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Bhauma
Mangala ( Sanskrit: मङ्गल, IAST: ) is the personification, as well as the name for the planet Mars, in Hindu literature. Also known as Lohita (), he is the celibate deity of anger, aggression, as well as war. According to Vaishnavism, he is the son of Bhumi, the earth goddess, and Vishnu, born when the latter raised her from the depths of the primordial waters in his Varaha avatar. Nomenclature Mars (Mangala) is also called: * Raktavarna (रक्तवर्ण) - whose color is like blood. * Bhauma (भौम) - son of Bhumi. * Lohitānga (लोहिताङ्ग) - red bodied (Loha also means Iron, so could also mean Iron Bodied). * Kuja (कुज) - he who is born from Earth. * Bha (भ) - shining. Iconography He is painted red or flame colour, four-armed, carrying a trident (Sanskrit: '' trishūla''), mace (Sanskrit: ''gadā''), lotus (Sanskrit: '' Padma''), and a spear (Sanskrit: ''shūla).'' His mount (Sanskrit: '' vahana'') is a ram. He preside ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhumi (goddess)
Bhumi ( sa, भूमि, Bhūmi), also known as Bhudevi and Vasundhara, is a Hindu goddess who is the personification of the Earth. She is a consort of the god Vishnu. According to Vaishnava tradition, she is the second aspect of Vishnu's consort, Lakshmi, along with the aspects of Sridevi and Niladevi. Varaha, the third avatar of Vishnu, saved her from the demon Hiranyaksha and later married her, making her one of his consorts. She is regarded as the mother of Narakasura, Mangala, and Sita. Etymology and iconography The name "Bhūmi" is Sanskrit word for "earth". The version "Puhumi" is the equivalent in Old Awadhi. She is known by various names such as Bhuvati, Bhuvani, Bhuvaneshwari, Avni, Prithvi, Varahi, Dharti, Dhaatri, Dharani, Vasudha, Vasundhara, Vaishnavi, Kashyapi, Urvi, Ira, Mahi, Ela, Vasumati, Dhanshika, Vasumati, Hema, and Hiranmaya. Bhudevi is depicted as seated on a platform that rests on the back of four elephants, representing the four cardinal directions. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhūmi
Bhumi ( sa, भूमि, Bhūmi), also known as Bhudevi and Vasundhara, is a Hindu goddess who is the personification of the Earth. She is a consort of the god Vishnu. According to Vaishnava tradition, she is the second aspect of Vishnu's consort, Lakshmi, along with the aspects of Sridevi and Niladevi. Varaha, the third avatar of Vishnu, saved her from the demon Hiranyaksha and later married her, making her one of his consorts. She is regarded as the mother of Narakasura, Mangala, and Sita. Etymology and iconography The name "Bhūmi" is Sanskrit word for "earth". The version "Puhumi" is the equivalent in Old Awadhi. She is known by various names such as Bhuvati, Bhuvani, Bhuvaneshwari, Avni, Prithvi, Varahi, Dharti, Dhaatri, Dharani, Vasudha, Vasundhara, Vaishnavi, Kashyapi, Urvi, Ira, Mahi, Ela, Vasumati, Dhanshika, Vasumati, Hema, and Hiranmaya. Bhudevi is depicted as seated on a platform that rests on the back of four elephants, representing the four cardinal directions. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varaha
Varaha ( sa, वराह, , "boar") is an avatar of the Hindu god Vishnu, in the form of a boar. Varaha is generally listed as third in the Dashavatara, the ten principal avatars of Vishnu. Varaha is most commonly associated with the legend of lifting the Earth (personified as the goddess Bhudevi) out of the cosmic ocean. When the asura Hiranyaksha stole the earth and hid her in the primordial waters, Vishnu appeared as Varaha to rescue her. Varaha slew the asura, and retrieved the Earth from the ocean, lifting it on his tusks, and restored Bhudevi to her place in the universe. Varaha may be depicted as completely a boar or in an anthropomorphic form, with a boar's head and the human body. His consort, Bhudevi, the personified Earth, is often depicted as a young woman, lifted by Varaha. Etymology and other names The deity Varaha derives its name from the Sanskrit word ''varāha'' (Devanagari: वराह, ) meaning "boar" or "wild boar". The word ''varāha'' is from P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sheep
Sheep or domestic sheep (''Ovis aries'') are domesticated, ruminant mammals typically kept as livestock. Although the term ''sheep'' can apply to other species in the genus ''Ovis'', in everyday usage it almost always refers to domesticated sheep. Like all ruminants, sheep are members of the order Artiodactyla, the even-toed ungulates. Numbering a little over one billion, domestic sheep are also the most numerous species of sheep. An adult female is referred to as a ''ewe'' (), an intact male as a ''ram'', occasionally a ''tup'', a castrated male as a ''wether'', and a young sheep as a ''lamb''. Sheep are most likely descended from the wild mouflon of Europe and Asia, with Iran being a geographic envelope of the domestication center. One of the earliest animals to be domesticated for agricultural purposes, sheep are raised for fleeces, meat (lamb, hogget or mutton) and milk. A sheep's wool is the most widely used animal fiber, and is usually harvested by shearing. In Commonw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vedas
upright=1.2, The Vedas are ancient Sanskrit texts of Hinduism. Above: A page from the '' Atharvaveda''. The Vedas (, , ) are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism. There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), the Brahmanas (commentaries on rituals, ceremonies and sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge).Gavin Flood (1996), ''An Introduction to Hinduism'', Cambridge University Press, , pp. 35–39A Bhattacharya (2006), ''Hindu Dharma: Introduction to Scriptures and Theology'', , pp. 8–14; George M. Williams (2003), Handbook of Hindu Mythology, Oxford University Press, , p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hiranyaksha
