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Beware My Love
"Beware My Love" is a rock song credited to Paul and Linda McCartney that was first released on the Wings 1976 album ''Wings at the Speed of Sound''. It was also used as the B-side of the single that included "Let 'Em In". A live version recorded on June 7, 1976, in Denver, Colorado, was included on the Wings' album '' Wings Over America'' and another live version from three days later in Seattle, Washington, was shown in the concert film ''Rockshow''. An excerpt from the ''Rockshow'' performance was also included in the documentary ''Wings Over the World''. Lyrics and music Like a number of successful Paul McCartney songs, "Beware My Love" is made of several disparate elements. The song begins with a brief harmonium melody followed by a repeated acoustic guitar figure. (The song's album version has the previous song, " She's My Baby", fading out into the harmonium intro; "Beware"'s ''single'' version fades in as the harmonium part fades out into the acoustic guitar riff.) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul McCartney And Wings
Wings were a British-American rock band formed in 1971 by former Beatle bassist Paul McCartney, his wife Linda McCartney on keyboards, session drummer Denny Seiwell, and former Moody Blues guitarist Denny Laine. Wings were noted for their commercial successes, musical eclecticism and frequent personnel changes; going through three lead guitarists and four drummers. However, the core trio of the McCartneys and Laine remained intact throughout the group's existence. Created following the McCartneys' 1971 album ''Ram'', the band's first two albums, '' Wild Life'' (1971) and ''Red Rose Speedway'' (1973) (the latter featuring guitarist Henry McCullough), were viewed as artistic disappointments beside Paul's work with the Beatles. After the release of the title track of the James Bond film '' Live and Let Die'', McCullough and Seiwell resigned from the band. The McCartneys and Laine then released 1973's '' Band on the Run'', a commercial and critical success that spawned two top-t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bridge (music)
In music, especially Western popular music, a bridge is a contrasting section that prepares for the return of the original material section. In a piece in which the original material or melody is referred to as the "A" section, the bridge may be the third eight-bar phrase in a thirty-two-bar form (the B in AABA), or may be used more loosely in verse-chorus form, or, in a compound AABA form, used as a contrast to a full AABA section. The bridge is often used to contrast with and prepare for the return of the verse and the chorus. "The b section of the popular song chorus is often called the ''bridge'' or ''release''." Etymology The term comes from a German word for bridge, ''Steg'', used by the Meistersingers of the 15th to the 18th century to describe a transitional section in medieval bar form. The German term became widely known in 1920s Germany through musicologist Alfred Lorenz and his exhaustive studies of Richard Wagner's adaptations of bar form in his popular 19th-cent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denny Laine
Denny Laine (born Brian Frederick Hines, 29 October 1944) is an English musician, singer, and songwriter, known as a founder of two major rock bands: the Moody Blues, with whom he played from 1964 to 1966, and Wings, with whom he played from 1971 to 1981. Laine has worked with a variety of artists and groups over a six-decade career, and continues to record and perform as a solo artist. In 2018, Laine was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues. Early years Laine was born in Tyseley, Birmingham, England, where he attended Yardley Grammar School, and took up the guitar as a boy, inspired by gypsy jazz musician Django Reinhardt. He gave his first solo performance as a musician at the age of 12, and began his career as a professional musician, fronting Denny Laine and the Diplomats, which also included Bev Bevan, future drummer with Move and Electric Light Orchestra. Laine changed his name because he felt 'Brian Frederick Hines and the Diplom ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe English (musician)
Joe English (born February 7, 1949) is an American musician, vocalist and songwriter who, during the 1970s, played drums in Paul McCartney's band Wings and in the rock band Sea Level, among others. Biography Born on February 7, 1949 in Rochester, New York, Joe English was a member of band Jam Factory, a group based in Syracuse, that evolved into the Tall Dogs Orchestra of Macon, Georgia. Searching for an opportunity to expand his talent, he answered an ad for a drummer in early 1975. The address led him to the basement of an old building where, much to his surprise, he found himself face to face with Paul McCartney. The audition was for McCartney's Wings, and English got the job. His first album with Wings was '' Venus and Mars'' and, one album later, he would even take the lead vocals for the song, " Must Do Something About It" from ''Wings at the Speed of Sound''. He accompanied Wings on tour and was the drummer on the ''Wings Over the World'' tour. In September 1977, du ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tetrachord
