Bella Goodall
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Bella Goodall
Isabella Goodall (10 August 1851 – 2 February 1884) was an English soubrette of the Victorian era, Victorian theatre. She made her name on the stage in her native city, Liverpool, and later became a star of the London theatre, both in Victorian burlesque, burlesque and comic plays. Biography Goodall was born in Liverpool. By 1865, she was a star at the city's Theatre Royal, Williamson Square. In February 1865 she was granted a benefit performance in which she acted and sang. Works played on that occasion included Dion Boucicault's burletta ''A Lover by Proxy''. She also starred in productions in other Liverpool theatres at about this time. The author and journalist William Henry Rideing reminisced in 1912 about his boyhood in Liverpool, where he remembered Goodall as the reigning soubrette: "Then the orchestra would tune up and Miss Goodall, smiling and bowing, would open the most beautiful mouth in the world .... It bowled me over." She made her London debut in April 1865 at t ...
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Bella Goodall
Isabella Goodall (10 August 1851 – 2 February 1884) was an English soubrette of the Victorian era, Victorian theatre. She made her name on the stage in her native city, Liverpool, and later became a star of the London theatre, both in Victorian burlesque, burlesque and comic plays. Biography Goodall was born in Liverpool. By 1865, she was a star at the city's Theatre Royal, Williamson Square. In February 1865 she was granted a benefit performance in which she acted and sang. Works played on that occasion included Dion Boucicault's burletta ''A Lover by Proxy''. She also starred in productions in other Liverpool theatres at about this time. The author and journalist William Henry Rideing reminisced in 1912 about his boyhood in Liverpool, where he remembered Goodall as the reigning soubrette: "Then the orchestra would tune up and Miss Goodall, smiling and bowing, would open the most beautiful mouth in the world .... It bowled me over." She made her London debut in April 1865 at t ...
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La Vivandière (Gilbert)
''La Vivandière; or, True to the Corps!'' is a burlesque by W. S. Gilbert, described by the author as "An Operatic Extravaganza Founded on Donizetti's opera, '' La figlia del regimento''." In the French or other continental armies a vivandière was a woman who supplied food and drink to troops in the field. The piece was first produced at St. James's Hall, Liverpool, on 15 June 1867. It was then presented in London, with a mostly new cast, at the Queen's Theatre, Long Acre, opening on 22 January 1868. It was part of a series of operatic burlesques and other broad comic pieces that Gilbert wrote in the late 1860s near the beginning of his playwriting career. It was modestly successful and introduced some themes and satiric techniques that Gilbert would later employ in his famous Savoy operas. Background and analysis Gilbert's first operatic burlesque, ''Dulcamara, or the Little Duck and the Great Quack'', had been successful enough to encourage him to write another. It had ru ...
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People Associated With Gilbert And Sullivan
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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Singers From Liverpool
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or as a ...
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19th-century British Women Singers
The 19th (nineteenth) century began on 1 January 1801 ( MDCCCI), and ended on 31 December 1900 ( MCM). The 19th century was the ninth century of the 2nd millennium. The 19th century was characterized by vast social upheaval. Slavery was abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanding beyond its British homeland for the first time during this century, particularly remaking the economies and societies of the Low Countries, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Islamic gunpowder empires fell into decline and European imperialism brought much of South Asia, Southeast Asia, and almost all of Africa under colonial rule. It was also marked by the collapse of the large S ...
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West Norwood Cemetery
West Norwood Cemetery is a rural cemetery in West Norwood in London, England. It was also known as the South Metropolitan Cemetery. One of the first private landscaped cemeteries in London, it is one of the " Magnificent Seven" cemeteries of London, and is a site of major historical, architectural and ecological interest. Its grounds are a mixture of historic monumental cemetery A cemetery, burial ground, gravesite or graveyard is a place where the remains of dead people are buried or otherwise interred. The word ''cemetery'' (from Greek , "sleeping place") implies that the land is specifically designated as a buri ... and modern cemetery#Lawn cemetery, lawn cemetery, but it also has catacombs, cremation plots and a cemetery#Columbarium wall, columbarium for cinerary ashes. The cemetery's crematorium still operates, and cremation plots are still available, but all the conventional burial plots have been allocated and hence it is closed to new burials pending further ag ...
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Pentonville Road
Pentonville Road is a road in Central London that runs west to east from Kings Cross to City Road at The Angel, Islington. The road is part of the London Inner Ring Road and part of the boundary of the London congestion charge zone. The road was originally built in the mid-18th century as part of the New Road, a bypass of Central London for coach traffic. It was named Pentonville Road after the new town of Pentonville, that encouraged manufacturing to move out of the city and into suburbia. Numerous factories and commercial premises became established on the road in the 19th and 20th centuries, particularly after the arrival of London railways in the 1840s. As industrial manufacturing fell out of favour in London in the late 20th century, many properties are now residential or student accommodation. Current premises include the Crafts Council Gallery on the site of a former chapel, the Scala nightclub in a former cinema, and The Castle, a public house. Geography The road is ...
