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Benjamin Fondane
Benjamin Fondane () or Benjamin Fundoianu (; born Benjamin Wechsler, Wexler or Vecsler, first name also Beniamin or Barbu, usually abridged to B.; November 14, 1898 – October 2, 1944) was a Romanian and French poet, critic and existentialist philosopher, also noted for his work in film and theater. Known from his Romanian youth as a Symbolist poet and columnist, he alternated Neoromantic and Expressionist themes with echoes from Tudor Arghezi, and dedicated several poetic cycles to the rural life of his native Moldavia. Fondane, who was of Jewish Romanian extraction and a nephew of Jewish intellectuals Elias and Moses Schwartzfeld, participated in both minority secular Jewish culture and mainstream Romanian culture. During and after World War I, he was active as a cultural critic, avant-garde promoter and, with his brother-in-law Armand Pascal, manager of the theatrical troupe ''Insula''. Fondane began a second career in 1923, when he moved to Paris. Affiliated with Surrealism ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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Infobox writer may be used to summarize information about a person who is a writer/author (includes screenwriters). If the writer-specific fields here are not needed, consider using the more general ; other infoboxes there can be found in :People and person infobox templates. This template may also be used as a module (or sub-template) of ; see WikiProject Infoboxes/embed for guidance on such usage. Syntax The infobox may be added by pasting the template as shown below into an article. All fields are optional. Any unused parameter names can be left blank or omitted. Parameters Please remove any parameters from an article's infobox that are unlikely to be used. All parameters are optional. Unless otherwise specified, if a parameter has multiple values, they should be comma-separated using the template: : which produces: : , language= If any of the individual values contain commas already, add to use semi-colons as separators: : which produces: : , ps ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Short Story
A short story is a piece of prose fiction that typically can be read in one sitting and focuses on a self-contained incident or series of linked incidents, with the intent of evoking a single effect or mood. The short story is one of the oldest types of literature and has existed in the form of legends, mythic tales, folk tales, fairy tales, tall tales, fables and anecdotes in various ancient communities around the world. The modern short story developed in the early 19th century. Definition The short story is a crafted form in its own right. Short stories make use of plot, resonance, and other dynamic components as in a novel, but typically to a lesser degree. While the short story is largely distinct from the novel or novella/short novel, authors generally draw from a common pool of literary techniques. The short story is sometimes referred to as a genre. Determining what exactly defines a short story has been recurrently problematic. A classic definition of a short story ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Existentialism
Existentialism ( ) is a form of philosophical inquiry that explores the problem of human existence and centers on human thinking, feeling, and acting. Existentialist thinkers frequently explore issues related to the meaning, purpose, and value of human existence, and the role of personal agency in transforming one's life. In the view of an existentialist, the individual's starting point is phenomenological, grounded in the immediate direct experience of life. Key concepts include " existential angst", a sense of dread, disorientation, confusion, or anxiety in the face of an apparently meaningless or absurd world, and also authenticity, courage, and human-heartedness. Existentialism is associated with several 19th- and 20th-century European philosophers who shared an emphasis on the human subject, despite often profound differences in thought. Among the earliest figures associated with existentialism are philosophers Søren Kierkegaard and Friedrich Nietzsche and novel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sburătorul
''Sburătorul'' was a Romanian Modernism, modernist literary magazine and literary society, established in Bucharest in April 1919. Led by Eugen Lovinescu, the circle was instrumental in developing new trends and styles in Romanian literature, ranging from a new wave of Symbolist movement in Romania, Romanian Symbolism to an urban-themed Realism (arts), Realism and the Avant-garde. The review, subtitled ''Revista literară, artistică şi culturală'' ("The literary, artistic, and cultural review"), was published between April 1919 and May 1921, and again from March 1926 to June 1927 (a weekly magazine entitled ''Sburătorul Literar'' was published between September 1921 and December 1922). During its last period in print, ''Sburătorul'' engaged in a polemic with partisans of a more traditional style, especially figures grouped around the ''Sămănătorul'' magazine. Lovinescu himself argued against Nicolae Iorga's Ethnocentrism, ethnocentric views on Romania in the Middle Ages. Na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contimporanul
