Beverley Martyn
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Beverley Martyn
Beverley Martyn (born Beverley Kutner 24 March 1947) is an English singer, songwriter and guitarist. At various times, Martyn has worked with John Martyn, Levon Helm, Jimmy Page, Dave Pegg, Richard Thompson, John Renbourn, Ralph McTell, Davy Graham and Sandy Denny. She appeared in the photograph on the album sleeve of Bert Jansch's 1965 album, '' It Don't Bother Me'', where she can be seen lounging in the background. Early life and career Martyn was born near Coventry, England. While still a student, she was picked to front The Levee Breakers, a jug band featuring Mac McGann and Johnny Joyce, who played the folk circuit in south east England. At the age of 16 she recorded her first single. "Babe I'm Leaving You", which was released on the Parlophone label in 1965. Martyn was then signed as a solo artist to the Deram Records label. In 1966 she released a single, "Happy New Year" (b-side "Where The Good Times Are"), written by Randy Newman, on which she was accompanied by Jimm ...
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Coventry
Coventry ( or ) is a City status in the United Kingdom, city in the West Midlands (county), West Midlands, England. It is on the River Sherbourne. Coventry has been a large settlement for centuries, although it was not founded and given its city status until the Middle Ages. The city is governed by Coventry City Council. Historic counties of England, Formerly part of Warwickshire until 1451, Coventry had a population of 345,328 at the 2021 census, making it the tenth largest city in England and the 12th largest in the United Kingdom. It is the second largest city in the West Midlands (region), West Midlands region, after Birmingham, from which it is separated by an area of Green belt (United Kingdom), green belt known as the Meriden Gap, and the third largest in the wider Midlands after Birmingham and Leicester. The city is part of a larger conurbation known as the Coventry and Bedworth Urban Area, which in 2021 had a population of 389,603. Coventry is east-south-east of ...
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John Renbourn
John Renbourn (8 August 1944 – 26 March 2015) was an English guitarist and songwriter. He was best known for his collaboration with guitarist Bert Jansch as well as his work with the folk group Pentangle, although he maintained a solo career before, during and after that band's existence (1967–1973). He worked later in a duo with Stefan Grossman. While most commonly labelled a folk musician, Renbourn's musical tastes and interests took in early music, classical music, jazz, blues and world music. His most influential album, ''Sir John Alot'' (1968), featured his take on tunes from the medieval period. Biography John Renbourn studied classical guitar at school and it was during this period that he was introduced to early music. In the 1950s, along with many others, he was greatly influenced by the musical craze of skiffle and this eventually led him to explore the work of artists such as Lead Belly, Josh White and Big Bill Broonzy. In the 1960s, the new craze in popula ...
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Nicky Hopkins
Nicholas Christian "Nicky" Hopkins (24 February 1944 – 6 September 1994) was an English pianist and organist. Hopkins performed on many popular and enduring British and American rock music recordings from the 1960s to the 1990s, most notably on songs recorded by the Rolling Stones, the Kinks, the Who, the Beatles, the Steve Miller Band, Jefferson Airplane, Rod Stewart, George Harrison, John Lennon, Paul McCartney, Ringo Starr, The Hollies, Cat Stevens, Carly Simon, Harry Nilsson, Joe Walsh, Peter Frampton, Jerry Garcia, Jeff Beck, Joe Cocker, Art Garfunkel, Badfinger, Graham Parker, Gary Moore, and Donovan. He is widely considered to be one of the greatest studio pianists in the history of popular rock music. Early life Nicholas Christian Hopkins was born in Perivale, Middlesex, England, on 24 February 1944. He began playing the piano at the age of three. He attended Sudbury Primary School in Perrin Road and Wembley County Grammar School, which now forms part of Alperton Comm ...
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John Paul Jones (musician)
John Richard Baldwin (born 3 January 1946), better known by his stage name John Paul Jones, is an English musician, composer and record producer who was the bassist and keyboardist for the rock band Led Zeppelin. Prior to forming the band with Jimmy Page in 1968, he was a session musician and arranger. After the death of drummer John Bonham in 1980, Led Zeppelin disbanded, and Jones developed a solo career. He has collaborated with musicians across a variety of genres, including the supergroup Them Crooked Vultures with Dave Grohl and Josh Homme. He was inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin. Biography Early years John Richard Baldwin was born in Sidcup, Kent, England, on 3 January 1946. He started playing piano at age six, learning from his father, Joe Baldwin, a pianist and arranger for big bands in the 1940s and 1950s, notably with Ambrose and his Orchestra. His mother was also in the music business which allowed the family to often ...
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Randy Newman
Randall Stuart Newman (born November 28, 1943) is an American singer-songwriter, arranger, composer, and pianist known for his Southern American English, Southern-accented singing style, early Americana (music), Americana-influenced songs (often with mordant or satirical lyrics), and various film scores. His best-known songs as a recording artist are "Short People" (1977), "I Love L.A." (1983), and "You've Got a Friend in Me" (1995) with Lyle Lovett, while other artists have enjoyed more success with cover versions of his "Mama Told Me Not to Come" (1966), "I Think It's Going to Rain Today" (1968) and "You Can Leave Your Hat On" (1972). Born in Los Angeles to an extended family of Hollywood film composers, Newman began his songwriting career at the age of 17, penning hits for acts such as the Fleetwoods, Cilla Black, Gene Pitney, and the Alan Price Set. In 1968, he made his formal debut as a solo artist with the album ''Randy Newman (album), Randy Newman'', produced by Lenny Waro ...
