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Bass House (genre)
A : Emphasizes a repetitive, hypnotic and trance-like style, often with samples or spoken lines instead of lyrics. It has core electronic "squelch" sounds that were developed around the mid-1980s, particularly by DJs from Chicago who experimented with the Roland TB-303 electronic synthesizer-sequencer. See also: Chicago house. : African music mixed with a house beat. Afro house is a subgenre of house music, with its roots predominantly in South Africa. A fusion of kwaito, tribal, deep and soulful house music, in South Africa, it is classed as deep house or soulful house, although it has its own unique sound and is reflected in the musical style – particularly in the "stripped back" original percussion sounds and rhythms of South African culture. House music in South Africa was popularized before the end of Apartheid. Along with the rise of kwaito music, house music spread among the South African underground music scene in big cities like Johannesburg. : Amapian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just "acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago producers DJ Pierre of Phuture and Sleezy D. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Roland TB-303 ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balearic Beat
Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s. It later became the name of a more specific style of electronic dance music that was popular into the mid-1990s. Balearic beat was named for its popularity among European nightclub and beach rave patrons on the Balearic island of Ibiza, a popular tourist destination. Some dance music compilations referred to it as "the sound of Ibiza", even though many other, more aggressive and upbeat forms of dance music could be heard on the island, such as Balearic trance. History This style was popularized at Amnesia, an Ibizan nightclub, by DJ Alfredo from Argentina, who had a residency there. DJ Alfredo, whose birth name is Alfredo Fiorito, has been credited as the "Father of the Balearic beat". Alfredo played an eclectic mix of dance music with his style encompassing the indie hypno grooves of the Woodentops, the mystic rock ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tchami
Martin Joseph Léonard Bresso (; born 12 May 1985), better known by his stage name Tchami (), is a French record producer and DJ from Paris. A founding member of the Pardon My French collective, he is best known for his solo work and regarded as a pioneer of the future house genre alongside Dutch DJs Oliver Heldens and Don Diablo. When asked about the origins of his name Tchami, the French artist explained, "I used to travel a lot across Europe and Africa these past five years. Tchami is a name that has been given to me in Africa which is an honor. Fortunately it sounded catchy to me, so I kept it. That's all folks." Tchami often performs with the persona of a priest and a church theme. He wears a clerical collar and includes visuals such as an altar and stained glass windows. In an interview he explained that "it is my message, being spiritual. I think my music is about that too.". Musical style Tchami most commonly produces music he has called future house. Tchami has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tech House
Tech house is a subgenre of house music that combines stylistic features of techno with house. The term ''tech house'' developed as a shorthand record store name for a category of electronic dance music that combined musical aspects of techno, such as "rugged basslines" and "steely beats," with the harmonies and grooves of progressive house.Aaron, Charles (2000), "Whose House? Tech-house and the quest for dance music's post-rave soul, ''Spin,'' October 2000.Bogdanov, Vladimir (2001), ''All Music Guide to Electronica: The Definitive Guide to Electronic Music,'' Backbeat Books, UK; 4th Revised edition, (page xiv). The music originally had a clean and minimal production style that was associated with techno from Detroit and the UK. In the mid to late 1990s, a scene developed in England around club nights such as The Drop run by the former Shamen rapper Mr C (Richard West) & Paul "Rip" Stone (co-founder with West of Plink Plonk), Heart & Soul and Wiggle run by Terry Francis and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Bass
UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, UK garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm. UK bass is sometimes conflated with bassline or post-dubstep. It is not to be confused with the hip hop and electro-based genre Miami bass, which is sometimes called "bass music" as well. Origins The breadth of styles that have come to be associated with the term preclude it from being a specific musical genre. ''Pitchfork'' writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas ... you can't dismiss all these acts as u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim (EDM)
Riddim is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim had started to gain mainstream presence in the electronic music scene around 2015. Despite receiving criticism for its sometimes repetitive drops, it has grown in popularity due to various well-known electronic music DJs playing songs of the subgenre in their live sets as well as various well-known electronic music artists producing the genre. History Origins and evolution The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm", with the genre sharing a name with the genre it is primarily derived from. The derived genre originally stemmed from ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Go-Go
Go-go is a music subgenre, subgenre of funk music with an emphasis on specific rhythmic patterns, and live audience Call and response (music), call and response. Go-go was originated by African-American musicians in the Washington, D.C. area during the mid-60s to late-70s. Go-go has limited popularity in other areas, but maintains a devoted audience in the Washington metropolitan area, Washington, D.C. metropolitan area as a uniquely regional music style and was named the official music of Washington, D.C. in February 2020. Performers associated with the development of the style include Young Senators, Trouble Funk, Black Heat, and singer-guitarist Chuck Brown. In the 1990s and 2000s, hip hop music, hip-hop increasingly influenced go-go. However, there is also a Retro style, retro movement going back to its original style of marathon sessions incorporating popular contemporary R&B songs. Description In technical terms, "go-go's essential beat is characterized by a five throug ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music genre that combines rhythm and blues with elements of pop, soul, funk, hip hop, and electronic music. The genre features a distinctive record production style, drum machine-backed rhythms, pitch corrected vocals, and a smooth, lush style of vocal arrangement. Electronic influences are becoming an increasing trend and the use of hip hop or dance-inspired beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music and pop culture and pop music. Pre-history According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of &Bin ways that haven't been equaled since". This movement was led by soul singer-songwriter/producers such as Curtis Mayfield, Marvin Gaye, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miami Bass
Miami bass (booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds and Overtown". Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of hip hop, dance music, and pop. History 1980s (origins) During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Sight Record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghetto House
Ghetto house or booty house is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards. It features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics. The template of classic Chicago house music (primarily, "It's Time for the Percolator" by Cajmere) was used with the addition of sexual lyrics. It has usually been made on minimal equipment with little or no effects. It usually features either a " 4-to-the-floor" kick drum or beat-skipping kick drums such as those found in the subgenre "juke" (full sounding, but not too long or distorted) along with Roland 808 and 909 synthesized tom-tom sounds, minimal use of analogue synths, and short, slightly dirty sounding (both sonically and lyrically) vocals samples, often repeated in various ways. Also common are 808 and 909 clap sounds, and full " rapped" verses and choruses. Ghetto house music artists include: DJ Deeon, Jammin' Gerald, DJ Funk, DJ Milt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baltimore Club
Baltimore club, also called Bmore club, Bmore house or simply Bmore, is a fusion of breakbeat and house genres. It is often referred to as a blend of hip hop and chopped, staccato house music. It was created in Baltimore, Maryland, United States in the early 1990s by 2 Live Crew's Luther Campbell, Frank Ski, Miss Tony (known as Big Tony after he stopped presenting in drag), Scottie B. and DJ Spen. Baltimore club is based on an 8/4 beat structure, and includes tempos around 130 beats per minute. It combines repetitive, looped vocal snippets similar to trap, bounce, ghetto house and ghettotech. Baltimore club is a sample-based form of breakbeat. Samples used include theme songs from shows like ''Sanford and Son'', ''SpongeBob SquarePants'' and ''Elmo's World''. The instrumental tracks include heavy breakbeats and call and response stanzas similar to those found in the go-go music of Washington, D.C. The most prominent breakbeats sampled include "Sing Sing" by disco band Gaz and "T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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