Ballets By Toshiro Mayuzumi
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Ballets By Toshiro Mayuzumi
Toshiro Mayuzumi (黛 敏郎 ''Mayuzumi Toshirō'' ; 20 February 1929 – 10 April 1997) was a Japanese composer known for his implementation of avant-garde instrumentation alongside traditional Japanese musical techniques. His works drew inspiration from a variety of sources ranging from jazz to Balinese music, and he was considered a pioneer in the realm of musique concrète and electronic music, being the first artist in his country to explore these techniques. In the span of his career, his works included symphonies, ballets, operas, and film scores, and was the recipient of an Otaka prize by the NHK Symphony Orchestra and the Purple Medal of Merit. Biography Born in Yokohama, Mayuzumi was a student of Tomojirō Ikenouchi and Akira Ifukube at the Tokyo National University of Fine Arts and Music immediately following the Second World War, graduating in 1951. He then went to Europe where he attended the Paris Conservatoire national supérieur de musique, studying with Au ...
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Yokohama
is the second-largest city in Japan by population and the most populous municipality of Japan. It is the capital city and the most populous city in Kanagawa Prefecture, with a 2020 population of 3.8 million. It lies on Tokyo Bay, south of Tokyo, in the Kantō region of the main island of Honshu. Yokohama is also the major economic, cultural, and commercial hub of the Greater Tokyo Area along the Keihin region, Keihin Industrial Zone. Yokohama was one of the cities to open for trade with the Western world, West following the 1859 end of the Sakoku, policy of seclusion and has since been known as a cosmopolitan port city, after Kobe opened in 1853. Yokohama is the home of many Japan's firsts in the Meiji (era), Meiji period, including the first foreign trading port and Chinatown (1859), European-style sport venues (1860s), English-language newspaper (1861), confectionery and beer manufacturing (1865), daily newspaper (1870), gas-powered street lamps (1870s), railway station (1 ...
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Akira Ifukube
was a Japanese classical and film music composer, best known for his works on the ''Godzilla'' franchise. Biography Early years in Hokkaido Akira Ifukube was born on 31 May 1914 in Kushiro, Japan as the third son of a police officer Toshimitsu Ifukube. The origins of this family can be traced back to at least the 7th century with the birth of Ifukibe-no-Tokotarihime. He was strongly influenced by the Ainu music as he spent his childhood (from age of 9 to 12) in Otofuke near Obihiro, where was with a mixed population of Ainu and Japanese. His first encounter with classical music occurred when attending secondary school in Sapporo city. Ifukube decided to become a composer at the age of 14 after hearing a radio performance of Igor Stravinsky's ''The Rite of Spring'', and also cited the music of Manuel de Falla as a major influence. Ifukube studied forestry at Hokkaido Imperial University in Sapporo and composed in his spare time, which prefigured a line of self-taught Jap ...
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Makoto Moroi
(17 December 1930 – 2 September 2013) was a Japanese composer. Biography Makoto Moroi was born in Tokyō, and is the son of Saburō Moroi. He studied composition with Tomojirō Ikenouchi at the Tokyo National University of Fine Arts and Music, graduating in 1952. He also studied Gregorian chant privately with Paul Anouilh, and Renaissance and Baroque music with Eta Harich-Schneider. He was one of the leading composers who introduced Japanese audiences to new musical styles and devices, including twelve-tone technique, serialism, and aleatory music. He was one of the first Japanese composers to embrace electronic music, and also introduced traditional Japanese instruments like the shakuhachi into his compositions. He died, aged 82, on 2 September 2013. List of works Opera * 1959 – The Stars of Pythagoras * 1960 – Red Cocoon * 1961 – Die lange, lange Strasse lange * 1962 – Yamauba * 1965 – Phaeton the charioteer Choral * 1959 – Chamber Cantata No. 1 * 1959 – ...