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A-side And B-side
The A-side and B-side are the two sides of phonograph records and cassettes; these terms have often been printed on the labels of two-sided music recordings. The A-side usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay and hopefully become a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as CDs, downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or other material. The ...
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Deram Records
Deram Records was a subsidiary record label of Decca Records established in the United Kingdom in 1966. At the time, U.K. Decca was a different company from the Decca label in the United States, which was owned by MCA Inc. Deram recordings were distributed in the U.S. through UK Decca's American branch known as London Records. Deram was active until 1979, then continued as a reissue label. 1966–1968 In the 1960s Decca recording engineers experimented with ways of improving stereo recordings. They created a technique they named "Decca Panoramic Sound." The term "Deramic" was created as abbreviation of this. The new concept "allowed for more space between instruments, rendering these sounds softer to the ear." Early stereo recordings of popular music usually were mixed with sounds to the hard left, centre, or hard right only. This was because of the technical limitations of the professional 4-track reel-to-reel recorders which were considered state of the art until 1967. ...
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Parlophone
Parlophone Records Limited (also known as Parlophone Records and Parlophone) is a German–British record label founded in Germany in 1896 by the Carl Lindström Company as Parlophon. The British branch of the label was founded on 8 August 1923 as the Parlophone Company Limited (the Parlophone Co. Ltd.), which developed a reputation in the 1920s as a jazz record label. On 5 October 1926, the Columbia Graphophone Company acquired Parlophone's business, name, logo, and release library, and merged with the Gramophone Company on 31 March 1931 to become Electric & Musical Industries Limited (EMI). George Martin joined Parlophone in 1950 as assistant to Oscar Preuss (who had set up the London branch of the company in 1923), the label manager, taking over as manager in 1955. Martin produced and released a mix of recordings, including by comedian Peter Sellers, pianist Mrs Mills, and teen idol Adam Faith. In 1962, Martin signed the Beatles, a beat group from Liverpool who earlier ...
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Single (music)
In music, a single is a type of release, typically a song recording of fewer tracks than an LP record or an album. One can be released for sale to the public in a variety of formats. In most cases, a single is a song that is released separately from an album, although it usually also appears on an album. In other cases a recording released as a single may not appear on an album. Despite being referred to as a single, in the era of music downloads, singles can include up to as many as three tracks. The biggest digital music distributor, the iTunes Store, accepts as many as three tracks that are less than ten minutes each as a single. Any more than three tracks on a musical release or thirty minutes in total running time is an extended play (EP) or, if over six tracks long, an album. Historically, when mainstream music was purchased via vinyl records, singles would be released double-sided, i.e. there was an A-side and a B-side, on which two songs would appear, one on each si ...
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Jug Band
A jug band is a band employing a jug player and a mix of conventional and homemade instruments. These homemade instruments are ordinary objects adapted to or modified for making sound, like the washtub bass, washboard, spoons, bones, stovepipe, jew's harp, and comb and tissue paper. The term ''jug band'' is loosely used in referring to ensembles that also incorporate homemade instruments but that are more accurately called skiffle bands, spasm bands, or juke (or jook) bands (see juke joint) because they do not include a jug player. History Early jug bands were typically made up of African-American vaudeville and medicine show musicians. Beginning in the urban South (namely, Louisville, Kentucky, and Memphis, Tennessee), they played a mixture of blues, ragtime, and jazz. The history of jug bands is related to the development of the blues. The informal and energetic music of the jug bands also contributed to the development of rock and roll. The jug sound is made by taking a ...
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It Don't Bother Me (album)
''It Don't Bother Me'' is the second album by Scottish folk musician Bert Jansch, released in November 1965. The album was produced by Nathan Joseph and Bill Leader, although Leader was left uncredited. The album features nine songs and two instrumentals composed by Jansch, as well as one by Alex Campbell ("So Long een on the Road So Long), and the traditional "900 Miles". For this last track, Jansch accompanies himself on the banjo rather than the steel-string acoustic guitar which he uses elsewhere. "My Lover" has Roy Harper playing some additional guitar, while John Renbourn is playing the lead acoustic guitar part. "Lucky Thirteen" is a guitar duet with Renbourn, based on a song written by the latter and apparently recorded during the ''Bert and John ''Bert and John'' is the fourth album by the Scotland, Scottish Folk music, folk musician Bert Jansch, released in 1966. A number of songs are performed with friend and fellow guitarist John Renbourn, who would later join ...
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Album Sleeve
A record sleeve is the outer covering of a vinyl record. Alternative terms are ''dust sleeve'', ''album liner'' and ''liner''. The term is also used to denominate the outermost cardboard covering of a record, i.e. the ''record jacket'' or ''album jacket''. The record jacket is extensively used to design and market a recording, as well as to additionally display general information on the record as artist name, titles list, title length etc. if no opening presents a readable label. The terms liner notes, ''sleeve notes'' are used to refer to this label, jacket information. Sleeves were originally printed on simple cardboard. British manufacturers Garrod and Lofthouse patented a "wrap around" sleeve design commonly seen on LPs in the 1960s. See also * Album cover * Cover art *Sleeveface Sleeveface is an internet phenomenon wherein one or more persons obscure or augment body parts with record sleeve(s), causing an illusion. Sleeveface has become popular on social networking sites ...
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