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Berlin Green Head
The Berlin Green Head is an ancient Egyptian statue head (AeMP 12500) made from greenschist and housed in the Egyptian Museum of Berlin, one floor down from the Nefertiti Bust in room 1.09. It has been considered the work of a highly skilled (though unknown) ancient Egyptian sculptor, as well as one of the most famous and credited pieces of art from the Late and Ptolemaic periods of ancient Egypt. Description The face of the statue is calm and emotionless and, unusually for contemporary works of art, also perfectly symmetric, and it is that of an intelligent-looking, middle-aged man with many well-rendered wrinkles and lines. The statue's shaved, oval-shaped skull is so realistic that it was once believed that the sculptor could not have made it without ancient Greek knowledge of anatomy, a claim subsequently disproved by the analysis of similar, earlier Egyptian artworks. On the back of the head, the top portion of a conventional back pillar is still visible. The whole artef ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greenschist
Greenschists are metamorphic rocks that formed under the lowest temperatures and pressures usually produced by regional metamorphism, typically and 2–10 kilobars (). Greenschists commonly have an abundance of green minerals such as chlorite, serpentine, and epidote, and platy minerals such as muscovite and platy serpentine. The platiness gives the rock schistosity (a tendency to split into layers.) Other common minerals include quartz, orthoclase, talc, carbonate minerals and amphibole (actinolite). Greenschist is a general field petrologic term for metamorphic or altered mafic volcanic rock. In Europe, the term ''prasinite'' is sometimes used. A ''greenstone'' is sometimes a greenschist but can also be rock types without any schistosity, especially metabasalt (spilite). However, basalts may remain quite black if primary pyroxene does not revert to chlorite or actinolite. To qualify for the name a rock must also exhibit schistosity or some foliation or layering. The rock i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Wilhelm Von Bissing
Friedrich Wilhelm von Bissing (22 April 1873, Potsdam – 12 January 1956, Oberaudorf am Inn) was a German Egyptologist. He was the son of Prussian general Moritz Ferdinand von Bissing (1844–1917). He studied classical philology, archaeology, Egyptology and art history in Bonn and Berlin, obtaining his doctorate in 1896 with the thesis "''De tabula quam dicunt statistica Tuthmosis III commentatio''". After graduation, he spent considerable time in Egypt, performing museum and excavatory work. He was instrumental towards the development of the "General catalog" of the Cairo Museum (''Catalogue général des antiquités Egyptiennes du Musée du Caire''), [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of The Berlin State Museums
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramic art, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or Molding (process), moulded or Casting, cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sculptures Of Ancient Egypt
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1st-century BC Sculptures
The 1st century was the century spanning AD 1 (Roman numerals, I) through AD 100 (Roman numerals, C) according to the Julian calendar. It is often written as the or to distinguish it from the 1st century BC (or BCE) which preceded it. The 1st century is considered part of the Classical era, epoch, or History by period, historical period. The 1st century also saw the Christianity in the 1st century, appearance of Christianity. During this period, Europe, North Africa and the Near East fell under increasing domination by the Roman Empire, which continued expanding, most notably conquering Britain under the emperor Claudius (AD 43). The reforms introduced by Augustus during his long reign stabilized the empire after the turmoil of the previous century's civil wars. Later in the century the Julio-Claudian dynasty, which had been founded by Augustus, came to an end with the suicide of Nero in AD 68. There followed the famous Year of Four Emperors, a brief period of civil war and inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asymmetry
Asymmetry is the absence of, or a violation of, symmetry (the property of an object being invariant to a transformation, such as reflection). Symmetry is an important property of both physical and abstract systems and it may be displayed in precise terms or in more aesthetic terms. The absence of or violation of symmetry that are either expected or desired can have important consequences for a system. In organisms Due to how cells divide in organisms, asymmetry in organisms is fairly usual in at least one dimension, with biological symmetry also being common in at least one dimension. Louis Pasteur proposed that biological molecules are asymmetric because the cosmic .e. physicalforces that preside over their formation are themselves asymmetric. While at his time, and even now, the symmetry of physical processes are highlighted, it is known that there are fundamental physical asymmetries, starting with time. Asymmetry in biology Asymmetry is an important and widespread ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verism
