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Bedhaya
The bedhaya (also written as bedoyo, beḍaya and various other transliterations) ( jv, ꦧꦼꦝꦪ, translit=Bedhaya) is a sacred, ritualised Javanese dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. Along with the srimpi, the bedhaya epitomized the elegant ( jv, ꦲꦭꦸꦱ꧀, translit=alus) character of the royal court and became an important symbol of the ruler's power. The bedhaya has different forms in the two court cities, the ''bedhaya Ketawang'' in Surakarta (Solo) and the ''bedhaya Semang'' in Yogyakarta, the latter of which has not been performed for more than 20 years. The Solonese dance continues to be performed once per year on the second day of the Javanese month of Ruwah (May), to commemorate the ascension of the current Susuhunan (prince) of Surakarta. Nine females, relatives or wives of the Susuhunan, perform the dance before a private audience. An invitation to anyone outside of the inner circle of the court is a cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Javanese Dance
Javanese dance ( id, Tarian Jawa; jv, ꧋ꦠꦫꦶꦗꦮ) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate and refined. Javanese art often displays a finesse, and at the same time a serene composure which is elevated far above everything mundane. Javanese dance is usually associated with courtly, refined and sophisticated culture of the Javanese kratons, such as the ''bedhaya'' and '' srimpi'' dance. However, in a wider sense, Javanese dance also includes the dances of Javanese commoners and villagers such as '' ronggeng, tayub, reog,'' and '' jaran kepang''. Javanese dance and its discipline has different styles and philosophy compared to other Indonesian dance traditions. Unlike vigorous and expressive Balinese dance or cheerful and slightly sensual Sundanese dance, Javanese dance are commonly involving slow movements and graceful poses. Javanese dance have somewhat a meditative ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srimpi
The Srimpi ( jv, ꦱꦿꦶꦩ꧀ꦥꦶ, translit=Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. The ''srimpi'' dance is one of the classical dances of Central Java. Along with the ''bedhaya'', ''srimpi'' epitomised the elegant ( jv, script=Latn, alus) character of the royal Javanese court, becoming a symbol of the ruler's power as well as the refinement of Javanese culture. Form and movement The ''srimpi'' dance is usually performed by four female dancers, however other numbers such as two, six or eight dancers is also possible, depending on the type of ''srimpi'' being performed. Similarity in looks, height and body type among dancers is preferred to achieve better aesthetics. ''Srimpi'' demonstrate soft, slow and graceful movements, highly stylised hand positions, stances and body poses, coupled with the shoulder-baring ''kemben'' outfit, to describe elegance, modesty, refinement, beau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kangjeng Ratu Kidul
''Kanjeng Ratu Kidul'' Sundanese: ᮑᮤ ᮛᮛ ᮊᮤᮓᮥᮜ᮪, Nyai Rara Kidul) ( Javanese: ꦚꦻꦫꦫꦏꦶꦢꦸꦭ꧀, Nyi Rara Kidul) ( Balinese: ᬜᬶᬭᭀᬭᭀᬓᬶᬤᬸᬮ᭄, Nyi Rara Kidul) is a supernatural being in Indonesian folklore. She is the Queen of the Southern Sea (Indian Ocean) in Sundanese and Javanese mythology. In an older Sundanese folklore, she is a beautiful princess named Dewi Kadita who comes from the Sundanese kingdom of Pajajaran. According to Javanese beliefs, she is also the mythical spiritual consort of the Sultans of Mataram and Yogyakarta, beginning with Senopati and continuing to the present day. Names Nyai Loro Kidul spirit has many different names, which reflect the diverse stories of her origin in different sagas, legends, myths and traditional folklore. The Sundanese folk tale tells of Dewi Kadita, the beautiful daughter of the Sunda Kingdom in Western Java. Other names include Ratu Laut Selatan ("Queen of the Sout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhism
Buddhism ( , ), also known as Buddha Dharma and Dharmavinaya (), is an Indian religions, Indian religion or Indian philosophy#Buddhist philosophy, philosophical tradition based on Pre-sectarian Buddhism, teachings attributed to the Buddha. It originated in History of India, northern India as a -movement in the 5th century BCE, and Silk Road transmission of Buddhism, gradually spread throughout much of Asia via the Silk Road. It is the Major religious groups, world's fourth-largest religion, with over 520 million followers (Buddhists) who comprise seven percent of the global population. The Buddha taught the Middle Way, a path of spiritual development that avoids both extreme asceticism and hedonism. It aims at liberation from clinging and craving to things which are impermanent (), incapable of satisfying ('), and without a lasting essence (), ending the cycle of death and rebirth (). A summary of this path is expressed in the Noble Eightfold Path, a Bhavana, training of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaivism
Shaivism (; sa, शैवसम्प्रदायः, Śaivasampradāyaḥ) is one of the major Hindu traditions, which worships Shiva as the Supreme Being. One of the largest Hindu denominations, it incorporates many sub-traditions ranging from devotional dualistic theism such as Shaiva Siddhanta to yoga-orientated monistic non-theism such as Kashmiri Shaivism.Ganesh Tagare (2002), The Pratyabhijñā Philosophy, Motilal Banarsidass, , pages 16–19 It considers both the Vedas and the Agama texts as important sources of theology.Mariasusai Dhavamony (1999), Hindu Spirituality, Gregorian University and Biblical Press, , pages 31–34 with footnotesMark Dyczkowski (1989), The Canon of the Śaivāgama, Motilal Banarsidass, , pages 43–44 Shaivism developed as an amalgam of pre-Vedic religions and traditions derived from the southern Tamil Shaiva Siddhanta traditions and philosophies, which were assimilated in the non-Vedic Shiva-tradition. In the process of Sanskritisa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clockwise
