet, confides in her, and begins having trouble distinguishing herself from her patient. Characterized by elements of psychological horror, ''Persona'' has been the subject of much critical analysis, interpretation, and debate. The film's exploration of duality, insanity, and personal identity has been interpreted as reflecting the Jungian theory of ''persona'' and dealing with issues related to filmmaking, vampirism, homosexuality, motherhood, abortion, and other subjects. The experimental style of its prologue and storytelling has also been noted. The enigmatic film has been called the Mount Everest of cinematic analysis; acco ...
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The Touch (1971 Film)
The Touch may refer to: In film: * ''The Touch'' (1971 film), a Swedish film by Ingmar Bergman * ''The Touch'' (2002 film), a Hong Kong film starring Michelle Yeoh In literature: * ''The Touch'' (McCullough novel), a novel by Colleen McCullough * ''The Touch'' (Wilson novel), a novel by F. Paul Wilson * ''The Touch'', a novel by Daniel Keyes * ''The Touch'', a novel by Julie Myerson In music: * ''The Touch'' (album), an album by Alabama * "The Touch" (Kim Wilde song), from the 1984 album ''Teases & Dares'' * "The Touch" (Stan Bush song), from the 1986 album ''The Transformers The Movie'' soundtrack * The Touch (radio network), a 24-hour music format * "The Touch", a song by Maria Arredondo In theater: See also * Touch (other) Touch is one of the sensations processed by the somatosensory system. Touch may also refer to: Places * Touch (river), in France * Touch House, a mansion near Stirling, Scotland Computing and technology * touch (command), a computer ...
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The Passion Of Anna
''The Passion of Anna'' ( sv, En passion – "A passion") is a 1969 Swedish drama film written and directed by Ingmar Bergman, who was awarded Best Director at the 1970 National Society of Film Critics Awards for the film. Plot The audience is introduced to Andreas Winkelman, a man living alone and emotionally desolate after the recent breakdown of his marriage. A neighbour, Anna, arrives and asks permission to use his phone. She walks with the aid of a cane. (It is later revealed that her husband and son died as a result of her driving off the road.) While Anna uses Andreas' phone, he eaves-drops on her conversation, after which she departs in tears. Anna has left her handbag behind and Andreas looks through it, finding and reading a letter from her husband that reveals that he is unhappy in their marriage and fearful for possible "psychological and physical violence". The narrative of the film is periodically interrupted by brief footage of each of the four main actors being ...
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