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Bugaku (ballet)
''Bugaku'' is a ballet made by New York City Ballet co-founder and ballet master George Balanchine to eponymous music by Toshiro Mayuzumi, commissioned by City Ballet in 1962. The premiere took place on 30 March 1963 at City Center of Music and Drama, New York, with scenery by David Hays, costumes by Karinska, and lighting by Ronald Bates. NYCB had toured Japan in 1958 and the Gagaku Company of the Imperial Household toured the US the following year. Bugaku is the dance component of gagaku. Original cast *Allegra Kent *Edward Villella References *''Playbill'', New York City Ballet, Saturday, May 10, 2008 *''Repertory Week'', New York City Ballet, Spring Season, 2008 repertory, week 2 Reviews NY Times reviewby Allen Hughes, August 30, 1963NY Times reviewby Clive Barnes, November 20, 1976NY Times review by Anna Kisselgoff, April 29, 1984< ...
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Suntory Music Award
The , previously known as the , designed to promote Western music in Japan, has been given by the Suntory Music Foundation since their establishment in 1969. The award is presented annually to individuals or groups for the greatest achievement in the development of Western or contemporary music in Japan during the previous year. The current prize is 7,000,000 yen (approximately US $70,000). A Suntory Music Award Commemorative Concert is held annually in Suntory Hall The is a concert venue in the central Akasaka district of Tokyo, Japan. Part of the Ark Hills complex, it consists of a main concert hall, widely considered one of the finest in the world for its acoustics — indeed Herbert von Karajan called i ... to introduce and popularize the work of the recipient. Recipients External links Suntory Music Foundation – Suntory Music Award {{Classical music awards Japanese music awards Classical music in Japan Awards established in 1969 Suntory ...
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Tokyo Kosei Wind Orchestra
The is a professional concert band based in Tokyo, Japan. TKWO has been called Japan's premiere wind ensemble'''', one of the most influential Japanese wind bands,'''' and one of the world's leading professional civilian wind bands.'''' History TKWO was established by Kohno Kozo'''' in 1960 in association with the lay-Buddhist organization Rissho Kosei Kai''''. Kohno, who was previously enrolled in the Toyama Academy Military Band of the Japanese Army, proposed the idea to the group's founder, Niwano Nikkyo, as a worship group. Originally known as the Tokyo Kosei Symphonic Band, it served as a ceremonial consort, with every member participating in Rissho Kosei-kai. Kiboni Moete served as the band's conductor, while Kohno joined as an administrator. The band was renamed in 1973 as its membership and profile grew.'''' Kohno would retire from TKWO in 1979 but continued to work in educational programs for children through music in Rissho Kosei-kai until his death on August 22, 1996 ...
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Golden Globe Award For Best Original Score
The Golden Globe Award for Best Original Score is a Golden Globe Award presented by the Hollywood Foreign Press Association (HFPA), an organization of journalists who cover the United States film industry, but are affiliated with publications outside North America, since its institution in 1947. History Since the 5th Golden Globe Awards (1947), the award is presented annually, except from 1953 to 1958. The nominations from 1947 and 1948 are not available. Nominations for 1947 are not available. Nominations for 1948 are not available. The first Best Original Score award went to Max Steiner for his compositional work on ''Life with Father''. John Williams is the artist with the most nominations (24); those resulted in 4 wins. Dimitri Tiomkin had the same number of wins, but out of only 5 nominations. Other notable achievers include Maurice Jarre (10 nominations, 4 wins), Alan Menken (5 nominations, 3 wins), Hans Zimmer (15 nominations, 3 wins), and Alexandre Desplat (11 nominat ...
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Academy Award For Best Original Score
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. Some pre-existing music is allowed, though, but a contending film must include a minimum of original music. This minimum since 2021 is established in 35% of the music, which is raised to 80% for sequels and franchise films. Fifteen scores are shortlisted before nominations are announced. History The Academy began awarding movies for their scores in 1935. The category was originally called Best Scoring. At the time, winners and nominees were a mix of original scores and adaptations of pre-existing material. Following the controversial win of Charles Previn for ''One Hundred Men and a Girl'' in 1938, a film without a credited composer that featured pre-existing classical music, the Academy added a Best Original Sc ...
