Barytone
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Barytone
In Ancient Greek grammar, a barytone is a word without any accent on the last syllable. Words with an acute or circumflex on the second-to-last or third-from-last syllable are barytones, as well as words with no accent on any syllable: *τις "someone" (unaccented) *ἄνθρωπος "person" (proparoxytone) *μήτηρ "mother" (paroxytone) *μοῦσα "muse" (properispomenon) Like the word baritone, it comes from Ancient Greek ''barýtonos'', from ''barýs'' "heavy", "low" and ''tónos'' "pitch", "sound". See also *Ultima (linguistics) *Pitch accent References Herbert Weir Smyth Herbert Weir Smyth (August 8, 1857 – July 16, 1937) was an American classical scholar. His comprehensive grammar of Ancient Greek has become a standard reference on the subject in English, comparable to that of William Watson Goodwin, whom he s .... ''Greek Grammar''paragraph 158 Phonology Greek grammar Ancient Greek {{AncientGreek-lang-stub ...
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Ultima (linguistics)
In linguistics, the ultima is the last syllable of a word, the penult is the next-to-last syllable, and the antepenult is third-from-last syllable. In a word of three syllables, the names of the syllables are antepenult-penult-ultima. Etymology Ultima comes from Latin ''ultima (syllaba)'' "last (syllable)". Penult and antepenult are abbreviations for ''paenultima'' and ''antepaenultima''. Penult has the prefix ''paene'' "almost", and antepenult has the prefix ''ante'' "before". Classical languages In Latin and Ancient Greek, only the three last syllables can be accented. In Latin, a word's stress is dependent on the weight or length of the penultimate syllable; in Greek, the place and type of accent is dependent on the length of the vowel in the ultima. See also *Pitch accent **Acute accent ***Oxytone, paroxytone, proparoxytone **Circumflex ***Perispomenon, properispomenon **Grave accent ***Barytone *Rhyme *Stress (linguistics) *Syllable References *Herbert Weir Smyth Herber ...
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Proparoxytone
In linguistics, a proparoxytone ( el, προπαροξύτονος, ) is a word with stress on the antepenultimate (third last) syllable, such as the English words "cinema" and "operational". Related terms are paroxytone (stress on the penultimate syllable) and oxytone (stress on the last syllable). In English, most nouns of three or more syllables are proparoxytones, except in words ending in ''–tion'' or ''–sion'', which tend to be paroxytones (''operation'', ''equivocation''). This tendency is so strong in English that it frequently leads to the stress on derived words being on different part of the root. For example, the root photograph gives rise to the nouns photography and photographer, ''family'' → ''familiar'' and ''familial''. (In many dialects of English, the ''i'' in ''family'' is even deleted entirely, and still has the stress in ''familial'' and ''familiar.'') In medieval Latin lyric poetry, a ''proparoxytonic'' line or half-line is one where the antepenultimat ...
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Paroxytone
Paroxytone ( el, παροξύτονος, ') is a linguistic term for a word with stress on the penultimate syllable, that is, the second last syllable, such as the English word ''potáto'', and just about all words ending in –ic such as músic, frántic, and phonétic; except for rhétoric, aríthmetic (noun) and Árabic. In Italian and Portuguese, most words have paroxytonic stress. In Polish, almost all words have paroxytonic stress, except for certain verb conjugations and a few words of foreign origin. In medieval Latin lyric poetry, a ''paroxytonic'' line or half-line is one in which the penultimate syllable is stressed, as in the second half of the verse "Estuans intrinsecus , , ira vehementi." Related terms are proparoxytone (stress on the third last syllable) and oxytone (accented on the last syllable). See also *Barytone *Oxytone *Penult *Perispomenon * Preantepenult *Proparoxytone *Properispomenon *Ultima (syllable) *Stress (linguistics) In linguistics, an ...
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Baritone
A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice-types. The term originates from the Greek (), meaning "heavy sounding". Composers typically write music for this voice in the range from the second F below middle C to the F above middle C (i.e. F2–F4) in choral music, and from the second A below middle C to the A above middle C (A2 to A4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French sacred polyphonic music. At this early stage it was frequently used as the lowest of the voices (including the bass), but in 17th-century Italy the term was all-encompassing and used to describe the averag ...
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Ultima (linguistics)
In linguistics, the ultima is the last syllable of a word, the penult is the next-to-last syllable, and the antepenult is third-from-last syllable. In a word of three syllables, the names of the syllables are antepenult-penult-ultima. Etymology Ultima comes from Latin ''ultima (syllaba)'' "last (syllable)". Penult and antepenult are abbreviations for ''paenultima'' and ''antepaenultima''. Penult has the prefix ''paene'' "almost", and antepenult has the prefix ''ante'' "before". Classical languages In Latin and Ancient Greek, only the three last syllables can be accented. In Latin, a word's stress is dependent on the weight or length of the penultimate syllable; in Greek, the place and type of accent is dependent on the length of the vowel in the ultima. See also *Pitch accent **Acute accent ***Oxytone, paroxytone, proparoxytone **Circumflex ***Perispomenon, properispomenon **Grave accent ***Barytone *Rhyme *Stress (linguistics) *Syllable References *Herbert Weir Smyth Herber ...
