|
Bernart De La Barta
Bernart de la Barta (fl. 1229), also spelled Bernarnz Delabarta or Benart de la Barda, was a troubadour from La Barthe, the location of which is unknown. He wrote two '' tensos'', a fragment (''cobla'') of a satire, and a ''sirventes'', "Foilla ni flors, ni chatuz temps ni fredura", an attack on terms of the Treaty of Meaux (1229), by which Raymond VII of Toulouse surrendered to Louis IX of France, thus ending the Albigensian Crusade. The interpretation of Bernart's ''sirventes'' as an attack on the treaty of 1229 was first proposed in 1885 by Camille Chabaneau and subsequently accepted by Alfred Jeanroy. Bernart definitely attacks Louis IX and the Roman Church, coming equally to the defence of Raymond VII, whom he believes was treated unjustly. The crusade waged in the name of peace was for "a peace of clerics and Frenchmen". According to Bernard, a peace imposed forcibly on the defeated is unjust and Raymond, as a good vassal, deserves just treatment. Bernart also knew the tro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; oc, trobador ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female troubadour is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, ''trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his ''De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) it died out. The texts of troubadou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Barthe
LA most frequently refers to Los Angeles, the second largest city in the United States. La, LA, or L.A. may also refer to: Arts and entertainment Music * La (musical note), or A, the sixth note * "L.A.", a song by Elliott Smith on ''Figure 8'' (album) * ''L.A.'' (EP), by Teddy Thompson * ''L.A. (Light Album)'', a Beach Boys album * "L.A." (Neil Young song), 1973 * The La's, an English rock band * L.A. Reid, a prominent music producer * Yung L.A., a rapper * Lady A, an American country music trio * "L.A." (Amy Macdonald song), 2007 * "La", a song by Australian-Israeli singer-songwriter Old Man River Other media * l(a, a poem by E. E. Cummings * La (Tarzan), fictional queen of the lost city of Opar (Tarzan) * ''Lá'', later known as Lá Nua, an Irish language newspaper * La7, an Italian television channel * LucasArts, an American video game developer and publisher * Liber Annuus, academic journal Business, organizations, and government agencies * L.A. Screenings, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenso
A ''tenso'' (; french: tençon) is a style of troubadour song. It takes the form of a debate in which each voice defends a position; common topics relate to love or ethics. Usually, the tenso is written by two different poets, but several examples exist in which one of the parties is imaginary, including God (Peire de Vic), the poet's horse (Gui de Cavalhon) or his cloak (Bertran Carbonel). Closely related, and sometimes overlapping, genres include: * the ''partimen'', in which more than two voices discuss a subject * the ''cobla esparsa'' or ''cobla exchange'', a tenso of two stanzas only * the ''contenson'', where the matter is eventually judged by a third party. Notable examples *Marcabru and Uc Catola''Amics Marchabrun, car digam'' possibly the earliest known example. *Cercamon and Guilhalmi''Car vei finir a tot dia'' another candidate for the earliest known example. *Raimbaut d'Aurenga and Giraut de Bornelh''Ara·m platz, Giraut de Borneill'' where major exponents of the two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cobla (Occitan Literary Term)
A ''cobla esparsa'' ( literally meaning "scattered stanza") in Old Occitan is the name used for a single-stanza poem in troubadour poetry. They constitute about 15% of the troubadour output, and they are the dominant form among late (after 1220) authors like Bertran Carbonel and Guillem de l'Olivier.Simon Gaunt and Sarah Kay, edd. (1999), ''The Troubadours: An Introduction'' (Cambridge: Cambridge University Press, ). The term ''cobla triada'' is used by modern scholars to indicate a ''cobla'' taken from a longer poem and let stand on its own, but its original medieval meaning was a ''cobla esparsa'' taken from a larger collection of such poems, since ''coblas esparsas'' were usually presented in large groupings. Sometimes, two authors would write a cobla esparsa each, in a ''cobla'' exchange; this corresponds, in a shorter form, to the earlier ''tenso'' or ''partimen''.Martín de Riquer (1964), Història de la Literatura Catalana, vol. 1 (Barcelona: Ariel), 509ff. Whether such excha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of shaming or exposing the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. A feature of satire is strong irony or sarcasm —"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) the very things the satirist wishes to question. Satire is found in many a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sirventes
The ''sirventes'' or ''serventes'' (), sometimes translated as "service song", was a genre of Old Occitan lyric poetry practiced by the troubadours. The name comes from ''sirvent'' ('serviceman'), from whose perspective the song is allegedly written. Sirventes usually (possibly, always) took the form of parodies, borrowing the melody, metrical structure and often even the rhymes of a well-known piece to address a controversial subject, often a current event. The original piece was usually a canso, but there are sirventes written as contrafacta of (at least) sestinas and pastorelas. They were always opinionated, being either highly complimentary or, more often, oozing with vitriol; however, these features are not unique to the sirventes, so a piece can be positively identified as one only if its nature is explicitly stated in the text (which it often is) or the original piece it is based on has been preserved (which is also often the case: for a parody to work, it had to target a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Treaty Of Meaux