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Lucrezia Borgia
Lucrezia Borgia (; ca-valencia, Lucrècia Borja, links=no ; 18 April 1480 – 24 June 1519) was a Spanish-Italian noblewoman of the House of Borgia who was the daughter of Pope Alexander VI and Vannozza dei Cattanei. She reigned as the Governor of Spoleto, a position usually held by cardinals, in her own right. Her family arranged several marriages for her that advanced their own political position including Giovanni Sforza, Lord of Pesaro and Gradara, Count of Cotignola; Alfonso of Aragon, Duke of Bisceglie and Prince of Salerno; and Alfonso I d'Este, Duke of Ferrara. Tradition has it that Alfonso of Aragon was an illegitimate son of the King of Naples and that her brother Cesare Borgia may have had him murdered after his political value waned. Rumors about her and her family cast Lucrezia as a '' femme fatale'', a role in which she has been portrayed in many artworks, novels and films. Early life Lucrezia Borgia was born on 18 April 1480 at Subiaco, near Rome. Her mot ...
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St Patrick
Saint Patrick ( la, Patricius; ga, Pádraig ; cy, Padrig) was a fifth-century Romano-British Christian missionary and bishop in Ireland. Known as the "Apostle of Ireland", he is the primary patron saint of Ireland, the other patron saints being Brigit of Kildare and Columba. Patrick was never formally canonised, having lived prior to the current laws of the Catholic Church in these matters. Nevertheless, he is venerated as a Saint in the Catholic Church and in the Eastern Orthodox Church, where he is regarded as equal-to-the-apostles and Enlightener of Ireland. The dates of Patrick's life cannot be fixed with certainty, but there is general agreement that he was active as a missionary in Ireland during the fifth century. A recent biography on Patrick shows a late fourth-century date for the saint is not impossible. Early medieval tradition credits him with being the first bishop of Armagh and Primate of Ireland, and regards him as the founder of Christianity in Ireland, con ...
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Royal Strand Theatre
The Royal Strand Theatre was located in the Strand in the City of Westminster. The theatre was built on the site of a panorama in 1832, and in 1882 was rebuilt by the prolific theatre architect Charles J. Phipps. It was demolished in 1905 to make way for Aldwych tube station. History From 1801, Thomas Edward Barker set up a rival panorama to his father's in Leicester Square, at 168/169 Strand. On the death of Robert Barker, in 1806, his younger brother, Henry Aston Barker took over management of the Leicester Square rotunda. In 1816, Henry bought the panorama in the Strand, which was then known as Reinagle and Barker's Panorama,Sherson, Erroll, ‘Lost London Playhouses’, ''The Stage'', 28 June 1923, p. 21. One of a series of articles later published in a book of same name in 1925. and the two panoramas were then run jointly until 1831. Their building was then used as a dissenting chapel and was purchased by Benjamin Lionel Rayner, a noted actor, in 1832.''From Stage to Platf ...
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The Bohemian Girl
''The Bohemian Girl'' is an Irish Romantic opera composed by Michael William Balfe with a libretto by Alfred Bunn. The plot is loosely based on a Miguel de Cervantes' tale, ''La Gitanilla''. The best-known aria from the piece is "I Dreamt I Dwelt in Marble Halls" in which the main character, Arline, describes her vague memories of her childhood. It has been recorded by many artists, most famously by Dame Joan Sutherland, and also by the Norwegian soprano Sissel Kyrkjebø and Irish singer Enya. Performance history The opera was first produced in London at the Drury Lane Theatre on 27 November 1843. The production ran for more than 100 nights and enjoyed many revivals worldwide including: New York City (25 November 1844), Dublin (1844) and Philadelphia (1844).Loewenberg, columns 832-833. Loewenberg's listing of a production in Madrid on 9 April 1845 in an Italian translation by R. Paderni is evidently incorrect. No such performance can be traced, and D'Erme (see Sources) demonst ...
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The Merry Zingara
''The Merry Zingara; Or, The Tipsy Gipsy & The Pipsy Wipsy'' was the third of W. S. Gilbert's five burlesques of opera. Described by the author as "A Whimsical Parody on ''The Bohemian Girl''", by Michael Balfe, it was produced at the Royalty Theatre, London, on 21 March 1868. As in his four other operatic parodies written early in his career, Gilbert selected operatic and popular tunes from a variety of sources, and fitted new words to them. Although he used only one tune from Balfe's original, ''The Merry Zingara'' is the burlesque in which Gilbert's libretto stays closest to the original work. The cast of characters is nearly the same, as is the plot. In his lyrics, too, Gilbert paid great attention to the speech-patterns of his originals. Although, as contemporary critics repeatedly remarked, the libretti of Gilbert's burlesques were more literate and intelligent than those of most of the genre, he nonetheless followed the conventional formula of rhyming couplets and tortuou ...
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