Basilica Di San Simpliciano
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Basilica Di San Simpliciano
The Basilica of San Simpliciano is a church in the centre of Milan, Italy northern, the second oldest in the form of a Latin cross, first erected by Saint Ambrose. It is dedicated to Saint Simplician, bishop of Milan. History The site of the present church was occupied in the 3rd century AD by a pagan cemetery. There St. Ambrose began the construction of the ''Basilica Virginum'' ("Basilica of the Virgins"), which was finished by his successor Simplicianus, who was buried there. A brick with the mark of the Lombard King Agilulf shows that repairs were made between 590 and 615 AD. In the ninth century the Cluniac Benedictines took possession of the church. In 1176 the church became famous when, according to the legend, the bodies of the martyrs housed here flew as doves to the field of Legnano, landing on the City's Carroccio, (a ceremonial war waggon) as a sign of the imminent victory against Frederick Barbarossa's army. When the building was modified between the 12t ...
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Milan
Milan ( , , Lombard: ; it, Milano ) is a city in northern Italy, capital of Lombardy, and the second-most populous city proper in Italy after Rome. The city proper has a population of about 1.4 million, while its metropolitan city has 3.26 million inhabitants. Its continuously built-up urban area (whose outer suburbs extend well beyond the boundaries of the administrative metropolitan city and even stretch into the nearby country of Switzerland) is the fourth largest in the EU with 5.27 million inhabitants. According to national sources, the population within the wider Milan metropolitan area (also known as Greater Milan), is estimated between 8.2 million and 12.5 million making it by far the largest metropolitan area in Italy and one of the largest in the EU.* * * * Milan is considered a leading alpha global city, with strengths in the fields of art, chemicals, commerce, design, education, entertainment, fashion, finance, healthcar ...
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Mullioned
A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. It is also often used as a division between double doors. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are called transoms. History Stone mullions were used in Armenian, Saxon and Islamic architecture prior to the 10th century. They became a common and fashionable architectural feature across Europe in Romanesque architecture, with paired windows divided by a mullion, set beneath a single arch. The same structural form was used for open arcades as well as windows, and is found in galleries and cloisters. In Gothic architecture windows became larger and arrangements of multiple mullions and openings were used, both for structure and o ...
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Basilica Churches In Milan
In Ancient Roman architecture, a basilica is a large public building with multiple functions, typically built alongside the town's forum. The basilica was in the Latin West equivalent to a stoa in the Greek East. The building gave its name to the architectural form of the basilica. Originally, a basilica was an ancient Roman public building, where courts were held, as well as serving other official and public functions. Basilicas are typically rectangular buildings with a central nave flanked by two or more longitudinal aisles, with the roof at two levels, being higher in the centre over the nave to admit a clerestory and lower over the side-aisles. An apse at one end, or less frequently at both ends or on the side, usually contained the raised tribunal occupied by the Roman magistrates. The basilica was centrally located in every Roman town, usually adjacent to the forum and often opposite a temple in imperial-era forums. Basilicas were also built in private residences and ...
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Early Christian Churches In Milan
Early Christian churches in Milan are the first churches built immediately after the Edict of Milan (Edictum Mediolanense) in February 313, issued by Constantine the Great and Licinius, which granted tolerance and religious liberty to Christianity within the Roman Empire. Historical and artistic context Ever since the fall of the Severan dynasty, which ruled the Roman Empire between 193 and 235, rivals for the imperial throne had bid for support by either favouring or persecuting Christians. During the following period known as the crisis of the Third Century (AD 235–284) the Roman Empire nearly collapsed under the combined pressures of invasion, civil war, plague, and economic depression. The Crisis began with the assassination of Emperor Alexander Severus at the hands of his own troops, initiating a fifty-year period in which 20–25 claimants to the title of Emperor, mostly prominent Roman army generals, assumed imperial power over all or part of the Empire. During the Ci ...
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Ambrogio Bergognone
Ambrogio Borgognone (variously known as ''Ambrogio da Fossano'', ''Ambrogio di Stefano da Fossano'', ''Ambrogio Stefani da Fossano'' or as ''il Bergognone'' or ''Ambrogio Egogni''Dizionario biografico universal
By Gottardo Garollo, 1907, page 727. s1523/1524) was an Italian painter of the period active in and near .


Biography

While he was nearly contemporary with , he painted in a style more akin to the pre-Renaissance, Lomb ...
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Camillo Procaccini
300px, ''Nativity'' by Camillo Procaccini Camillo Procaccini (3 March 1561 at Parma – 21 August 1629) was an Italian painter. He has been posthumously referred to as the ''Vasari of Lombardy'', for his prolific Mannerist fresco decoration. Born in Bologna, he was the son of the painter Ercole Procaccini the Elder, and older brother to Giulio Cesare and Carlo Antonio, both painters. Works In 1587 he distinguished in the fresco decoration of the Basilica della Ghiara in Reggio Emilia. In the late 1580s he moved to Milan, where count Camillo Visconti Borromeo commissioned him the decoration of his villa in Lainate. The organ shutters for the Cathedral of Milan were painted after 1590 by Camillo, Giuseppe Meda (died 1599), and Ambrogio Figino. He painted the frescoes of the nave and the apse of the Cathedral of Piacenza in collaboration with Ludovico Carracci Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early-Baroque painter, etch ...