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In The Beginning
In the Beginning may refer to: Biblical phrase * "In the beginning" (phrase), a phrase in the Bible verses of Genesis 1:1 and John 1:1 Books * ''In the Beginning'' (novel), a novel by Chaim Potok * ''In the Beginning'', a 2004 story arc and collected edition in '' The Punisher'' comics * '' In the Beginning... Was the Command Line'', a 1999 long essay by Neal Stephenson * ''In the Beginning: B.C. 4004'' (In the Garden of Eden), the first play in George Bernard Shaw's ''Back to Methuselah'' series Film, radio and television * '' In the Beginning: The Bible Stories'', a 1997 anime series created by Osamu Tezuka * '' Babylon 5: In the Beginning'', a 1998 ''Babylon 5'' TV movie * '' The Bible: In the Beginning...'', a 1966 epic film recounting the first 22 chapters of the Book of Genesis * ''In the Beginning'' (miniseries), a 2000 TV film starring Martin Landau * ''In the Beginning'' (2009 film), a French drama * ''In the Beginning'' (TV series), a 1978 American sitcom starring ...
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Edgard Varèse
Edgard Victor Achille Charles Varèse (; also spelled Edgar; December 22, 1883 – November 6, 1965) was a French-born composer who spent the greater part of his career in the United States. Varèse's music emphasizes timbre and rhythm; he coined the term " organized sound" in reference to his own musical aesthetic. Varèse's conception of music reflected his vision of "sound as living matter" and of "musical space as open rather than bounded". He conceived the elements of his music in terms of " sound-masses", likening their organization to the natural phenomenon of crystallization. Varèse thought that "to stubbornly conditioned ears, anything new in music has always been called noise", and he posed the question, "what is music but organized noises?" Although his complete surviving works only last about three hours, he has been recognised as an influence by several major composers of the late 20th century. Varèse saw potential in using electronic media for sound production, and ...
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Pierre Boulez
Pierre Louis Joseph Boulez (; 26 March 1925 – 5 January 2016) was a French composer, conductor and writer, and the founder of several musical institutions. He was one of the dominant figures of post-war Western classical music. Born in Montbrison, Loire, Montbrison in the Loire department of France, the son of an engineer, Boulez studied at the Conservatoire de Paris with Olivier Messiaen, and privately with Andrée Vaurabourg and René Leibowitz. He began his professional career in the late 1940s as music director of the Renaud-Barrault theatre company in Paris. He was a leading figure in avant-garde music, playing an important role in the development of integral serialism (in the 1950s), Aleatoric music, controlled chance music (in the 1960s) and the electronic transformation of instrumental music in real time (from the 1970s onwards). His tendency to revise earlier compositions meant that his body of work was relatively small, but it included pieces regarded by many as lan ...
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Olivier Messiaen
Olivier Eugène Prosper Charles Messiaen (, ; ; 10 December 1908 – 27 April 1992) was a French composer, organist, and ornithologist who was one of the major composers of the 20th century. His music is rhythmically complex; harmonically and melodically he employs a system he called ''modes of limited transposition'', which he abstracted from the systems of material generated by his early compositions and improvisations. He wrote music for chamber ensembles and orchestra, vocal music, as well as for solo organ and piano, and also experimented with the use of novel electronic instruments developed in Europe during his lifetime. Messiaen entered the Paris Conservatoire at the age of 11 and studied with Paul Dukas, Maurice Emmanuel, Charles-Marie Widor and Marcel Dupré, among others. He was appointed organist at the Église de la Sainte-Trinité, Paris, in 1931, a post held for 61 years until his death. He taught at the Schola Cantorum de Paris during the 1930s. After the ...
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