Bardi Altarpiece (Parmigianino)
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Bardi Altarpiece (Parmigianino)
The ''Bardi Altarpiece'' ( it, Pala di Bardi), is an Italian Mannerist painting by the Italian painter Parmigianino, dating from c. 1521 and housed in the church of Santa Maria at Bardi, Emilia-Romagna, Italy. History In 1521 Parma was invaded by the imperial-papal troops under Prospero Colonna, in the course of the Italian Wars. The young Parmigianino, then seventeen, was sent by his family to Viadana to his cousin's house. According to Italian late Renaissance art biographer Giorgio Vasari,Giorgio Vasari, ''Lives of the Most Excellent Painters, Sculptors, and Architects'' there Parmigianino painted two tempera panels: ''St. Francis Receiving the Stigmata'' (lost) and the ''Marriage of St. Catherine'', which was placed in the church of San Pietro. The latter was stolen in 1629, during the War of Mantuan Succession, and brought to Parma. Later, in unknown circumstances, it was transferred to the current location in Bardi, a town near Parma: here, in 1860, members of the Academy ...
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Parmigianino
Girolamo Francesco Maria Mazzola (11 January 150324 August 1540), also known as Francesco Mazzola or, more commonly, as Parmigianino (, , ; "the little one from Parma"), was an Italian Mannerist painter and printmaker active in Florence, Rome, Bologna, and his native city of Parma. His work is characterized by a "refined sensuality" and often elongation of forms and includes ''Vision of Saint Jerome'' (1527) and the iconic if somewhat anomalous ''Madonna with the Long Neck'' (1534), and he remains the best known artist of the first generation whose whole careers fall into the Mannerist period. His prodigious and individual talent has always been recognised, but his career was disrupted by war, especially the Sack of Rome in 1527, three years after he moved there, and then ended by his death at only 37. He produced outstanding drawings, and was one of the first Italian painters to experiment with printmaking himself. While his portable works have always been keenly collected and ...
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War Of Mantuan Succession
The War of the Mantuan Succession (1628–1631) was a related conflict of the Thirty Years' War, caused by the death in December 1627 of Vincenzo II, last male heir in the direct line of the House of Gonzaga and ruler of the duchies of Mantua and Montferrat. These territories were key to control of the Spanish Road, an overland route that allowed Habsburg Spain to move recruits and supplies from Italy to their army in Flanders. The result was a proxy war between France, who supported the French-born Duke of Nevers, and Spain, who backed his distant cousin the Duke of Guastalla. Fighting centred on the fortress of Casale Monferrato, which the Spanish besieged twice, from March 1628 to April 1629, then September 1629 to October 1630. French intervention on behalf of Nevers in April 1629 led Emperor Ferdinand II to support Spain by transferring Imperial troops from Northern Germany, who captured Mantua in July 1630. However, French reinforcements enabled Nevers to retain Cas ...
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Paintings In Emilia-Romagna
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings Depicting John The Baptist
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ...
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Paintings Of The Mystical Marriage Of Saint Catherine
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, sy ...
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1521 Paintings
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Paintings Of The Madonna And Child By Parmigianino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Holy Conversation
In art, a (; plural: ''sacre conversazioni''), meaning holy (or sacred) conversation, is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of saints in a relatively informal grouping, as opposed to the more rigid and hierarchical compositions of earlier periods. Donor portraits may also be included, generally kneeling, often their patron saint is presenting them to the Virgin, and angels are frequently in attendance. The term is often used as a title for paintings to avoid listing all the individual figures, although the trend in museums and academic art history is now to give the full list. The name, which only appears as a title retrospectively in the 18th century, has been explained with reference to "their rapt stillness of mood, in which the Saints, scarcely looking at one another, seem to communicate at a spiritual rather than a material level". At least that is the case in ...
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Mystical Marriage Of Saint Catherine
The mystical marriage of Saint Catherine (or "Mystic") covers two different subjects in Christian art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical marriage wedding ceremony with Christ, in the presence of the Virgin Mary, consecrating themselves and their virginity to him. The ''Catholic Encyclopaedia'' notes that such a wedding ceremony "is but the accompaniment and symbol of a purely spiritual grace", and that "as a wife should share in the life of her husband, and as Christ suffered for the redemption of mankind, the mystical spouse enters into a more intimate participation in His sufferings." Catherine of Alexandria was martyred, while Catherine of Siena received the stigmata. Both subjects are frequent subjects in Christian art; the scene usually includes one of the Saint Catherines and either the infant Jesus held by his mother or an adult Jesus. Very rarely both sain ...
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Giorgio Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ...
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Bardi, Emilia-Romagna
Bardi ( egl, Bàrdi) is a ''comune'' (municipality) in the Province of Parma in the Italian region Emilia-Romagna, located about west of Bologna and about southwest of Parma, in the upper Ceno valley at the confluence of the rivers Ceno and Noveglia. It is dominated by the imposing built over a spur of red jasper. Bardi borders the following municipalities: Bedonia, Bore, Borgo Val di Taro, Compiano, Farini, Ferriere, Morfasso, Valmozzola, Varsi. History According to a legend, the town's name derives from "Bardus", or "Barrio", the last elephant of Hannibal's army, who supposedly died here during the march to Rome. Historically, the name stems from the Lombard nobility who established themselves in Bardi around 600 AD. In 1000 the bishop of Piacenza took up residence here. In 1257 the Landi of Piacenza acquired it, remaining lord of Bardi for the following four centuries. In 1269 the castle was stormed by an army led by Alberto Fontana, and the commune of Piacenza h ...
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Viadana, Lombardy
Viadana ( Casalasco-Viadanese: ) is a ''comune'' (municipality) in the Province of Mantua in the Italian region Lombardy, located about southeast of Milan and about southwest of Mantua. Viadana borders the following municipalities: Boretto, Borgo Virgilio, Brescello, Casalmaggiore, Commessaggio, Dosolo, Gazzuolo, Marcaria, Mezzani, Motteggiana, Pomponesco, Sabbioneta, Suzzara. It is the hometown of Rugby Viadana. Twin towns * Cutro, Italy * Kleszczów, Poland, since 2006 * Alba Iulia Alba Iulia (; german: Karlsburg or ''Carlsburg'', formerly ''Weißenburg''; hu, Gyulafehérvár; la, Apulum) is a city that serves as the seat of Alba County in the west-central part of Romania. Located on the Mureș River in the historical ..., Romania, since 2006 References External links Official website Cities and towns in Lombardy {{Mantua-geo-stub ...
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