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Bergamo Cathedral
Bergamo Cathedral ( it, Duomo di Bergamo, ''Cattedrale di Sant'Alessandro'') is a Roman Catholic cathedral in Bergamo, Italy, dedicated to Saint Alexander of Bergamo, patron saint of the city. It is the seat of the Bishop of Bergamo. History From no later than the 9th century there were two cathedrals in Bergamo: one was the basilica of Saint Alexander, which stood on the site believed to be that of his martyrdom, and the other was dedicated to Saint Vincent, construction of which apparently began in the Lombard era, on the site of the present cathedral. Bishop Giovanni Barozzi commissioned the re-building of the cathedral of St. Vincent in the mid-15th century, for the plans of which Filarete claimed credit. In 1561 the Venetians demolished the cathedral of St. Alexander for reasons of military expediency, leaving St. Vincent's as the sole survivor. At the beginning of the 17th century Bishop Giovanni Emo unified the canons of the two old cathedrals. Finally Bishop Gregorio B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duomo - Bergamo - Panoramio
''Duomo'' (, ) is an Italian term for a church with the features of, or having been built to serve as, a cathedral, whether or not it currently plays this role. Monza Cathedral, for example, has never been a diocesan seat and is by definition not a cathedral. On the other hand, the city of Trevi no longer has a bishop, although it once did, and the erstwhile cathedral of Emilianus of Trevi is now a mere church. By contradistinction, the Italian word for a cathedral ''sensu stricto'' is ''cattedrale''. There is no direct translation of "duomo" into English, leading to many such churches being erroneously called "cathedral" in English, regardless of whether the church in question hosts a bishop. Many people refer to particular churches simply as ''il Duomo'', the ''Duomo'', without regard to the full proper name of the church. Similar words exist in other European languages: ''Dom'' ( German), ''dom'' ( Romanian), ''dóm'' ( Hungarian and Slovak), ''dôme'' (French), ''domo' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapter (religion)
A chapter ( la, capitulum or ') is one of several bodies of clergy in Roman Catholic, Old Catholic, Anglican, and Nordic Lutheran churches or their gatherings. Name The name derives from the habit of convening monks or canons for the reading of a chapter of the Bible or a heading of the order's rule. The 6th-century St Benedict directed that his monks begin their daily assemblies with such readings and over time expressions such as "coming together for the chapter" (') found their meaning transferred from the text to the meeting itself and then to the body gathering for it. The place of such meetings similarly became known as the " chapter house" or "room". Cathedral chapter A cathedral chapter is the body ("college") of advisors assisting the bishop of a diocese at the cathedral church. These were a development of the presbyteries (') made up of the priests and other church officials of cathedral cities in the early church. In the Catholic Church, they are n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Innocenzo Carloni
Carlo Innocenzo Carlone or Carloni (1686–1775) was an Italian painter and engraver, active especially in Germany. Biography He was a native of Scaria, near Como, in Lombardy, but may have been from the Carloni family of Genoese painters. He was the son of a sculptor, but he preferred painting, and was placed under the care of Giulio Quaglio. He subsequently trained also with Giovanni Battista Colomba. He afterwards studied at Venice and at Rome, with Francesco Trevisani until he was 23 years of age, when he visited Germany, where he has left works in oil and in fresco at Ludwigsburg, Passau, Linz, Breslau, Prague, and Vienna. He painted large decorative fresco cycles for palaces in Vienna, Prague and Southern Germany. For example, Carlone is known for painting the ceiling images in the ''Upper Belvedere'' of the Belvedere palace complex. His ''The Glorification of Saints Felix and Adauctus'' (1759–1761) was commissioned for the cupola of the church of ''San Fel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ( , ; March 5, 1696 – March 27, 1770), also known as Giambattista (or Gianbattista) Tiepolo, was an Italian painter and printmaker from the Republic of Venice who painted in the Rococo style, considered an important member of the 18th-century Venetian school. He was prolific, and worked not only in Italy, but also in Germany and Spain. Giovan Battista Tiepolo, together with Giambattista Pittoni, Canaletto, Giovan Battista Piazzetta, Giuseppe Maria Crespi, and Francesco Guardi are considered the traditional Old Masters of that period. Successful from the beginning of his career, he has been described by Michael Levey as "the greatest decorative painter of eighteenth-century Europe, as well as its most able craftsman." Biography ''The Glory of St. Dominic'', 1723 Early life (1696–1726) Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Firmus And Rusticus
Saints Firmus and Rusticus ( it, San Fermo e San Rustico) (died c. 290 AD) are venerated as two martyrs of Verona. Their unreliable ''Acts'' state that Firmus and Rusticus, kinsmen, were prominent citizens of Bergamo. They were martyred at Verona under the Emperor Maximian after refusing to sacrifice to pagan idols. Under the judge Anolinus, they were tortured, beaten with clubs, and beheaded. 1921. CatholicSaints.Info. 9 August 2016 It has been postulated that Firmus and Rusticus were actually two martyrs of whose |
