Benizuri-e
are a type of "primitive" ''ukiyo-e'' style Japanese woodblock prints. They were usually printed in pink (''beni'') and green, occasionally with the addition of another color, either printed or added by hand. The production of ''benizuri-e'' reached its peak in the early 1740s. Torii Kiyohiro, Torii Kiyomitsu I, Torii Kiyonobu I, Okumura Masanobu, Nishimura Shigenaga, and Ishikawa Toyonobu are the artists most closely associated with ''benizuri-e''. Gallery of benizuri-e Woodblock print by Ishikawa Toyonobu of kabuki actors Onoe Kikugoro I and Nakamura Kiyosaburo.jpg, Woodblock print by Ishikawa Toyonobu of kabuki actors Onoe Kikugorō I and Nakamura Kiyosaburō as a young seated couple playing a shamisen signed 'Meijōdō Ishikawa Shūha Toyonobu zu', 1750-1758 Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg, Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II an ...
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Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan.
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries an objective or practical meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consen ...

Nakamura Kiyosaburō
Nakamura may refer to: Places *Nakamura, Kōchi, a former city in Kōchi Prefecture, Japan *Nakamura-ku, Nagoya, a ward in Nagoya city in Aichi Prefecture, Japan People *Nakamura (surname), a list of people with the surname Other uses *Nakamura stable, a stable of sumo wrestlers *Nakamura Station is a passenger railway station located in the city of Shimanto, Kōchi Prefecture, Japan. It is operated by the third-sector Tosa Kuroshio Railway, whose headquarters is located in the station building. The station is numbered "TK-40". Lines ...