''Contimporanul'' (antiquated spelling of the Romanian word for "the Contemporary", singular masculine form) was a Romanian (initially a weekly and later a monthly) avant-garde literary and art magazine, published in Bucharest between June 1922 and 1932. Edited by Ion Vinea, ''Contimporanul'' was prolific in the area of art criticism, dedicating entire issues to modern art phenomena, and organizing the Bucharest International Modern Art Exhibit in December 1924 (with the participation of Constantin Brâncuși). Several writers contributing to ''Contimporanul'' soon moved on to adopt more specific styles, including a literary form of constructivism (which was the dominant style of the magazine for a certain period), Dada, and, eventually, surrealism. History Seeing itself as a direct successor to ''Contemporanul'', it first advertised itself as a "social magazine", it became a voice for modernism in 1924, when it published a manifesto virulently attacking the cultural establishment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constructivism (art)
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko. Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space. The movement rejected decorative stylization in favor of the industrial assemblage of materials. Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde. Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music. Beginnings Constructivism was a post-World War I development of Russian Futurism, and particularly of the 'counter reliefs' of Vladimir Tatlin, which had been exhibited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surrealism
Surrealism is a cultural movement that developed in Europe in the aftermath of World War I in which artists depicted unnerving, illogical scenes and developed techniques to allow the unconscious mind to express itself. Its aim was, according to leader André Breton, to "resolve the previously contradictory conditions of dream and reality into an absolute reality, a super-reality", or ''surreality.'' It produced works of painting, writing, theatre, filmmaking, photography, and other media. Works of Surrealism feature the element of surprise, unexpected juxtapositions and '' non sequitur''. However, many Surrealist artists and writers regard their work as an expression of the philosophical movement first and foremost (for instance, of the "pure psychic automatism" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e. artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expressionism
Expressionism is a modernist movement, initially in poetry and painting, originating in Northern Europe around the beginning of the 20th century. Its typical trait is to present the world solely from a subjective perspective, distorting it radically for emotional effect in order to evoke moods or ideas. Expressionist artists have sought to express the meaningVictorino Tejera, 1966, pages 85,140, Art and Human Intelligence, Vision Press Limited, London of emotional experience rather than physical reality. Expressionism developed as an avant-garde style before the First World War. It remained popular during the Weimar Republic,Bruce Thompson, University of California, Santa Cruzlecture on Weimar culture/Kafka'a Prague particularly in Berlin. The style extended to a wide range of the arts, including expressionist architecture, painting, literature, theatre, dance, film and music. The term is sometimes suggestive of angst. In a historical sense, much older painters such as Matthia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde
The avant-garde (; In 'advance guard' or ' vanguard', literally 'fore-guard') is a person or work that is experimental, radical, or unorthodox with respect to art, culture, or society.John Picchione, The New Avant-garde in Italy: Theoretical Debate and Poetic Practices' (Toronto: University of Toronto Press, 2004), p. 64 . It is frequently characterized by aesthetic innovation and initial unacceptability.Kostelanetz, Richard, ''A Dictionary of the Avant-Gardes'', Routledge, May 13, 2013 The avant-garde pushes the boundaries of what is accepted as the norm or the '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Modernist Literature
Literary modernism, or modernist literature, originated in the late 19th and early 20th centuries, and is characterized by a self-conscious break with traditional ways of writing, in both poetry and prose fiction writing. Modernism experimented with literary form and expression, as exemplified by Ezra Pound's maxim to "Make it new." This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of their time. The horrors of the First World War saw the prevailing assumptions about society reassessed, and much modernist writing engages with the technological advances and societal changes of modernity moving into the 20th century. Origins and precursors In the 1880s, increased attention was given to the idea that it was necessary to push aside previous norms entirely, instead of merely revising past knowledge in light of contemporary techniques. The theories of Sigmund Freud (1856–1939), and Ernst Mach (183 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symbolism (arts)
Symbolism was a late 19th-century art movement of French art, French and Art of Belgium, Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against Naturalism (literature), naturalism and Realism (arts), realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's ''Les Fleurs du mal''. The works of Edgar Allan Poe, which Baudelaire admired greatly and translated into French, were a significant influence and the source of many stock Trope (literature), tropes and images. The aesthetic was developed by Stéphane Mallarmé and Paul Verlaine during the 1860s and 1870s. In the 1880s, the aesthetic was articulated by a series of manifestos and attracted a generation of writers. The term "symbolist" was first applied by the critic Jean Moréas, who invented the term to distinguish the Symbolists from the related decadent movement, Decadents of literat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
