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Bertrand Bontoux
Bertrand Bontoux (born 1967) is a French operatic bass. Training and prizes After twelve years of piano studies, he turned to a singing career, first under the direction of Claude Calès at the École normale de musique de Paris, where he obtained two diplomas in opera and concert music, then at the Conservatoire de Paris, under the direction of Peter Gottlieb. In 1992, he won First Prize in the International Competition of the "Maîtres du chant français", as well as the "Darius Milhaud" prize. In 1994, he received the "Gounod" and "Duparc" prizes in the Triptych competition. Roles and premieres Bontoux made his debut at the Opéra Garnier in Rameau's '' Hippolyte et Aricie'', in which he interpreted the Third Fate, under the baton of William Christie. He was a soloist in the ''Requiems'' by Liszt (recorded in 1989 under the direction of Yves Parmentier), Verdi, Fauré, Mozart ( Bertrand de Billy conducting), and Cimarosa (recorded in 1995); Bach's '' Christ lag in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Seven Last Words Of Christ (Haydn)
''The Seven Last Words of Our Saviour on the Cross'' (German: ) is an orchestral work by Joseph Haydn, commissioned in 1786 for the Good Friday service at Oratorio de la Santa Cueva (Holy Cave Oratory) in Cádiz, Spain. Published in 1787 and performed then in Paris, Rome, Berlin and Vienna, the composer adapted it in 1787 for string quartet, approved a version for solo piano in the same year, and finally adapted it in 1796 as an oratorio (with both solo and choral vocal forces). The seven main meditative sections are based on seven expressions attributed to Jesus during his crucifixion. The seven sections are labelled "sonatas" and are all slow. They are framed by a slow Introduction and a fast "Earthquake" conclusion, for a total of nine movements. Origin Haydn himself explained the origin and difficulty of writing the work when the publisher Breitkopf & Härtel issued (in 1801) a new edition and requested a preface: Some fifteen years ago I was requested by a canon of Cà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre Impérial De Compiègne
The Théâtre Impérial de Compiègne is a theater in Compiègne, France. Origins The Emperor Napoleon III decided to construct a theater in Compiègne to entertain his court in 1866. He chose the location and the architect of the building, Gabriel-Auguste Ancelet. Work began in 1867 and went well until the outbreak of the 1870 Franco-Prussian War. The Battle of Sedan ruined the Empire and eliminated the possibility of completing the building on schedule. The walls were built, but the project for decorating the theater was suspended. The sculptures by Gustave Crauck Gustave Adolphe Désiré Crauck (or Crauk; 16 July 1827 – 17 November 1905) was a French sculptor with a long distinguished career. He was born and died at Valenciennes, where a special museum for his works was erected in his honor. Educat ... were made on time, but the ceiling, which was to include paintings by Élie Delaunay, remained bare. Reconstruction In 1987 the association for the Théâtre Impé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loches
Loches () is a commune in the Indre-et-Loire department, central France. It is situated southeast of Tours by road, on the left bank of the river Indre. History Loches (the Roman ''Leucae'') grew up around a monastery founded about 500 by St. Ours and belonged to the Counts of Anjou from 886 until 1205. In the latter year it was seized from King John of England by Philip Augustus, and from the middle of the 13th century until after the time of Charles IX of France the castle was a residence of the kings of France, apart for a brief interlude in 1424 when it was heritably granted to Archibald Douglas, Duke of Touraine. Antoine Guenand, Lord of La Celle-Guenand was appointed Captain-Governor of Loches in 1441. Population Sights The town, one of the most picturesque in central France, lies at the foot of the rocky eminence on which stands the Château de Loches, the castle of the Anjou family, surrounded by an outer wall thick, and consisting of the old collegiate church of St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pelléas Et Mélisande (opera)
''Pelléas et Mélisande'' (''Pelléas and Mélisande'') is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's symbolist play of the same name. It premiered at the Salle Favart in Paris by the Opéra-Comique on 30 April 1902; Jean Périer was Pelléas and Mary Garden was Mélisande, conducted by André Messager, who was instrumental in getting the Opéra-Comique to stage the work. The only opera Debussy ever completed, it is considered a landmark in 20th-century music. The plot concerns a love triangle. Prince Golaud finds Mélisande, a mysterious young woman, lost in a forest. He marries her and brings her back to the castle of his grandfather, King Arkel of Allemonde. Here Mélisande becomes increasingly attached to Golaud's younger half-brother Pelléas, arousing Golaud's jealousy. Golaud goes to excessive lengths to find out the truth about Pelléas and Mélisande's relationship, even forcing his own child, Yniold ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psalm 42 (Mendelssohn)
