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Berlin Alexanderplatz
''Berlin Alexanderplatz'' () is a 1929 novel by Alfred Döblin. It is considered one of the most important and innovative works of the Weimar Republic. In a 2002 poll of 100 noted writers the book was named among the top 100 books of all time. Summary The story concerns a murderer, Franz Biberkopf, fresh from prison. When his friend murders the prostitute on whom Biberkopf has been relying as an anchor, he realizes that he will be unable to extricate himself from the underworld into which he has sunk. He must deal with misery, lack of opportunities, crime and the imminent ascendency of Nazism. During his struggle to survive against all odds, life rewards him with an unsuspected surprise but his happiness will not last as the story continues. Focus and narrative technique The novel is set in the working-class district near Alexanderplatz in 1920s Berlin. Although its narrative style is sometimes compared to that of James Joyce's, critics such as Walter Benjamin have drawn a dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfred Döblin
Bruno Alfred Döblin (; 10 August 1878 – 26 June 1957) was a German novelist, essayist, and doctor, best known for his novel ''Berlin Alexanderplatz'' (1929). A prolific writer whose œuvre spans more than half a century and a wide variety of literary movements and styles, Döblin is one of the most important figures of German literary modernism. His complete works comprise over a dozen novels ranging in genre from historical novels to science fiction to novels about the modern metropolis; several dramas, radio plays, and screenplays; a true crime story; a travel account; two book-length philosophical treatises; scores of essays on politics, religion, art, and society; and numerous letters—his complete works, republished by dtv Verlagsgesellschaft, Deutscher Taschenbuch Verlag and Fischer Verlag, span more than thirty volumes. His first published novel, ''Die drei Sprünge des Wang-lung'' (''The Three Leaps of Wang Lun''), appeared in 1915 and his final novel, ''Hamlet oder Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New York Review Of Books
''The New York Review of Books'' (or ''NYREV'' or ''NYRB'') is a semi-monthly magazine with articles on literature, culture, economics, science and current affairs. Published in New York City, it is inspired by the idea that the discussion of important books is an indispensable literary activity. ''Esquire'' called it "the premier literary-intellectual magazine in the English language." In 1970, writer Tom Wolfe described it as "the chief theoretical organ of Radical Chic". The ''Review'' publishes long-form reviews and essays, often by well-known writers, original poetry, and has letters and personals advertising sections that had attracted critical comment. In 1979 the magazine founded the '' London Review of Books'', which soon became independent. In 1990 it founded an Italian edition, ''la Rivista dei Libri'', published until 2010. The ''Review'' has a book publishing division, established in 1999, called New York Review Books, which publishes reprints of classics, as wel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Margarete Schlegel
Margarethe Sylva Elisabeth Wisniewski (né Schlegel, 31 December 1899 – 15 July 1987), known professionally as Margarete Schlegel, was a German theatre and film actress and soprano operetta singer. Early life The sixth of seven children and the third of four girls, Margarethe Sylva Elisabeth Schlegel was born at 11:45pm on 31 December 1899 in Bromberg, West Prussia, German Empire, (present-day Bydgoszcz, Poland) to a German-speaking Prussian-Polish Catholic family. Her father was Augustin Heinrich Schlegel (1865–1934), who legally changed the family surname from Wisniewski upon relocating them to Berlin in 1904, while her mother was Anna Agatha Schlegel (née Garski, 1864–1940). Career in Germany Naturally beautiful and talented (she could sing, dance and act well from an early age), Schlegel sought a chorus role in theatre in 1917 as a way of earning extra money for her family while still a schoolgirl due to the privations of war. This soon led to a starring ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Bard