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Marriage Of The Virgin
The Marriage of the Virgin is the subject in Christian art depicting the marriage of the Virgin Mary and Saint Joseph. The marriage is not mentioned in the canonical Gospels but is covered in several apocryphal sources and in later redactions, notably the 14th century compilation the ''Golden Legend''. Unlike many other scenes in Life of the Virgin cycles (like the Nativity of Mary and Presentation of Mary), it is not a feast in the church calendar, though it sometimes has been in the past. In the Eastern Orthodox tradition, essentially the same scene, with very similar iconography, is considered to represent the earlier scene of the "Entrusting of Mary to Joseph", with Joseph being made Mary's guardian by the temple authorities. In art the subject could be covered in several different scenes, and the betrothal of Mary, with Joseph's blossoming rod, was often shown, despite its apocryphal origin. The wedding procession may also be shown, especially in the Early Medieval perio ...
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Rhaetian Alps
The Rhaetian Alps ( it, Alpi Retiche; german: Rätische Alpen) are a mountain range of the Eastern Alps. The SOIUSA classification system divides them into the Western and Eastern Rhaetian Alps, while the Alpine Club classification of the Eastern Alps places most of the Rhaetian subranges within the Western Limestone Alps. They are located along the Italian–Swiss and Austrian–Swiss borders, in the canton of Graubünden in eastern Switzerland; in the state of Tyrol in Austria; and in the Italian regions of Trentino-Alto Adige and Lombardy. The name relates to a Roman province and the Rhaetian people subdued under Emperor Augustus in 15 BC. Geography The Rhaetian Alps contain these subranges: #Albula Range #Bernina Range # Brenta group # Bregaglia Range # Ortler Alps #Rätikon #Silvretta The highest peak in the range is Piz Bernina at , located in Grisons/Graubünden canton, Switzerland, adjacent to the Italian border. The Swiss National Park is located in the Western Rha ...
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Migne
Jacques Paul Migne (; 25 October 1800 – 24 October 1875) was a French priest who published inexpensive and widely distributed editions of theological works, encyclopedias, and the texts of the Church Fathers, with the goal of providing a universal library for the Catholic priesthood. The '' Patrologia Latina'' and the ''Patrologia Graeca'' (along with the '' Monumenta Germaniae Historica'') are among the great 19th century contributions to the scholarship of patristics and the Middle Ages. Within the Roman Catholic Church, Migne's editions put many original texts for the first time into the hands of the priesthood. Biography Migne was born in Saint-Flour, Cantal and studied theology at the University of Orléans. He was ordained in 1824 and placed in charge of the parish of Puiseaux, in the diocese of Orléans, where his uncompromisingly Catholic and royalist sympathies did not coincide with local patriotism and the new regime of the Citizen-King. In 1833, after fallin ...
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Maximus Of Turin
Maximus of Turin ( it, San Massimo; ( c.380 – c.465) is the first known Christian bishop of Turin. He was a theological writer who "made a great contribution to the spread and consolidation of Christianity in Northern Italy". Life Maximus is believed to have been a native of Rhaetia (modern day Northern Italy). He was a disciple of Ambrose of Milan and Eusebius of Vercelli. Gennadius of Massilia described Maximus as a profound student of scripture and a learned preacher. Maximus mentions in a sermon that in 397 he witnessed, at Anaunia in the Rhaetian Alps, the martyrdom of Sisinnius, Martyrius, and Alexander, three missionary bishops, whom Ambrose had sent to assist Vigilius at Trento. In 398 he was bishop of Turin, then a suffragan see of Milan. During his tenure, Turin was threatened with barbarian incursions; the city was filled with soldiers and refugees seeking safety behind its walls. He chided the landowners, who had fine houses in the city and estates in the country, ...
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Sacellum
In ancient Roman religion, a ''sacellum'' is a small shrine. The word is a diminutive from ''sacrum'' (neuter of ''sacer'', "belonging to a god"). The numerous ''sacella'' of ancient Rome included both shrines maintained on private properties by families, and public shrines. A ''sacellum'' might be square or round. Varro and Verrius Flaccus describe ''sacella'' in ways that at first seem contradictory, the former defining a ''sacellum'' in its entirety as equivalent to a ''cella'', which is specifically an enclosed space, and the latter insisting that a ''sacellum'' had no roof. "Enclosure," however, is the shared characteristic, roofed over or not. "The ''sacellum''," notes Jörg Rüpke, "was both less complex and less elaborately defined than a temple proper." The meaning can overlap with that of ''sacrarium'', a place where sacred objects ''(sacra)'' were stored or deposited for safekeeping. The ''sacella'' of the Argei, for instance, are also called ''sacraria''. In private ho ...
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Coronation Of Mary
The Coronation of the Virgin or Coronation of Mary is a subject in Christian art, especially popular in Italy in the 13th to 15th centuries, but continuing in popularity until the 18th century and beyond. Christ, sometimes accompanied by God the Father and the Holy Spirit in the form of a dove, places a crown on the head of Mary as Queen of Heaven. In early versions the setting is a Heaven imagined as an earthly court, staffed by saints and angels; in later versions Heaven is more often seen as in the sky, with the figures seated on clouds. The subject is also notable as one where the whole Christian Trinity is often shown together, sometimes in unusual ways. Crowned Virgins are also seen in Eastern Orthodox Christian icons, specifically in the Russian Orthodox church after the 18th century. Mary is sometimes shown, in both Eastern and Western Christian art, being crowned by one or two angels, but this is considered a different subject. The subject became common as part of a ge ...
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