The Treaty of Paris, also known as Treaty of Meaux, was signed on 12 April 1229 between Raymond VII of Toulouse and Louis IX of France in Meaux near Paris. Louis was still a minor, and it was his mother Blanche of Castile, as regent, who was instrumental in forging the treaty. The agreement officially ended the Albigensian Crusade, and according to the terms of the treaty, Raymond's daughter Joan was to be married to Louis' brother Alphonse. Moreover, Raymond ceded the eastern provinces of his lands to Louis and the Marquisat de Provence to the Catholic church. The treaty also gave the Inquisition absolute power regarding searching for, and seizing of, heretics. Raymond ceded more than half his land to the French crown and retained the remainder only during his life, and it would then be inherited by his son-in-law Alphonse, Louis's brother or, if Alphonse had no heir, which occurred, by the French crown. Raymond regained his feudal rights but had to swear allegiance to Louis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond VII Of Toulouse
Raymond VII (July 1197 – 27 September 1249) was Count of Toulouse, Duke of Narbonne and Marquis of Provence from 1222 until his death. Family and marriages Raymond was born at the Château de Beaucaire, the son of Raymond VI of Toulouse and Joan of England. Through his mother, he was a grandson of Henry II of England and a nephew of kings Richard I and John of England. In March 1211, Raymond VII married Sancha of Aragon. They had one daughter, Joan, and were divorced in 1241. He was engaged to Sanchia of Provence, but she married Richard of Cornwall instead. In 1243 Raymond married Margaret of Lusignan, the daughter of Hugh X of Lusignan and Isabella of Angoulême. They had no children and the Council of Lyons in 1245 granted Raymond a divorce. He then tried to get support of Blanche, mother of King Louis IX of France, to marry Beatrice of Provence, who had just become Countess of Provence, but Beatrice married Blanche's son Charles instead. Life During the Albigensi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis IX Of France
Louis IX (25 April 1214 – 25 August 1270), commonly known as Saint Louis or Louis the Saint, was King of France from 1226 to 1270, and the most illustrious of the Direct Capetians. He was crowned in Reims at the age of 12, following the death of his father Louis VIII Louis VIII (5 September 1187 – 8 November 1226), nicknamed The Lion (french: Le Lion), was King of France from 1223 to 1226. As prince, he invaded England on 21 May 1216 and was excommunicated by a papal legate on 29 May 1216. On 2 June 1216 .... His mother, Blanche of Castile, ruled the kingdom as regent until he reached maturity, and then remained his valued adviser until her death. During Louis' childhood, Blanche dealt with the opposition of rebellious vassals and secured Capetian success in the Albigensian Crusade, which had started 20 years earlier. As an adult, Louis IX faced recurring conflicts with some of his realm's most powerful nobles, such as Hugh X of Lusignan and Peter of Dreux. Simult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albigensian Crusade
The Albigensian Crusade or the Cathar Crusade (; 1209–1229) was a military and ideological campaign initiated by Pope Innocent III to eliminate Catharism in Languedoc, southern France. The Crusade was prosecuted primarily by the French crown and promptly took on a political aspect. It resulted in the significant reduction of practicing Cathars and a realignment of the County of Toulouse with the French crown. The distinct regional culture of Languedoc was also diminished. The Cathars originated from an anti-materialist reform movement within the Bogomil churches of the Balkans calling for what they saw as a return to the Christian message of perfection, poverty and preaching, combined with a rejection of the physical to the point of starvation. The reforms were a reaction against the often perceived scandalous and dissolute lifestyles of the Catholic clergy in southern France. Their theology, neo-Gnostic in many ways, was basically dualistic cosmology, dualist. Several of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Jeanroy
Alfred Jeanroy (5 July 1859 – 13 March 1953) was a French linguist. Jeanroy was a leading scholar studying troubadour poetry, publishing over 600 works. He established an influential view of the second generation of troubadours divided into two camps: “idealists” (e.g. Jaufre Rudel, Ebles de Ventadorn) and “realists” (e.g. Marcabru Marcabru (; floruit, fl. 1130–1150) is one of the earliest troubadours whose poems are known. There is no certain information about him; the two ''vida (Occitan literary form), vidas'' attached to his poems tell different stories, and both are e ...).Amelia E. Van Vleck, ''The Lyric Texts'', p. 28, in ''A Handbook of the Troubadours'' (1995), F. R. P. Akehurst and Judith M. Davis editors. Selected works * 1893: ''Mystères provençaux du quinzième siècle'', publié avec une introduction et un glossaire par A. Jeanroy et H. Teulié, Toulouse, Privat. * 1913: ''Les chansons de Guillaume IX, duc d’Aquitaine: (1071–1127)'', Paris, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Troubadour")
