Bartolomeo Passerotti
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Bartolomeo Passerotti
Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto. Life and work From approximately 1550 to 1555, he lived in Rome, where he worked under Giacomo Barozzi da Vignola and Taddeo Zuccari. Upon returning to Bologna, he established a large studio and, from 1564 tp 1565, was engaged in painting a large altarpiece for the Basilica of San Giacomo Maggiore. In his later work, he turned to Tuscan models, such as Giorgio Vasari and Prospero Fontana. His last known work was ''The Presentation of Mary in the Temple'', from 1583, now at the Pinacoteca Nazionale di Bologna. He influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passerotti) was influenced by Passerotti's genre scenes in a select set of paintings (such as '' The Beaneater'' and '' The Butcher's S ...
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Bologna
Bologna (, , ; egl, label= Emilian, Bulåggna ; lat, Bononia) is the capital and largest city of the Emilia-Romagna region in Northern Italy. It is the seventh most populous city in Italy with about 400,000 inhabitants and 150 different nationalities. Its metropolitan area is home to more than 1,000,000 people. It is known as the Fat City for its rich cuisine, and the Red City for its Spanish-style red tiled rooftops and, more recently, its leftist politics. It is also called the Learned City because it is home to the oldest university in the world. Originally Etruscan, the city has been an important urban center for centuries, first under the Etruscans (who called it ''Felsina''), then under the Celts as ''Bona'', later under the Romans (''Bonōnia''), then again in the Middle Ages, as a free municipality and later ''signoria'', when it was among the largest European cities by population. Famous for its towers, churches and lengthy porticoes, Bologna has a well-preserved ...
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Genre Painting
Genre painting (or petit genre), a form of genre art, depicts aspects of everyday life by portraying ordinary people engaged in common activities. One common definition of a genre scene is that it shows figures to whom no identity can be attached either individually or collectively, thus distinguishing it from history paintings (also called ''grand genre'') and portraits. A work would often be considered as a genre work even if it could be shown that the artist had used a known person—a member of his family, say—as a model. In this case it would depend on whether the work was likely to have been intended by the artist to be perceived as a portrait—sometimes a subjective question. The depictions can be realistic, imagined, or romanticized by the artist. Because of their familiar and frequently sentimental subject matter, genre paintings have often proven popular with the bourgeoisie, or middle class. Genre subjects appear in many traditions of art. Painted decorations in anc ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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1592 Deaths
Year 159 (CLIX) was a common year starting on Sunday (link will display the full calendar) of the Julian calendar. At the time in Roman territories, it was known as the Year of the Consulship of Quintillus and Priscus (or, less frequently, year 912 ''Ab urbe condita''). The denomination 159 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place India * In India, the reign of Shivashri Satakarni, as King Satavahana of Andhra, begins. Births * December 30 – Lady Bian, wife of Cao Cao (d. 230) * Annia Aurelia Fadilla, daughter of Marcus Aurelius * Gordian I, Roman emperor (d. 238) * Lu Zhi, Chinese general (d. 192) Deaths * Liang Ji, Chinese general and regent A regent (from Latin : ruling, governing) is a person appointed to govern a state '' pro tempore'' (Latin: 'for the time being') because the monarch is a minor, absent, incapacitated or u ...
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1529 Births
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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Tiburzio Passarotti
Tiburzio Passarotti or Passerotti (1553, Bologna - 22 November 1612, Bologna) was an Italian painter; primarily of religious subjects. Biography He was the eldest son of the painter, Bartolomeo Passarotti. At the age of eighteen, he joined the "Compagnia dei pittori" and, with the help of his father, participated in creating the altarpiece at the Basilica of San Giacomo Maggiore. At that time he was already moving away from a naturalistic style into mannerism. Shortly after, he left home to marry Taddea Gaggi, with whom he had two children, Gasparo and Arcangelo, who also became painters In 1580, he moved to Venice. There, in 1587, he was commissioned to paint a large canvas depicting the election of Lorenzo Giustiniani as the first Patriarch; now preserved at the Doge's Palace. He also engaged in other decorative work there, to repair damage that had been caused by two major fires in the 1570s. He also painted a "Last Supper", which is now at the Musei Civici di Padova, and ...