Verism was a realistic style in Roman art. It principally occurred in portraiture of politicians, whose imperfections of the face were exacerbated in order to highlight their old age and ''gravitas''. The word comes from Latin ''verus'' (true). Roman art Verism first appeared as the artistic preference of the Roman people during the late Roman Republic (147–30 BC) and was often used for Republican portraits or for the head of “ pseudo-athlete” sculptures. Verism, often described as "warts and all," shows the imperfections of the subject, such as warts, wrinkles, and furrows. It should be clearly noted that the term veristic in no way implies that these portraits are more "real." Rather, they too can be highly exaggerated or idealised, but within a different visual idiom, one which favours wrinkles, furrows, and signs of age as indicators of gravity and authority. Age during the Late Republic was very highly valued and was synonymous with power, since one of the only ways to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Green Head
The Boston Green Head is a greywacke sculptured head of an Egyptian priest from the Late Period of ancient Egypt. The head is dated to 380–332 BC and is housed in the Museum of Fine Arts, Boston, United States. Provenance The head is believed to have been found in 1858 at the Serapeum of Saqqara. Later Muhammed Said Pasha, a pro-French viceroy of Egypt, gave it to Prince Napoleon Joseph Charles Paul Bonaparte. In 1904, the head was purchased by the Boston Museum of Fine Arts from Edward Perry Warren Edward Perry Warren (January 8, 1860 – December 28, 1928), known as Ned Warren, was an American art collector and the author of works proposing an idealized view of homosexual relationships. He is now best known as the former owner of the Warr .... See also * Berlin Green Head References Further reading * * *{{cite book, last=von Bothmer, first=Bernard, title=Egyptian Sculpture of the Late Period, 700 B.C. to A.D. 100, editor-first=Elizabeth, editor-last=Riefstahl, edit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Wallis
Henry Wallis (21 February 1830 – 20 December 1916) was a British Pre-Raphaelite painter, writer and collector. Wallis was born in London on 21 February 1830, but his father's name and occupation are unknown. When in 1845 his mother, Mary Anne Thomas, married Andrew Wallis, a prosperous London architect, Henry took his stepfather's surname. His artistic training was thorough and influential. He was admitted as a probationer to the RA and enrolled in the Painting School in March 1848. He also studied in Paris at Charles Gleyre's atelier and at the Academie des Beaux Arts, sometime between 1849 and 1853. Wallis is best remembered for his first great success, ''The Death of Chatterton'', which he exhibited at the Royal Academy in 1856. The painting depicted the impoverished late 18th-century poet Thomas Chatterton, who poisoned himself in despair at the age of seventeen, and was considered a Romantic hero for many young and struggling artists in Wallis's day. His method and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ibrahim Hilmy
{{disambiguation ...
Ibrahim ( ar, إبراهيم, links=no ') is the Arabic name for Abraham, a Biblical patriarch and prophet in Islam. For the Islamic view of Ibrahim, see Abraham in Islam. Ibrahim may also refer to: * Ibrahim (name), a name (and list of people with the name) * Ibrahim (sura), a sura of the Qur'an * ''Ibrahim el Awal'', a Hunt-class destroyer that served in the Egyptian navy under that name 1951-56 * Ibrahim prize, a prize to recognise good governance in Africa * "Ibrahim", a song by David Friedman from ''Shades of Change'' See also * Ibrahimzai, a Pashtun tribe of Afghanistan * Ibrahima * Abraham (other) * Avraham (other) Avraham (Hebrew: ) is the Hebrew name of Abraham, patriarch of the Abrahamic religions. Avraham may also refer to: * Avraham (given name) * Avraham (surname) See also * Abraham (other) * Avram (other) * Ibrahim (other) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Republic
The Roman Republic ( la, Res publica Romana ) was a form of government of Rome and the era of the classical Roman civilization when it was run through public representation of the Roman people. Beginning with the overthrow of the Roman Kingdom (traditionally dated to 509 BC) and ending in 27 BC with the establishment of the Roman Empire, Rome's control rapidly expanded during this period—from the city's immediate surroundings to hegemony over the entire Mediterranean world. Roman society under the Republic was primarily a cultural mix of Latin and Etruscan societies, as well as of Sabine, Oscan, and Greek cultural elements, which is especially visible in the Roman Pantheon. Its political organization developed, at around the same time as direct democracy in Ancient Greece, with collective and annual magistracies, overseen by a senate. The top magistrates were the two consuls, who had an extensive range of executive, legislative, judicial, military, and religious powers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saite Period
The Twenty-sixth Dynasty of Egypt (notated Dynasty XXVI, alternatively 26th Dynasty or Dynasty 26) dynasty was the last native dynasty to rule Egypt before the Persian conquest in 525 BC (although others followed). The dynasty's reign (664–525 BC) is also called the Saite Period after the city of Sais, where its pharaohs had their capital, and marks the beginning of the Late Period of ancient Egypt.Aidan Dodson, Dyan Hilton. ''The Complete Royal Families of Ancient Egypt''. The American University in Cairo Press, London 2004 History This dynasty traced its origins to the Twenty-fourth Dynasty. Psamtik I was probably a descendant of Bakenranef. Following the Assyrian conquest of Egypt by the Neo-Assyrian Empire during the reigns of Taharqa and Tantamani, and the subsequent collapse of the Twenty-fifth Dynasty of Egypt, Psamtik I was recognized as sole king over all of Egypt. Psamtik formed alliances with King Gyges of Lydia, who sent him mercenaries from Caria and ancient Greec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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