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Beyond Your Wildest Dreams
"Beyond Your Wildest Dreams" is a ballad written by British hitmaking team Stock Aitken & Waterman, which was recorded by three of their artists, Lonnie Gordon, Sybil, and Nancy Davis. The songwriters have cited this song as one of the best they ever wrote, and were dissatisfied with its poor chart performance. Gordon and Sybil's versions were released as singles. Lonnie Gordon version The song was written for American singer-songwriter Lonnie Gordon, and was released as the follow-up to her breakthrough top 10 hit "Happenin' All Over Again". Initially the follow-up single was going to be another song, the uptempo "How Could He Do This To Me", however disagreements with the label led to a change of the single choice and "Beyond Your Wildest Dreams" was released instead. These disagreements created a delay on the release of the single and it was finally released in August 1990, seven months after "Happenin' All Over Again" had entered the UK charts. The song peaked at number 48 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stock Aitken & Waterman
Stock Aitken Waterman (abbreviated as SAW) are an English songwriting and record production trio consisting of Mike Stock, Matt Aitken, and Pete Waterman. The trio had great success from the mid-1980s through the early 1990s. SAW is considered one of the most successful songwriting and producing partnerships of all time, scoring more than 100 UK top 40 hits, selling 40 million records and earning an estimated £60 million (about $104 million). SAW started producing underground club hits, but earned worldwide success with a mix of hi-NRG-influenced sound, romantic Motown lyrics and Italo disco melodies. During 1984–1989, their musical style was labelled Eurobeat. They also put swing shuffle elements into their songs. History The team In January 1984, Mike Stock and Matt Aitken called Pete Waterman asking for a meeting. Mike and Matt turned up with a song they had written and produced called "The Upstroke", a hi-NRG female version of Frankie Goes to Hollywood's "Rela ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated in the United States during the late 1970s and early 1980s. As a music genre, typified by fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Its earliest association was with Italo disco. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute although typically it is around 127. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Hamilton (DJ And Journalist)
James Hamilton (25 December 1942 – 17 June 1996) was a British DJ and dance music columnist for ''Record Mirror'', and later for ''Music Week'', where he worked until his death in 1996. He is recognised as a pioneering advocate of disco mixing in the UK and the addition of beats per minute (bpm) calculations to record reviews. Hamilton started as a DJ in his early 20s, playing rhythm & blues in a nightclubs in London. He then headed to New York to work for Seltaeb, the US company who’d acquired the merchandising rights for The Beatles, becoming a talent scout for their newly formed music division. After returning to the UK, he adopted the DJ name Doctor Soul, and also compiled an album with this title for Sue Records. He set up as one of the first mobile DJs, and began writing US reviews for ''Record Mirror'' in 1964. In 1975, he began the magazine's weekly ‘Disco’ column, named ''James Hamilton's Disco Page''. He pioneered several features that was copied by other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Flick
Larry Flick is an American journalist, former dance music columnist, single reviewer, and Senior Talent Editor for ''Billboard'' magazine, where he worked for 14 years. Now he produces and hosts Sirius XM radio shows. Flick started in the music business at 21 as a college radio rep at a company called Gold Mountain. He went on the road as a touring assistant to the Power Station and KISS during their 1980s heyday, before starting as a part-time assistant/mail sorter at Billboard. He later became the dance music/single reviews editor of the magazine. Flick also worked as a music consultant for Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. T .... References External linksLarry Flick on Sirius XM [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bubbling Under R&B/Hip-Hop Singles
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by ''Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling black music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three charts were consolidated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doin' It Now!
''Doin' It Now!'' is the fourth studio album by American singer Sybil, released in 1993. Background For this album, Sybil worked with different producers, including Mike Stock and Pete Waterman, Denise Rich, Prince Charles Alexander and others. The album was released in the US and Canada only. In Europe during the same year, Sybil released a different album titled ''Good 'N' Ready'' that shares four songs with ''Doin' It Now!'': "You're the Love of My Life", "The Love I Lost", "Guarantee of Love" and "Now or Never", but otherwise both albums go in a different musical direction. Next Plateau, Sybil's label in the US, decided to showcase Sybil's R&B/soul sensibilities for the American market (which was popular at the time), whereas in Europe, PWL Records, Sybil's UK label, decided to release a more dance-orientated album with some Eurohouse sound as well as her soul music showcase. The album includes two covers: the Harold Melvin & the Blue Notes song "The Love I Lost" and the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Love I Lost
"The Love I Lost" is a song by American R&B group Harold Melvin & the Blue Notes. Originally written as a ballad by Philly soul songwriters Kenny Gamble and Leon Huff, the song was transformed into a disco song and features drummer Earl Young. It was released from the '' Black & Blue'' album in late 1973 and sold more than a million copies. In the 21st century, the track has been the subject of extended re-edits by notable remixers Tom Moulton and Dimitri From Paris. Background "The Love I Lost" is considered an early example of disco. The track was one of the transitional songs marking the emergence of disco from traditional rhythm and blues as a distinctive style of music. Charts The song peaked at number seven on the US ''Billboard'' Hot 100 and spent two weeks at number one on the ''Billboard'' Hot Soul Singles chart. It also reached number 21 in the United Kingdom in early 1974. Certifications West End featuring Sybil version On January 4, 1993, American R&B and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
When I'm Good And Ready
"When I'm Good and Ready" is a song by American R&B and pop singer-songwriter Sybil, released on March 8, 1993 as the first single from her fifth album, ''Good 'N' Ready'' (1993). Written and produced by Stock/Waterman, it also features backing vocals by Mae McKenna, Stock and Miriam Stockley. It went on to become one of her most successful songs and a major hit on the charts in Europe, reaching the top 10 in the UK and Ireland, peaking at number five and six. Additionally, it was a top-20 hit in Austria and a top-50 hit in Germany. On the Eurochart Hot 100, it reached number 21 in May 1993. In 1997, "When I'm Good and Ready" was re-released in a new remix by UK remix, production and songwriting team Love to Infinity. Their version reached number 66 on the UK Singles Chart. Critical reception In their review of the ''Good 'N' Ready'' album, Pan-European magazine ''Music & Media'' stated, "Her forte is dance with a poppy and exuberant feel to it". Alan Jones from ''Music Week ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Next Plateau Records
Next Plateau Entertainment (formerly Next Plateau Records) is an American record label that currently operates in association with Republic Records. Background 1980s New York City-based independent label Next Plateau Records began in the early 1980s and ultimately became a successful independent label. Writers and producers signed to the record company include John Robie, who produced C-bank’s single, “One More Shot”. The company also signed the female rap act Salt-N-Pepa, who went on to score several hits on the US Hot 100 including the songs " Push It" and Shake Your Thang, and freestyle act Sweet Sensation, which had a hit with the song “I’m Hooked On You”. 1990s During the 1990s Next Plateau had several hits on the American charts and some international charts with Paperboy’s “Ditty”; Sybil’s “Don’t Make Me Over” and “Walk On By”; Boy Krazy’s “That’s What Love Can Do”; KWS’s “Please Don’t Go”; and with their biggest act, the fem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