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Francesco Brizzi
Francesco Brizio (1574–1623) was an Italian painter and engraver of the Bolognese School, active in the early- Baroque. It appears Cesare Malvasia confused him with ''il Nosadella'' or Giovanni Francesco Bezzi, who lived and was active only in the 16th century. Brizio was born in Bologna. He was initially a pupil of Bartolommeo Passarotti, but then became a pupil under Agostino and Ludovico Carracci. He helped paint, along with Lucio Massari and Leonello Spada, stories of Torquato Tasso's epic in the loggias of the Palazzo Bentivoglio. He also frescoed a ceiling for the signori Conti Boschetti in Modena and in the Oratorio della SS Trinità in Pieve di Cento. In Bologna, he painted a ''Coronation of the Madonna del Borgo'' for the church of San Petronio. He also frescoed in the cloister of San Michele in Bosco. His son Filippo became a pupil of Guido Reni. Another pupil was Domenico Ambrogi. In engraving he was instructed by Agostino Carracci, and he is said to have fo ...
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Lucio Massari
Lucio Massari (22 January 1569 – 3 November 1633) was an Italian painter of the School of Bologna. He can be described as painting during both Mannerist and early-Baroque periods. Life and work He was born in Bologna, where he initially apprenticed with an unknown painter by the name of Spinelli, then the Mannerist painter Bartolomeo Passarotti, but also worked with Bartolomeo Cesi. In 1592, he joined the Carracci studio or the ''Academy of the Incamminati'', and remained attached to Ludovico Carracci for many years. In 1604, he worked with Ludovico to fresco ''Stories of San Mauro, San Benedetto and others'' in the cloister of San Michele in Bosco. In 1607, he collaborated with Lionello Spada and Francesco Brizio in frescoes for the Palazzo Bonfioli, in Bologna. In 1610, he visited Rome, remaining under the patronage of Cardinal Facchinetti, and befriended Domenichino. In 1612, he completed the frescoes left unfinished by Bernardino Poccetti in a chapel of the Certosa di ...
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The Butcher's Shop
''Butcher's Shop'' is the title of two paintings by the Italian Baroque painter Annibale Carracci, both dating from the early 1580s. They are now in the collections of Christ Church Picture Gallery, Oxford, and the Kimbell Art Museum in Fort Worth, Texas. The paintings are connected to the contemporary '' Beaneater'' ( Galleria Colonna), as they are very early examples of Italian genre painting. The large size of the Christ Church painting is exceptional for such a subject at this date, and it has been suggested they were commissioned by a butcher's guild, or for use as a sign. Carracci was influenced in his depiction of everyday life subjects by Vincenzo Campi and Bartolomeo Passarotti, whom the ''Butcher's Shop'' was originally attributed to. Carracci's ability to adapt his style is demonstrated, making it "lower" when concerning "lower", quasi-satirical subjects like the ''Mangiafagioli'' and the ''Butcher's Shop'', while in his more academic works (such as the roughly ...
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The Beaneater
The ''Bean eater'' (Italian: ''Mangiafagioli'') is a painting by the Italian Baroque painter Annibale Carracci. Dating from 1580–1590 (probably 1583–1584), it is housed in the gallery of Palazzo Colonna of Rome. The painting is connected to the contemporary '' Butcher's Shop'' (now at Oxford), for it shares the same popular style. Painted in Bologna, it is a broadly and realistically painted still life, which owes much to Flanders and Holland. Carracci was also influenced in the depiction of everyday life subjects by Vincenzo Campi and Bartolomeo Passarotti Bartolomeo Passarotti or Passerotti (1529–1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. His family name is also spelled Passerotti or Passarotto. Life and work From approximately 1550 to 1555, h .... Manifest is Carracci's capability to adapt his style, making it "lower" when concerning "lower" subjects like the ''Mangiafagioli'', while in his more academic works (su ...
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Agostino Carracci
Agostino Carracci (or Caracci) (16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. This teaching academy promoted the Carracci emphasized drawing from life. It promoted progressive tendencies in art and was a reaction to the Mannerist distortion of anatomy and space.Agostino Carracci
at Getty
The academy helped propel painters of the School of Bologna to prominence.


Life

Agostino Carracci was born in