__NOTOC__ Hiranyaksha ( sa, हिरण्याक्ष, "golden-eyed"), also known as Hiranyanetra ( sa, हिरण्यनेत्र) was an oppressive Asura who attacked the heavens and thereafter kidnapped and attempted to destroy the earth goddess in Hindu Puranas. Legend Some of the Puranas present Hiranyaksha as the son of Diti and Kashyapa. Kashyapa (Sanskrit: कश्यप ''kaśyapa'') was an ancient sage (rishis), who is one of the Saptarshis in the present Manvantara; with others being Atri, Vashishtha, Vishvamitra, Gautama, Jamadagni, and Bharadwaja. He was the father of the Devas, Asuras, Nagas and all of humanity. He married Aditi, with whom he fathered Agni, the Aditya. With his second wife, Diti, he begot the Daityas. In this Puranic version, the good Suras and evil Asuras are the children of the same Kashyapa, and there is a constant war between good and evil. Once, Hiranyaksha assaulted the defenceless Mother Earth and pulled her deep into the cosm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kshira Sagara
In Hindu cosmology, the Ocean of Milk (',', ''Malayalam: Pālāḻi'') is the fifth from the centre of the seven oceans. It surrounds the continent known as Krauncha. According to Hindu scriptures, the devas and asuras worked together for a millennium to churn the ocean and release amrita, the nectar of immortal life. It is spoken of in the ''Samudra Manthana'' chapter of the Puranas, a body of ancient Hindu legends. It is called as the ''Tiruparkadal'' (Sacred sea of milk) in Tamil, and is the place where Vishnu reclines over Adishesha, along with his consort, Lakshmi. Etymology "Ocean of Milk" is the English translation of the Sanskrit terms ', ' or ', from ' "milk" and ', ' "water, ocean" or ' "ocean." The term varies across Indic languages, including ''khir sagar'' in Bengali, ''pārkaḍal'' in Tamil, and ''Pāla Kadali'' in Telugu. The Churning of the Ocean One of the most fascinating episodes of Hindu mythology involves the churning of the cosmic ocean in order to obta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmi
Lakshmi (; , sometimes spelled Laxmi, ), also known as Shri (, ), is one of the principal goddesses in Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity, and associated with ''Maya'' ("Illusion"). Along with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Within the goddess-oriented Shaktism, Lakshmi is venerated as the prosperity aspect of the Mother goddess. Lakshmi is both the consort and the divine energy (''shakti'') of the Hindu god Vishnu, the Supreme Being of Vaishnavism; she is also the Supreme Goddess in the sect and assists Vishnu to create, protect, and transform the universe. She is an especially prominent figure in Sri Vaishnavism, in which devotion to Lakshmi is deemed to be crucial to reach Vishnu. Whenever Vishnu descended on the earth as an avatar, Lakshmi accompanied him as consort, for example, as Sita and Radha or Rukmini as consorts of Vishnu's avatars Rama and Krishna, respectively. The eight ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rigveda
The ''Rigveda'' or ''Rig Veda'' ( ', from ' "praise" and ' "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (''sūktas''). It is one of the four sacred canonical Hindu texts (''śruti'') known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum. The ''Rigveda'' is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. The sounds and texts of the ''Rigveda'' have been orally transmitted since the 2nd millennium BCE. Philological and linguistic evidence indicates that the bulk of the ''Rigveda'' Samhita was composed in the northwestern region of the Indian subcontinent (see) Rigvedic rivers), most likely between 1500 and 1000 BCE, although a wider approximation of 19001200 BCE has also been given. The text is layered, consisting of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Markandeya Purana
The ''Markandeya Purana'' ( sa, मार्कण्डेय पुराण; IAST: ) is a Sanskrit text of Hinduism, and one of the eighteen major Puranas. The text's title Markandeya refers to a sage in Hindu History, who is the central character in two legends, one linked to Shiva and other to Vishnu. The Markandeya text is one of the Puranas that lacks a sectarian presentation of ideas in favor of any particular god, and it is rare to read any deity being invoked or deity prayers in the entire text. The Markandeya Purana is probably one of the oldest in Purana genre of Hindu Literature, among the most interesting and important, states Ludo Rocher. It is famous for including the Devi Mahatmya within it, the oldest known treatise on Devi (Goddess) as the Supreme Truth and Creator Of The Universe. The text is considered as a central text of the Hindu Goddess-related Shaktism tradition, with an extraordinary expression of reverence for the feminine. The Markandeya Purana's Dev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vahana
''Vahana'' ( sa, वाहन, or animal vehicle, literally "that which carries, that which pulls") denotes the being, typically an animal or mythical, a particular Hindus, Hindu God is said to use as a vehicle. In this capacity, the vahana is often called the deity's "mount". Upon the partnership between the deity and his vahana is woven much Hindu iconography, iconography and Hindu mythology, Hindu theology. Deities are often depicted riding (or simply mounted upon) the vahana. Other times, the vahana is depicted at the deity's side or symbolically represented as a divine attribute. The vahana may be considered an :wikt:accoutrement, accoutrement of the deity: though the vahana may act independently, they are still functionally emblematic or even :wikt:syntagmatic, syntagmatic of their "rider". The deity may be seen sitting or standing on the vahana. They may be sitting on a small platform, or riding on a saddle or bareback. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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