Tsukioka Settei
Tsukioka Settei (, 1710 – 22 January 1787) was a Japanese ukiyo-e artist. Settei was born in Ōmi Province and studied painting in Osaka in the style of the Kanō school under . He was strongly influenced by the work of the ukiyo-e artist Nishikawa Sukenobu. Settei's produced a number of printed works, but his ''bijin-ga is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of W ...'' paintings of female beauties are considered his most representative works. Tsukioka Settei.jpg Style of Tsukioka Settei Erotic Book, late 18th century-early 19th century.jpg Tsukioka Settei, The Treasure Chest of Erotic Women in Ecstasy (Iroonna dairaku takara-beki), 1751.jpg Tsukioka Masanobu Settei - Beautiful woman playing with cat - Google Art Project.jpg Beauty Admiring a Warbler on a Plum Tree LACMA ...
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The Pillow Book
is a book of observations and musings recorded by Sei Shōnagon during her time as court lady to Empress Consort Teishi during the 990s and early 1000s in Heian-period Japan. The book was completed in the year 1002. The work is a collection of essays, anecdotes, poems, and descriptive passages that have little connection to one another except for the fact that they are ideas and whims of Shōnagon's spurred by moments in her daily life. In it she included lists of all kinds, personal thoughts, interesting events in court, poetry, and some opinions on her contemporaries. While it is mostly a personal work, Shōnagon's writing and poetic skill makes it interesting as a work of literature, and it is valuable as a historical document. Shōnagon meant her writing in ''The Pillow Book'' for her eyes only, but part of it was accidentally revealed to the Court during her life: "she inadvertently left it er writingon a cushion she put out for a visiting guest, who eagerly carried it off ...
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Sei Shōnagon
was a Japanese author, poet, and a court lady who served the Empress Teishi (Sadako) around the year 1000 during the middle Heian period. She is the author of . Name Sei Shōnagon's actual given name is not known. It was the custom among aristocrats in those days to call a court lady by a nickname taken from a court office belonging to her father or husband.Keene 1999 : 412. derives from her father's family name "Kiyohara" (the native Japanese reading of the first character is , while the Sino-Japanese reading is ), while refers to a government post. Her relationship to this post is unknown, though—neither her father nor either of her two husbands held such a post. Bun'ei Tsunoda has suggested that it may have belonged to a third husband, perhaps Fujiwara no Nobuyoshi.Keene 1999 : 412, citing (427, note 3) Tsunoda 1975 : 30-32. Her actual name has been a topic of debate among scholars, and the name is a possibility. Early life Little is known about her life except ...
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Honolulu Museum Of Art
The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaii. The museum is the largest of its kind in the state, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, and since its official opening on April 8, 1927, its collections have grown to more than 55,000 works of art. Description The Honolulu Museum of Art was called “the finest small museum in the United Statesˮ by J. Carter Brown, director of the National Gallery of Art from 1969 to 1992. In addition to an internationally renowned permanent collection, the museum houses innovative exhibitions, an art school, an independent art house theatre, a café and a museum shop. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts; in 2012, the combined museum changed its name to the Honolulu Museum of Art. The museum is accredited by the America ...
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Ichikawa Ebizō
is a stage name taken on by a series of Kabuki actors of the Ichikawa family. Most of these were blood relatives, though some were adopted into the family. It is a famous and important name, and receiving it is an honor. Ebizō, like other actors' names, is bestowed (or given up) at grand naming ceremonies called '' shūmei'' in which a number of actors formally change their names. A number of actors have followed a particular sequence in their stage names, preceding "Ebizō" by being called Ichikawa Shinnosuke or Matsumoto Kōshirō, and following it by achieving the name Ichikawa Danjūrō. The design of the Ichikawa family ''mon'', three squares nested inside one another, is called ''mimasu'' (三升). Lineage * Ichikawa Ebizō I (1673 – April 1675)Note: the dates given here do not represent the birth/death dates of the actor; rather, they indicate the period during which the actor held the name Danjūrō. – Took the name Danjūrō in 1693, becoming the first ...
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Sanogawa Ichimatsu
was an 18th-century kabuki actor. He was born to a family of samurai in Fushimi in Yamashiro province and was adopted by Jinzô, an usher working at the Minamigawa no Shibai (Minami-za) in Kyôto. Later on, he trained in the Kamigata theaters under Sanogawa Mangiku. He settled in Edo Edo ( ja, , , "bay-entrance" or "estuary"), also romanized as Jedo, Yedo or Yeddo, is the former name of Tokyo. Edo, formerly a ''jōkamachi'' (castle town) centered on Edo Castle located in Musashi Province, became the ''de facto'' capital of ... in the 11th lunar month of 1744, where he stayed and won fame as a kabuki actor up to his death in the 11th lunar month of 1762. References Kabuki 18th-century Japanese male actors 1722 births 1762 deaths {{Japan-bio-stub ...
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Nakamura Shichisaburō II
Nakamura may refer to: Places *Nakamura, Kōchi, a former city in Kōchi Prefecture, Japan *Nakamura-ku, Nagoya, a ward in Nagoya city in Aichi Prefecture, Japan People *Nakamura (surname), a list of people with the surname Other uses *Nakamura stable, a stable of sumo wrestlers *Nakamura Station is a passenger railway station located in the city of Shimanto, Kōchi Prefecture, Japan. It is operated by the third-sector Tosa Kuroshio Railway, whose headquarters is located in the station building. The station is numbered "TK-40". Lines ...

Shamisen
The , also known as the or (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument . It is played with a plectrum called a bachi. The Japanese pronunciation is usually but sometimes when used as a suffix, according to regular sound change (e.g. ). In Western Japanese dialects and several Edo period sources, it is both written and pronounced as . The construction of the varies in shape, depending on the genre in which it is used. The instrument used to accompany kabuki has a thin neck, facilitating the agile and virtuosic requirements of that genre. The one used to accompany puppet plays and folk songs has a longer and thicker neck instead, to match the more robust music of those genres. Construction The is a plucked stringed instrument. Its construction follows a model similar to that of a guitar or a banjo, with a neck and strings stretched across a resonating body. The neck of the is fret ...
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Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ...
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