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Benjamin Godard
Benjamin Louis Paul Godard (18 August 184910 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera ''Jocelyn''. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise. Life and career Godard was born in Paris in 1849. He entered the Conservatoire de Paris in 1863 where he studied under Henri Vieuxtemps (violin) and Napoléon Henri Reber (harmony) and accompanied Vieuxtemps twice to Germany. In 1876, his ''Concerto romantique'' was performed at the Concerts Populaires, and other of his large works were also performed at these concerts. In 1878, Godard was the co-winner of the Prix de la Ville de Paris. His winning composition, a dramatic symphony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Godard
Benjamin Louis Paul Godard (18 August 184910 January 1895) was a French violinist and Romantic-era composer of Jewish extraction, best known for his opera ''Jocelyn''. Godard composed eight operas, five symphonies, two piano and two violin concertos, string quartets, sonatas for violin and piano, piano pieces and etudes, and more than a hundred songs. He died at the age of 45 in Cannes (Alpes-Maritimes) of tuberculosis and was buried in the family tomb in Taverny in the French department of Val-d'Oise. Life and career Godard was born in Paris in 1849. He entered the Conservatoire de Paris in 1863 where he studied under Henri Vieuxtemps (violin) and Napoléon Henri Reber (harmony) and accompanied Vieuxtemps twice to Germany. In 1876, his ''Concerto romantique'' was performed at the Concerts Populaires, and other of his large works were also performed at these concerts. In 1878, Godard was the co-winner of the Prix de la Ville de Paris. His winning composition, a dramatic symphony ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Rosa Opera Company
The Carl Rosa Opera Company was founded in 1873 by Carl Rosa, a German-born musical impresario, and his wife, British operatic soprano Euphrosyne Parepa-Rosa to present opera in English in London and the British provinces. The company premiered many operas in the UK, employing a mix of established opera stars and young singers, reaching new opera audiences with popularly priced tickets. It survived Rosa's death in 1889, and continued to present opera in English on tour until 1960, when it was obliged to close for lack of funds. The company was revived in 1997, presenting mostly lighter operatic works including those by Gilbert and Sullivan. The company "was arguably the most influential opera company ever in the UK". Background Carl Rosa was born Karl August Nikolaus Rose in Hamburg, Germany, the son of a local businessman. A child violin prodigy, Rosa studied at the Conservatorium at Leipzig and in Paris. In 1863 he was appointed Konzertmeister at Hamburg, where he had oc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Guelfes
''Les Guelfes'', Op. 70, is an 1898 French-language grand opéra by Benjamin Godard in five acts to a libretto by Louis Gallet. It premiered posthumously on 12 August 1902 at the Théâtre des Arts in Rouen. Recordings *Aria "Là -bas, vers le palais", Véronique Gens Véronique Gens (born 19 April 1966) is a French operatic soprano. She has spent much of her career recording and performing Baroque music. Gens was born in Orléans, France, and studied at the Conservatoire de Paris, winning first prize at the ..., Münchner Rundfunkorchester, Hervé Niquet 2017 References External links * Operas 1902 operas Operas by Benjamin Godard French-language operas Operas set in Italy {{French-opera-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; 8 June 181029 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. In 1840, Schumann married Friedrich Wieck's daughter Clara Wieck, after a long and acrimonious legal battle with Friedrich, who opposed the marriage. A lifelong partnership in music began, as Clara herself was an established pianist and music prodigy. Clara and Robert also maintained a close relationship with German composer Johannes Brahms. Until 1840, Schumann wrote exclusively for the piano. Later, he composed piano and orchestral works, and many Lieder (songs for voice and piano). He composed four symphonies ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Felix Mendelssohn
Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for '' A Midsummer Night's Dream'' (which includes his "Wedding March"), the '' Italian Symphony'', the '' Scottish Symphony'', the oratorio ''St. Paul'', the oratorio ''Elijah'', the overture ''The Hebrides'', the mature Violin Concerto and the String Octet. The melody for the Christmas carol "Hark! The Herald Angels Sing" is also his. Mendelssohn's ''Songs Without Words'' are his most famous solo piano compositions. Mendelssohn's grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antisemitism
Antisemitism (also spelled anti-semitism or anti-Semitism) is hostility to, prejudice towards, or discrimination against Jews. A person who holds such positions is called an antisemite. Antisemitism is considered to be a form of racism. Antisemitism has historically been manifested in many ways, ranging from expressions of hatred of or discrimination against individual Jews to organized pogroms by mobs, police forces, or genocide. Although the term did not come into common usage until the 19th century, it is also applied to previous and later anti-Jewish incidents. Notable instances of persecution include the Rhineland massacres preceding the First Crusade in 1096, the Edict of Expulsion from England in 1290, the 1348–1351 persecution of Jews during the Black Death, the massacres of Spanish Jews in 1391, the persecutions of the Spanish Inquisition, the expulsion from Spain in 1492, the Cossack massacres in Ukraine from 1648 to 1657, various anti-Jewish pogroms in the Russ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Wagner
Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer, Wagner revolutionised opera through his concept of the ''Gesamtkunstwerk'' ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in the first half of the four-opera cycle ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''). His compositions, particularly those of his later period, are notable for their complex textures, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Encyclopædia Britannica Eleventh Edition
The ''Encyclopædia Britannica'' Eleventh Edition (1910–1911) is a 29-volume reference work, an edition of the ''Encyclopædia Britannica''. It was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time. This edition of the encyclopaedia, containing 40,000 entries, has entered the public domain and is easily available on the Internet. Its use in modern scholarship and as a reliable source has been deemed problematic due to the outdated nature of some of its content. Modern scholars have deemed some articles as cultural artifacts of the 19th and early 20th centuries. Background The 1911 eleventh edition was assembled with the management of American publisher Horace Everett Hooper. Hugh Chisholm, who had edited the previous edition, was appointed editor in chief, with Walter Alison Phillips as his principal assistant editor. Originally, Hooper bought the rights to th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintuple Meter
Quintuple meter or quintuple time is a musical meter characterized by five beats in a measure. They may consist of any combination of variably stressed or equally stressed beats. Like the more common duple, triple, and quadruple meters, it may be simple, with each beat divided in half, or compound, with each beat divided into thirds. The most common time signatures for simple quintuple meter are and , and compound quintuple meter is most often written in . Notation Simple quintuple meter can be written in or time, but may also be notated by using regularly ''alternating'' bars of triple and duple meters, for example + . Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of , by writing triplets on each beat of a simple quintuple signature, or by regularly alternating meters such as + . Another notational variant involves compound meters, in which two or three numerals take the place of the exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scherzo
A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often refers to a movement that replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or string quartet. The term can also refer to a fast-moving humorous composition that may or may not be part of a larger work. Origins The Italian word ''scherzo'' means 'joke' or 'jest'. More rarely the similar-meaning word ''badinerie'' (also spelled ''battinerie''; from French, 'jesting') has been used. Sometimes the word ''scherzando'' ('joking') is used in musical notation to indicate that a passage should be executed in a playful manner. An early use of the word ''scherzo'' in music is in light-hearted madrigals of the early baroque period, which were often called ''scherzi musicali'', for example: * Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
Sonata (; Italian: , pl. ''sonate''; from Latin and Italian: ''sonare'' rchaic Italian; replaced in the modern language by ''suonare'' "to sound"), in music, literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century, it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas still maintain the same structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, AntonÃn Dvořák, LeoÅ¡ Janà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