In music theory, a tetrachord ( el, τετράχορδoν; lat, tetrachordum) is a series of four notes separated by three intervals. In traditional music theory, a tetrachord always spanned the interval of a perfect fourth, a 4:3 frequency proportion (approx. 498 cents)—but in modern use it means any four-note segment of a scale or tone row, not necessarily related to a particular tuning system. History The name comes from ''tetra'' (from Greek—"four of something") and ''chord'' (from Greek ''chordon''—"string" or "note"). In ancient Greek music theory, ''tetrachord'' signified a segment of the greater and lesser perfect systems bounded by ''immovable'' notes ( ); the notes between these were ''movable'' ( ). It literally means ''four strings'', originally in reference to harp-like instruments such as the lyre or the kithara, with the implicit understanding that the four strings produced adjacent (i.e., conjunct) notes. Modern music theory uses the octave as the basic u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Major
A major (or the key of A) is a major scale based on A, with the pitches A, B, C, D, E, F, and G. Its key signature has three sharps. Its relative minor is F-sharp minor and its parallel minor is A minor. The key of A major is the only key where the Neapolitan sixth chord on (''i.e.'' the flattened supertonic) requires both a flat and a natural accidental. The A major scale is: : In the treble, alto, and bass clefs, the G in the key signature is placed higher than C. However, in the tenor clef, it would require a ledger line and so G is placed lower than C. History Although not as rare in the symphonic literature as sharper keys (those containing more than three sharps), symphonies in A major are less common than in keys with fewer sharps such as D major or G major. Beethoven's Symphony No. 7, Bruckner's Symphony No. 6 and Mendelssohn's Symphony No. 4 comprise a nearly complete list of symphonies in this key in the Romantic era. Mozart's Clarinet Concerto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
C Major
C major (or the key of C) is a major scale based on C, consisting of the pitches C, D, E, F, G, A, and B. C major is one of the most common keys used in music. Its key signature has no flats or sharps. Its relative minor is A minor and its parallel minor is C minor. The C major scale is: : On the piano, the C major scale can be played by playing only the white keys starting on C. Compositions Twenty of Joseph Haydn's 106 symphonies are in C major, making it his second most-used key, second to D major. Of the 134 symphonies mistakenly attributed to Haydn that H. C. Robbins Landon lists in his catalog, 33 are in C major, more than any other key. Before the invention of the valves, Haydn did not write trumpet and timpani parts in his symphonies, except those in C major. Landon writes that it wasn't "until 1774 that Haydn uses trumpets and timpani in a key other than C major... and then only sparingly." Most of Haydn's symphonies in C major are labelled "festive" an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
D Minor
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D harmonic minor and melodic minor scales are: Music in D minor Of Domenico Scarlatti's 555 keyboard sonatas, 151 are in minor keys, and with 32 sonatas, D minor is the most often chosen minor key. ''The Art of Fugue'' by Johann Sebastian Bach is in D minor. Michael Haydn's only minor-key symphony, No. 29, is in D minor. According to Alfred Einstein, the history of tuning has led D minor to be associated with counterpoint and chromaticism (for example, the chromatic fourth), and cites Bach's ''Chromatic Fantasia and Fugue'' in D minor. Mozart's Requiem is written primarily in D minor, as are the famous Queen of the Night Aria, "Der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helter Skelter (song)
"Helter Skelter" is a song by the English Rock music, rock band the Beatles from their 1968 album ''The Beatles (album), The Beatles'' (also known as "the White Album"). It was written by Paul McCartney and credited to Lennon–McCartney. The song was McCartney's attempt to create a sound as loud and dirty as possible. It is regarded as a key influence in the early development of Heavy metal music, heavy metal. In 1976, the song was released as the B-side of "Got to Get You into My Life" in the United States, to promote the Capitol Records compilation ''Rock 'n' Roll Music (album), Rock 'n' Roll Music''. Along with other tracks from the White Album, "Helter Skelter" was interpreted by cult leader Charles Manson as a message predicting inter-racial war in the US. A Helter Skelter (scenario), vision of this uprising was named after the song. ''Rolling Stone'' magazine ranked "Helter Skelter" 52nd on its list of "The 100 Greatest Beatles Songs". Siouxsie and the Banshees, Mötley ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Riley (music Critic)
Tim Riley (born 1960) reviews pop and classical music for NPR, and has written for ''The New York Times'', truthdig, the ''Huffington Post'', the ''Washington Post'', Slate.com and Salon.com. He was trained as a classical pianist at Oberlin College and Eastman School of Music. Since 2009, he has taught digital journalism at Emerson College in Boston. Brown University sponsored Riley as its critic-in-residence in 2008. His first book was ''Tell Me Why: A Beatles Commentary'' (Knopf/Vintage 1988), a critique of the Beatles' music, which ''The New York Times'' said brought "new insight to the act we've known for all these years". The book established Riley as an author of rock history critiques. His television appearances include ''Morning Joe'', ''PBS NewsHour'', CBS Morning and Evening News, MTV, and the History Channel. Riley gave a keynote address at Beatles 2000, the first international academic conference in Jyväskylä, Finland. Since then, he has given lectures on censorship ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