Psalm 42, Op. 42 ( MWV A 15) ''Wie der Hirsch schreit'' (As pants the hart) is a cantata by Felix Mendelssohn, setting Psalm 42 in German. It was written and published in 1837 (revised 1838) for soloists, mixed choir and orchestra. History Mendelssohn set the music to Luther's German translation of Psalm 42. At the work's first performance, in Leipzig on 1 January 1838, Mendelssohn conducted the Leipzig Gewandhaus Orchestra, with Clara Novello as soprano. He was the orchestra's musical director from 1835 until his death in 1847. Schumann Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career a ... opined in 1837 that Mendelssohn's setting of Psalm 42 was the "highest point that he endelssohnreached as a composer for the church. Indeed the highest point recent church music has reached a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messiah (Handel)
''Messiah'' (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Bible, Coverdale Psalter by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western culture#Music, Western music. Handel's reputation in England, where he had lived since 1712, had been established through his compositions of Italian opera. He turned to English oratorio in the 1730s in response to changes in public taste; ''Messiah'' was his sixth work in this genre. Although its Structure of Handel's Messiah, structure resembles that of Opera#The Baroque era, opera, it is not in dramatic form; there are no impersonations of characters and no direct speech. Instead, Jennens's text ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Messa (Puccini)
Giacomo Puccini's ''Messa'' or ''Messa a quattro voci'' (currently more widely known under the apocryphal name of ''Messa di Gloria'') is a Mass (music), Mass composed for orchestra and four-part choir with tenor and baritone soloists. Strictly speaking, the piece is a full Mass, not a true ''Messa di Gloria'' (which contains only the Kyrie and Gloria in Excelsis Deo, Gloria and omits the Credo, Sanctus, Sanctus, Benedictus and Agnus Dei). History Puccini composed the Mass as his graduation exercise from the Istituto Musicale Pacini. It had its first performance in Lucca on July 12, 1880. However, the ''Credo'' had already been written and performed in 1878 and was initially conceived by Puccini as a self-contained work. Puccini never published the full manuscript of the ''Messa'', and although well received at the time, it was not performed again until 1952 (first in Chicago and then in Naples). However, he re-used some of its theme (music), themes in other works, such as the Agn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Choral Fantasy (Beethoven)
The ''Fantasy'' for piano, vocal soloists, mixed chorus, and orchestra, Op. 80, usually called the ''Choral Fantasy'', was composed in 1808 by then 38-year-old Ludwig van Beethoven. Beethoven intended the ''Fantasy'' to serve as the concluding work for the benefit concert he put on for himself on 22 December 1808; the performers consisted of vocal soloists, mixed chorus, an orchestra, and Beethoven himself as piano soloist. The ''Fantasy'' was designed to include all the participants in the program and thus unites all of these musical forces. The work is noted as a precursor to the later Ninth Symphony. Background, composition, and premiere The ''Fantasia'' was first performed at the ''Akademie'' of 22 December 1808, a benefit concert which also saw the premieres of the Fifth and Sixth Symphonies and the Fourth Piano Concerto as well as a performance of excerpts of the Mass in C major. To conclude this memorable concert program, Beethoven wanted a "brilliant finale ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AntonÃn Dvořák
AntonÃn Leopold Dvořák ( ; ; 8 September 1841 – 1 May 1904) was a Czechs, Czech composer. Dvořák frequently employed rhythms and other aspects of the folk music of Moravian traditional music, Moravia and his native Bohemia, following the Romantic-era Czech nationalism, nationalist example of his predecessor BedÅ™ich Smetana. Dvořák's style has been described as "the fullest recreation of a national idiom with that of the symphonic tradition, absorbing folk influences and finding effective ways of using them". Dvořák displayed his musical gifts at an early age, being an apt violin student from age six. The first public performances of his works were in Prague in 1872 and, with special success, in 1873, when he was 31 years old. Seeking recognition beyond the Prague area, he submitted a score of his Symphony No. 1 (Dvořák), First Symphony to a prize competition in Germany, but did not win, and the unreturned manuscript was lost until it was rediscovered many decades ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stabat Mater (Rossini)
Stabat Mater is a work by Gioachino Rossini based on the traditional structure of the Stabat Mater sequence for chorus and soloists. It was composed late in his career after retiring from the composition of opera. He began the work in 1831 but did not complete it until 1841. Composition In 1831 Rossini was traveling in Spain in the company of his friend the Spanish banker, Alexandre Aguado, owner of Château Margaux. In the course of the trip, Fernández Varela, a state councillor, commissioned a setting of the traditional liturgical text, the Stabat Mater. Rossini managed to complete part of the setting of the sequence in 1832, but ill health made it impossible for him to complete the commission. Having written only half the score (nos. 1 and 5–9), he asked his friend Giovanni Tadolini to compose six additional movements. Rossini presented the completed work to Varela as his own. It was premiered on Holy Saturday of 1833 in the Chapel of San Felipe el Real in Madrid, but this ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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