Maria Bard (7 July 1900 – April 1944) was a German stage actress, who made a handful of films in the silent era for Rimax, her first husband Wilhelm Graaff's company. By 1930, her marriage with Graaff was over, and she appeared with Werner Krauss in the stage production ''Der Kaiser von Amerika'' or ''The King of America'' and the two became involved. Krauss' wife discovered their affair and committed suicide; a year later, in 1931, Maria Bard married Krauss. Her third husband was actor Hannes Stelzer. Bard committed suicide in April 1944, reportedly for political reasons. Selected filmography * '' Berlin-Alexanderplatz'' (1931) * '' Man Without a Name'' (1932) * ''Premiere'' (1937) * ''Capers'' (1937) * ''Above All Else in the World ''Above All Else in the World'' (german: link=no, Über alles in der Welt) is a 1941 German drama film directed by Karl Ritter and starring Paul Hartmann, Hannes Stelzer and Fritz Kampers.Kreimeier p. 312 The title refers to the second line ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinrich George
Georg August Friedrich Hermann Schulz (9 October 1893 – 25 September 1946), better known as Heinrich George (), was a German stage and film actor. Career Weimar Republic George is noted for having spooked the young Bertolt Brecht in his first directing job, a production of Arnolt Bronnen's ''Parricide'' (1922), when he refused to continue working with the director. He appeared in Fritz Lang's ''Metropolis'' (1927) and '' Dreyfus'' (1930), as well as starring in ''Berlin Alexanderplatz'' (1931). George was an active member of the Communist party during the Weimar Republic. He worked with theatre director Erwin Piscator and playwright Bertolt Brecht, both of whom identified with the political left. On 12 October 1932, he changed his legal name to his stage name ''George''. (NB. This document documents ''Georg August Friedrich Hermann Schulz''s birthday on 1893-10-09, as well as the change of his legal name from ''Schulz'' to ''George'' on 12 October 1932.) Nazi era After ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Wilhelm (screenwriter)
Hans Wilhelm (18 October 1904 – 23 December 1980) was a German screenwriter. Wilhelm was of Jewish heritage,Prawer p.212 and was forced to emigrate following the Nazi takeover in 1933. After going into exile he worked in a variety of countries including Britain, France, and Turkey before eventually settling in the United States. He later returned to work in West Germany following the Second World War. Selected filmography * ''Nick, King of the Chauffeurs'' (dir. Carl Wilhelm, 1925) * '' My Aunt, Your Aunt'' (1927) * '' Violantha'' (dir. Carl Froelich, 1928) * ''The Fourth from the Right'' (dir. Conrad Wiene, 1929) * ''German Wine'' (dir. Carl Froelich, 1929) * ''The Last Fort'' (dir. Curtis Bernhardt, 1929) * ''Diary of a Coquette'' (dir. Constantin J. David, 1929) * ''Sinful and Sweet'' (dir. Karel Lamač, 1929) * ''The Last Company'' (dir. Curtis Bernhardt, 1930) * '' A Student's Song of Heidelberg'' (dir. Karl Hartl, 1930) * '' Queen of the Night'' (dir. Fritz Wendhausen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Martin
Karlheinz Martin (May 6, 1886 – January 13, 1948) was a German stage and film director, best known for his expressionist productions. After enjoying success with experimental productions in Frankfurt am Main and Hamburg, Martin went to Berlin, where he premiered Ernst Toller's anti-war drama, ''Transfiguration'' (''Die Wandlung'') on September 30, 1919. Performed in a hall seating fewer than 300 spectators, the production used the intimacy of the space to drive home the horrors of Toller's script. The sets were jagged flats placed against blackness, and lit with harsh white spotlights. Scenes ended in blackouts not, as was customary at the time, with the curtain falling. Fritz Kortner became famous for his intense portrayal of the young hero. Martin turned to film in 1920, when he directed a cinematic adaptation of one of the most celebrated expressionist dramas, Georg Kaiser's ''From Morn to Midnight'' (''Von morgens bis mitternachts'') with actor Ernst Deutsch as the Cashi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piel Jutzi
Phil Jutzi (sometimes known as Piel Jutzi) (22 July 1896 – 1 May 1946) was a German cinematographer and film director. Born Philipp Jutzi in Altleiningen as the son of a tailor, Jutzi was self-educated. (He seems to have been generally known by the Palatinate dialect form of his given name, Piel, but a lawsuit by Harry Piel forced him to go by "Phil," though many journalists continued to use "Piel.") In 1916 he made posters for a small movie theater in the Black Forest, having been rejected by the military during World War I because of a physical disability. In 1919 he was an administrator of the Internationale Film-Industrie company in Heidelberg, which specialized in detective movies and westerns. In 1923 he married Emmy Philippine Zimmermann, the sister of the actor Holmes Zimmermann (born Johannes Zimmermann, 1900–1957), who acted in seven of his films; in May 1926 a daughter, Gisela, was born. In 1925 Jutzi moved to Berlin, where he worked as a documentary cameraman for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berlin-Alexanderplatz (1931 Film)
