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Beautiful Trauma
'' Beautiful Trauma'' is the seventh studio album by American singer-songwriter Pink (singer), Pink. It was released on October 13, 2017, by RCA Records. Following ''The Truth About Love (Pink album), The Truth About Love'', Pink took a career hiatus to focus on her personal life and become reinspired. ''Beautiful Trauma'' developed over a three-year period starting in 2015. The singer collaborated with a variety of producers, enlisting help from collaborators such as Greg Kurstin, Max Martin, Jack Antonoff, and Shellback (record producer), Shellback. Pink and her manager, Roger Davies (manager), Roger Davies, served as the album's executive producers. Primarily a Pop music, pop record, it also incorporates influences from Electronic dance music, EDM and Folk music, folk music. The lyrical content reflects primarily on themes of love, heartbreak, and the duality of life, as well as expressing societal and global issues. ''Beautiful Trauma'' received mixed reviews from Music jour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pink (singer)
Alecia Beth Moore Hart (born September 8, 1979), known professionally as Pink (stylized as P!nk), is an American singer, songwriter, actress and dancer. She was originally a member of the girl group Choice. In 1995, LaFace Records saw potential in Pink and offered her a solo recording contract. Her R&B-influenced debut studio album ''Can't Take Me Home'' (2000) was certified double-platinum in the United States and spawned two ''Billboard'' Hot 100 top-ten songs: "There You Go" and " Most Girls". She gained further recognition with the collaborative single "Lady Marmalade" from the ''Moulin Rouge!'' soundtrack, which topped many charts worldwide. Refocusing her sound to pop rock with her second studio album ''Missundaztood'' (2001), the album sold more than 13 million copies worldwide and yielded the international hit songs "Get the Party Started", "Don't Let Me Get Me", and "Just Like a Pill". While Pink's third studio album, ''Try This'' (2003), sold significantly less than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beautiful Trauma (song)
"Beautiful Trauma" is a song by American singer Pink. She co-wrote the track with its producer Jack Antonoff. It was released through RCA Records on September 28, 2017, as the first promotional single from Pink's seventh studio album, ''Beautiful Trauma'' (2017). The song was released to American contemporary hit radio as the second official single of the album on November 21, 2017. It has reached number one on Danish, German, and Polish radio. Release Alongside the announcement of the track on Twitter, Pink explained her reasoning for the title of the album: "life is fucking traumatic. But it's also incredibly beautiful, too. There's a lot of beauty still and beautiful souls." The song was released on September 28, 2017, as a promotional single for her album, ''Beautiful Trauma''. The song impacted BBC Radio 1 BBC Radio 1 is a British national radio station owned and operated by the BBC. It specialises in modern popular music and current chart hits throughout the day. The s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lead Single
A lead single (also known as a debut single) is the first single to be released from a studio album by an artist or a band, usually before the album itself is released and also occasionally on the same day of the album's release date. Release strategies Artists often choose songs that are more up-tempo, yet representative of the album's sound, as lead singles. Such songs are often catchier and attract the attention of listeners. The subsequent single might then be slower in tempo, in order to demonstrate the range of the album. Female vocalists like Mariah Carey and Christina Aguilera often maintain a formula of an up-tempo first lead single with a slow ballad follow-up. For example, two singles were released by Miley Cyrus before her album ''Bangerz'' - an up-tempo track called, "We Can't Stop" was released as the first single, and a slow-ballad song, "Wrecking Ball" as the second. This was a successful practice of 1980s heavy metal bands. Girls Aloud chose to use " The Show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
International Federation Of The Phonographic Industry
The International Federation of the Phonographic Industry (IFPI) is the organisation that represents the interests of the recording industry worldwide. It is a non-profit members' organisation registered in Switzerland and founded in Italy in 1933 by Francesco Braga. It operates a secretariat based in London, with regional offices in Brussels, Hong Kong, Miami, Abu Dhabi, Singapore and Nairobi. Function IFPI's mission is to promote the value of recorded music, campaign for record producer rights, and expand the commercial uses of recorded music. Its services to members include a legal policy programme, litigation, content protection, sales reporting for the recorded music market, insight and analysis and work in the areas of performance rights, technology and trade. Structure IFPI is governed by its Main Board, a group including representatives from across the organisation's members (including major and independent record labels), representatives from certain IFPI National Grou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Largest Recorded Music Markets
The world's largest recorded music markets are listed annually by the International Federation of the Phonographic Industry (IFPI). The ranking is based on retail value (rather than units) each market generates respectively per year; retail value generated by each market varies from year to year. As all financial data is given in US dollars, annual rates of change for all countries other than the United States are heavily influenced by exchange rate fluctuations, as well as by actual changes in revenue in local currency terms. It is important to note that the information presented in this page only accounts for revenue generated from the recorded music industry (recorded music and auxiliary revenues generated by these recordings), and is not reflective of the entirety of the music industry, including sectors such as publishing, live music, etc. The United States has remained the biggest market for recorded music in IFPI history, except in 2010 when Japan topped the list. The larg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and 202 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RIAA Certification
In the United States, the Recording Industry Association of America (RIAA) awards certification based on the number of albums and singles sold through retail and other ancillary markets.RIAA certification criteria Retrieved on September 11, 2006 Other countries have similar awards (see music recording certification). Certification is not automatic; for an award to be made, the must first request certification. The audit is conducted against net shipments after returns (most often an artist's royalty s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album-equivalent Unit
The album-equivalent unit, or album equivalent, is a measurement unit in music industry to define the consumption of music that equals the purchase of one album copy. This consumption includes streaming and song downloads in addition to traditional album sales. The album-equivalent unit was introduced in the mid- 2010s as an answer to the drop of album sales in the 21st century. Album sales more than halved from 1999 to 2009, declining from a $14.6 to $6.3 billion industry. For instance, the only albums that went platinum in the United States in 2014 were the '' Frozen'' soundtrack and Taylor Swift's ''1989'', whereas several artists' works had in 2013. The usage of the album-equivalent units revolutionized the charts from the "best-selling albums" ranking into the "most popular albums" ranking. The International Federation of the Phonographic Industry (IFPI) have used album-equivalent unit to measure their Global Recording Artist of the Year since 2013. Terminology The ter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of The Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that has be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Music
Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by custom over a long period of time. It has been contrasted with commercial and classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith in the 1960s. This form of music is sometimes called contemporary folk music or folk rev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