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Ancient Greek Grammar
Ancient Greek grammar is morphologically complex and preserves several features of Proto-Indo-European morphology. Nouns, adjectives, pronouns, articles, numerals and especially verbs are all highly inflected. A complication of Greek grammar is that different Greek authors wrote in different dialects, all of which have slightly different grammatical forms (see Ancient Greek dialects). For example, the history of Herodotus and medical works of Hippocrates are written in Ionic, the poems of Sappho in Aeolic, and the odes of Pindar in Doric; the poems of Homer are written in a mixed dialect, mostly Ionic, with many archaic and poetic forms. The grammar of Koine Greek (the Greek lingua franca spoken in the Hellenistic and later periods) also differs slightly from classical Greek. This article primarily discusses the morphology and syntax of Attic Greek, that is the Greek spoken at Athens in the century from 430 BC to 330 BC, as exemplified in the historical works of Thucydides and X ...
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Pitch Accent
A pitch-accent language, when spoken, has word accents in which one syllable in a word or morpheme is more prominent than the others, but the accentuated syllable is indicated by a contrasting pitch ( linguistic tone) rather than by loudness (or length), as in many languages, like English. Pitch-accent also contrasts with fully tonal languages like Vietnamese and Standard Chinese, in which each syllable can have an independent tone. Some have claimed that the term "pitch accent" is not coherently defined and that pitch-accent languages are just a sub-category of tonal languages in general. Languages that have been described as pitch-accent languages include: most dialects of Serbo-Croatian, Slovene, Baltic languages, Ancient Greek, Vedic Sanskrit, Tlingit, Turkish, Japanese, Norwegian, Swedish (but not in Finland), Western Basque,Hualde, J.I. (1986)"Tone and Stress in Basque: A Preliminary Survey"(PDF). ''Anuario del Seminario Julio de Urquijo'' XX-3, 1986, pp. 867-896. Yaq ...
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Syllable
A syllable is a unit of organization for a sequence of speech sounds typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants). Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic metre and its stress patterns. Speech can usually be divided up into a whole number of syllables: for example, the word ''ignite'' is made of two syllables: ''ig'' and ''nite''. Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing". A word that consists of a single syllable (like English ''dog'') is called a monosyllable (and is said to be ''monosyllabic''). Similar terms include disyllable (and ''disyllabic''; also '' ...
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Circumflex
The circumflex () is a diacritic in the Latin and Greek scripts that is also used in the written forms of many languages and in various romanization and transcription schemes. It received its English name from la, circumflexus "bent around"a translation of the el, περισπωμένη (). The circumflex in the Latin script is chevron-shaped (), while the Greek circumflex may be displayed either like a tilde () or like an inverted breve (). For the most commonly encountered uses of the accent in the Latin alphabet, precomposed characters are available. In English, the circumflex, like other diacritics, is sometimes retained on loanwords that used it in the original language (for example, ''crème brûlée''). In mathematics and statistics, the circumflex diacritic is sometimes used to denote a function and is called a ''hat operator''. A free-standing version of the circumflex symbol, , has become known as ''caret'' and has acquired special uses, particularly in computing ...
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Properispomenon
In Ancient Greek grammar, a perispomenon () is a word with a high-low pitch contour on the last syllable, indicated in writing by a circumflex accent mark (). A properispomenon has the same kind of accent, but on the penultimate syllable. Examples: *, ''theoû'', "of a god", is a perispomenon * ''prâxis'' "business" is a properispomenon Etymology ''Peri-spṓmenon'' means "pronounced with a circumflex", the neuter of the present passive participle of ''peri-spáō'' "pronounce with a circumflex" (also "draw off"). ''Pro-peri-spṓmenon'' adds the prefix ''pró'' "before".. is the Greek name for the accent mark (). See also *Greek diacritics **Circumflex *Pitch accent *Ultima (linguistics) *Tone (linguistics) Tone is the use of pitch in language to distinguish lexical or grammatical meaning – that is, to distinguish or to inflect words. All verbal languages use pitch to express emotional and other paralinguistic information and to convey empha ... Refere ...
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Ancient Greek
Ancient Greek includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Dark Ages (), the Archaic period (), and the Classical period (). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form approaches Medieval Greek. There were several regional dialects of Ancient Greek, of which Attic Greek developed into Koine. Dia ...
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Pitch Accent
A pitch-accent language, when spoken, has word accents in which one syllable in a word or morpheme is more prominent than the others, but the accentuated syllable is indicated by a contrasting pitch ( linguistic tone) rather than by loudness (or length), as in many languages, like English. Pitch-accent also contrasts with fully tonal languages like Vietnamese and Standard Chinese, in which each syllable can have an independent tone. Some have claimed that the term "pitch accent" is not coherently defined and that pitch-accent languages are just a sub-category of tonal languages in general. Languages that have been described as pitch-accent languages include: most dialects of Serbo-Croatian, Slovene, Baltic languages, Ancient Greek, Vedic Sanskrit, Tlingit, Turkish, Japanese, Norwegian, Swedish (but not in Finland), Western Basque,Hualde, J.I. (1986)"Tone and Stress in Basque: A Preliminary Survey"(PDF). ''Anuario del Seminario Julio de Urquijo'' XX-3, 1986, pp. 867-896. Yaq ...
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