''Berlin-Alexanderplatz'' or ''The Story of Franz Biberkopf'' (german: Die Geschichte Franz Biberkopfs) is a 1931 German drama film directed by Phil Jutzi and starring Heinrich George, Maria Bard and Margarete Schlegel. It was adapted from the 1929 novel of the same title by Alfred Döblin, who also co-wrote the screenplay. Plot George portrays a blue collar Berliner and small-time criminal recently released from prison who finds himself being drawn into the Berlin underworld of the 1920s after his prostitute lover is murdered. "Yet, despite social upheaval, ...the good among the working class still prove able to live an honest and decent life." Production It was filmed on various locations around Berlin including the Alexanderplatz () ( en, Alexander Square) is a large public square and transport hub in the central Mitte district of Berlin. The square is named after the Russian Tsar Alexander I, which also denotes the larger neighbourhood stretching from in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bundesarchiv Bild 183-H0724-501-02, Berlin, Straßenbahnhaltestelle Alexanderstraße
The German Federal Archives or Bundesarchiv (BArch) (german: Bundesarchiv) are the National Archives of Germany. They were established at the current location in Koblenz in 1952. They are subordinated to the Federal Commissioner for Culture and the Media ( Claudia Roth since 2021) under the German Chancellery, and before 1998, to the Federal Ministry of the Interior. On 6 December 2008, the Archives donated 100,000 photos to the public, by making them accessible via Wikimedia Commons. History The federal archive for institutions and authorities in Germany, the first precursor to the present-day Federal Archives, was established in Potsdam, Brandenburg in 1919, a later date than in other European countries. This national archive documented German government dating from the founding of the North German Confederation in 1867. It also included material from the older German Confederation and the Imperial Chamber Court. The oldest documents in this collection dated back to the year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockney (dialect)
Cockney is an accent and dialect of English, mainly spoken in London and its environs, particularly by working-class and lower middle-class Londoners. The term "Cockney" has traditionally been used to describe a person from the East End, or born within earshot of Bow Bells, although it most commonly refers to the broad variety of English native to London. Estuary English is an intermediate accent between Cockney and Received Pronunciation, also widely spoken in and around London, as well as in wider southeastern England. In multicultural areas of London, the Cockney dialect is, to an extent, being replaced by Multicultural London English—a new form of speech with significant Cockney influence. Words and phrases Etymology of Cockney The earliest recorded use of the term is 1362 in passus VI of William Langland's ''Piers Plowman'', where it is used to mean "a small, misshapen egg", from Middle English ''coken'' + ''ey'' ("a cock's egg"). Concurrently, the mythical land of l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirkus Reviews
''Kirkus Reviews'' (or ''Kirkus Media'') is an American book review magazine founded in 1933 by Virginia Kirkus (1893–1980). The magazine is headquartered in New York City. ''Kirkus Reviews'' confers the annual Kirkus Prize to authors of fiction, nonfiction, and young readers' literature. ''Kirkus Reviews'', published on the first and 15th of each month; previews books before their publication. ''Kirkus'' reviews over 10,000 titles per year. History Virginia Kirkus was hired by Harper & Brothers to establish a children's book department in 1926. The department was eliminated as an economic measure in 1932 (for about a year), so Kirkus left and soon established her own book review service. Initially, she arranged to get galley proofs of "20 or so" books in advance of their publication; almost 80 years later, the service was receiving hundreds of books weekly and reviewing about 100. Initially titled ''Bulletin'' by Kirkus' Bookshop Service from 1933 to 1954, the title wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