Two-dimensional rotation can occur in two possible directions. Clockwise motion (abbreviated CW) proceeds in the same direction as a clock's hands: from the top to the right, then down and then to the left, and back up to the top. The opposite sense of rotation or revolution is (in Commonwealth English) anticlockwise (ACW) or (in North American English) counterclockwise (CCW). Terminology Before clocks were commonplace, the terms " sunwise" and "deasil", "deiseil" and even "deocil" from the Scottish Gaelic language and from the same root as the Latin "dexter" ("right") were used for clockwise. "Widdershins" or "withershins" (from Middle Low German "weddersinnes", "opposite course") was used for counterclockwise. The terms clockwise and counterclockwise can only be applied to a rotational motion once a side of the rotational plane is specified, from which the rotation is observed. For example, the daily rotation of the Earth is clockwise when viewed from above the South ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Circumambulation
Circumambulation (from Latin ''circum'' around and ''ambulātus ''to walk) is the act of moving around a sacred object or idol. Circumambulation of temples or deity images is an integral part of Hindu and Buddhist devotional practice (known in Sanskrit as '' pradakśiṇā''). It is also present in other religions, including Christianity, Judaism, and Islam. Hinduism In many Hindu temples, the temple structure reflects the symbolism of the Hindu association of the spiritual transition from daily life to spiritual perfection as a journey through stages. Passageways for circumambulation are present through which worshipers move in a clockwise direction, starting at the sanctuary doorway and moving inward toward the inner sanctum where the deity is enshrined. This is a translation of the spiritual concept of transition through levels in life into bodily movements by the worshipers as they move inwardly through ambulatory halls to the most sacred centre of spiritual energy of the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pendopo
A pendhapa or pandhapa ( Javanese: ꦥꦼꦤ꧀ꦝꦥ or ꦥꦤ꧀ꦝꦥ, Indonesian spelling: pendapa, nonstandard spelling: pendopo) is a fundamental element of Javanese architecture unique in the southern central part of Java; a large pavilion-like structure built on columns. Either square or rectangular in plan, it is open on all sides and provides shelter from the sun and rain, but allows breeze and indirect light. The word ''pendhapa'' is cognate to the Sanskrit word '' mandapa'' ("hall"). The Dutch writer Multatuli in his colonial reformist novel ''Max Havelaar'' described the pendhapa thus: "After a broad-brimmed hat, an umbrella, or a hollow tree, a 'pendoppo' icis certainly the most simple representation of the idea 'roof'." Derived from ancient Javanese architectural elements, pendhapa are common ritual spaces primarily intended for ceremony, and also for a purposes such as receiving guests in the compounds of wealthy Javanese, and even as cottage industry work spac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vishnu
Vishnu ( ; , ), also known as Narayana and Hari, is one of the principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism. Vishnu is known as "The Preserver" within the Trimurti, the triple deity of supreme divinity that includes Brahma and Shiva.Gavin Flood, An Introduction to Hinduism' (1996), p. 17. In Vaishnavism, Vishnu is the supreme being who creates, protects, and transforms the universe. In the Shaktism tradition, the Goddess, or Adi Shakti, is described as the supreme Para Brahman, yet Vishnu is revered along with Shiva and Brahma. Tridevi is stated to be the energy and creative power ( Shakti) of each, with Lakshmi being the equal complementary partner of Vishnu. He is one of the five equivalent deities in Panchayatana puja of the Smarta tradition of Hinduism. According to Vaishnavism, the highest form of Ishvara is with qualities (Saguna), and have certain form, but is limit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wayang
, also known as ( jv, ꦮꦪꦁ, translit=wayang), is a traditional form of puppet theatre play originating from the Indonesian island of Java. refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as . Performances of wayang puppet theatre are accompanied by a '' gamelan'' orchestra in Java, and by ''gender wayang'' in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the ''Ramayana'' and the ''Mahabharata'', as well as local adaptations of cultural legends. Traditionally, a is played out in a ritualized midnight-to-dawn show by a ''dalang'', an artist and spiritual leader; people watch the show from both sides of the screen. performances are still very popular among Indonesians, especially in the islands of Java and Bali. performances are usually held at certain rituals, certain ceremonies, certain events, and even tourist attractions. In ritual contexts, puppet shows are used for prayer rituals (held in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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