Sebastiano Ricci
Sebastiano Ricci (1 August 165915 May 1734) was an Italian painter of the late Baroque school of Venice. About the same age as Piazzetta, and an elder contemporary of Tiepolo, he represents a late version of the vigorous and luminous Cortonesque style of grand manner fresco painting. He was the uncle of Marco Ricci (1676 – 1730), who trained with him, and became an innovator in landscape painting. Early years He was born in Belluno, the son of Andreana and Livio Ricci. In 1671, he was apprenticed to Federico Cervelli of Venice. Others claim Ricci's first master was Sebastiano Mazzoni. In 1678, a youthful indiscretion led to an unwanted pregnancy, and ultimately to a greater scandal, when Ricci was accused of attempting to poison the young woman in question to avoid marriage. He was imprisoned, and released only after the intervention of a nobleman, probably a Pisani family member. He eventually married the mother of his child in 1691, although this was a stormy union ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giambettino Cignaroli
Giambettino Cignaroli (Verona, July 4, 1706 – Verona, December 1, 1770) was an Italian painter of the Rococo and early Neoclassic period. Biography He was a pupil of Santo Prunato and Antonio Balestra and active mostly in the area of the Veneto. He became the director of the academy of painting and sculpture of Verona in December 1764. The Academy was subsequently known as ''Accademia Cignaroli''. Among his many pupils were Maria Suppioti Ceroni, Giovanni Battista Lorenzi, Saverio Dalla Rosa, Domenico Mondini, Domenico Pedarzoli, and Christopher Unterberger. His brother Giovanni Domenico Cignaroli was also a painter. For the Austrian governor of Lombardy and a collector of antiquities, Count Karl von Firmian, Cignaroli painted two canvases on Greco-Roman episodes, a thematic preferred by Neoclassic painters: ''Death of Cato'' (1759) and ''Death of Socrates''. Giambettino was born into a family of artists, and this tradition continued after his death with his children. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Cariani
Giovanni Cariani (c. 1490–1547), also known as Giovanni Busi or Il Cariani, was an Italian painter of the high- Renaissance, active in Venice and the Venetian mainland, including Bergamo, thought to be his native city. Overview His father, also Giovanni Busi, was born in Fuipiano Al Brembo which is a hamlet of San Giovanni Bianco (Bergamo), and was appointed a local magistrate for the Venetian authorities. His son, also born in Fuipiano Al Brembo, is known to have lived in Venice starting in 1509, and may have trained with either Giovanni Bellini or Giorgione, and almost certainly was influenced by them. Though he worked often in Bergamo, he died in Venice in 1547. He was strongly influenced by Palma il Vecchio, but had a provincial love of scenery as seen in his '' Sacra conversazione with a youthful donor''. While working in Bergamo (1517–1523), he likely overlapped with Lorenzo Lotto, who worked there from 1513-1525. ''Cariani and the Courtesans'' The 1987 BBC Two ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovan Battista Moroni
Giovanni Battista Moroni ( – 5 February 1579) was an Italian painter of the Late Renaissance period. He also is called Giambattista Moroni. Best known for his elegantly realistic portraits of the local nobility and clergy, he is considered one of the great portrait painters of sixteenth century Italy. Biography Moroni was the son of architect Andrea Moroni. He trained under Alessandro Bonvicino "Il Moretto" in Brescia, where he was the main studio assistant during the 1540s, and worked in Trento, Bergamo and his home town of Albino, near Bergamo, where he was born and died. His two short periods in Trento coincided with the first two sessions of the Council of Trent, 1546–48 and 1551–53. On both occasions Moroni painted a number of religious works (including the altarpiece of the ''Doctors of the Church'' for the church of Santa Maria Maggiore, Bergamo) as well as the series of portraits for which he is remembered. During his stay in Trento he also made co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Previtali
Andrea Previtali (c. 1480 –1528) was an Italian painter of the Renaissance period, active mainly in Bergamo. He was also called Andrea Cordelliaghi. Biography Previtali was a pupil of the painter Giovanni Bellini. In Bergamo, he painted a ''John the Baptist preaching with other saints'' (1515) for the church of Santo Spirito, a ''San Benedetto and other saints'' for Bergamo Cathedral, and a ''Deposition from the Cross'' for Sant'Andrea. Other works of his are in the Accademia Carrara. and the National Gallery, London (''Salvator Mundi'' and '' The Virgin and Child with a Shoot of Olive'', both left to the gallery in 1910). Previtali gained notice in 1937 in the United Kingdom for "not being Giorgione". Kenneth Clark, then Director of the National Gallery, bought two small panels of his from a dealer in Vienna, each with two rustic scenes. He paid £14,000 for them, a high price at the time, despite opposition from his curators. The authoritative ascription of them to Pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_The_Prodigal_Son_-_732311_-_National_Trust.jpg "Click for more on -> Sebastiano Ricci")
