Bahauddin Dagar
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Bahauddin Dagar
Baha'ud'din Mohiuddin Dagar (born 1970) is the rudra veena player and son of famous north Indian musician Zia Mohiuddin Dagar. He plays rudra veena with the ''dagarbani'' style. He represents the 20th generation of Dagar lineage, referring to Nayak Haridas Dagar of the 16th century. However, he traces his ancestry to Baba Gopal Das, who converted to Islam, and became Baba Imam Baksh in the 18th century, making him the representative of the 8th generation. Awards and recognition In 2012, he was awarded the Sangeet Natak Akademi Award, the highest award for performing artists, conferred by the Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Early life and training Dagar started learning the Veena (instrument), veena from his father Zia Mohiuddin Dagar when he was 12 years old. After the death of his father in 1990, he continued his training under his uncle Zia Fariddudin Dagar. References

1970 births Dagarvani Hindustani instrumentalists Livi ...
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Rudra Veena
The ''Rudra veena'' ( sa, रुद्र वीणा) (also spelled ''Rudraveena'' or ''Rudra vina'')—also called ''Bīn'' in North India—is a large plucked string instrument used in Hindustani Music, especially dhrupad. It is one of the major types of ''veena'' played in Indian classical music, notable for its deep bass resonance. The rudra veena is mentioned in court records as early as the reign of Zain-ul Abidin (1418-1470), and attained particular importance among Mughal court musicians. Before Independence, rudra veena players, as dhrupad practitioners, were supported by the princely states; after Independence and the political integration of India, this traditional patronage system ended. With the end of this traditional support, dhrupad's popularity in India declined, as did the popularity of the rudra veena. However, in recent years, the rudra veena has seen a resurgence in popularity, driven at least partly by interest among non-Indian practitioners. Names a ...
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1970 Births
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Indian Male Classical Musicians
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Rudra Veena Players
Rudra (; sa, रुद्र) is a Rigvedic deity associated with Shiva, the wind or storms, Vayu, medicine, and the hunt. One translation of the name is 'the roarer'. In the Rigveda, Rudra is praised as the 'mightiest of the mighty'. Rudra means "who eradicates problems from their roots". Depending upon the periodic situation, Rudra can mean 'the most severe roarer/howler' (could be a hurricane or tempest) or 'the most frightening one'. This name appears in the Shiva Sahasranama, and R. K. Sharma notes that it is used as a name of Shiva often in later languages. The ''Shri Rudram'' hymn from the Yajurveda is dedicated to Rudra and is important in the Shaivism sect.For an overview of the Śatarudriya see: . In Prathama Anuvaka of Namakam (Taittiriya Samhita 4.5), Sri Rudram the 'mightiest of the mighty' Rudra, is revered as ''Sadasiva (meaning 'mighty Shiva')'' and Mahadeva. Sadashiva is the Supreme Being, Lord Paramashiva in the Mantra marga Siddhanta sect of Shaivism. ...
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Living People
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Hindustani Instrumentalists
Hindustani may refer to: * something of, from, or related to Hindustan (another name of India) * Hindustani language, an Indo-Aryan language, whose two official norms are Hindi and Urdu * Fiji Hindi, a variety of Eastern Hindi spoken in Fiji, and is known locally as Hindustani * Caribbean Hindustani, a variety of Eastern Hindi spoken in the Caribbean * Hindustani classical music, a major style of Indian classical music * ''Hindustani'' (film) or ''Indian'', a 1996 film starring Kamal Haasan and Manisha Koirala * Muhammadjan Hindustani, Islamist teacher of Uzbekistan See also * South Asian ethnic groups * Hindustani Lal Sena or Indian Red Army, formed 1939 * Communist Ghadar Party of India, a political group founded in 1970 * ''Raja Hindustani ''Raja Hindustani/Prema Bandham''(/ప్రేమ బంధం) is a 1996 Indian Hindi-language romantic drama film directed by Dharmesh Darshan. It tells the story of a cab driver from a small town who falls in love with a rich young ...
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Dagarvani
The Dagar gharana (or Dagar vani) is a tradition of the classical dhrupad genre of Hindustani classical music spanning 20 generations, tracing back to Swami Haridas (15th century), and including Behram Khan of Jaipur (1753-1878). For some generations its members were associated with the courts of Jaipur, Udaipur, and Mewar. The main feature of the Dagar gharana is sophisticated, subtle, serene and rigorous exposition of alap-jor-jhala, including great attention to microtonal inflection delineating the subtleties of raga often otherwise overlooked or lost. Until the 20th century, it was exclusively a vocal genre (at least in performance), but since the innovations of Zia Mohiuddin Dagar to the rudra vina, that instrument has found a place in performance, following closely the inflections and style of the vocal technique. The genre was carried into the 20th century by seven Dagar brothers and cousins: Aminuddin Dagar and Nasir Moinuddin (Senior Dagar Brothers), Rahim Fahimuddin Daga ...
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Veena (instrument)
The ''veena'', also spelled ''vina'' ( sa, वीणा IAST: vīṇā), comprises various chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument
Encyclopædia Britannica (2010)
The many regional designs have different names such as the '''', the '''', the '''' and others. The ...
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Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ...
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Sangeet Natak Akademi
Sangeet Natak Akademi (The National Academy of Music, Dance and Drama in English) is the national level academy for performing arts set up by the Government of India. History It was set up by the Indian education ministry on 31 May 1952 and became functional the following year, with the appointment of its first chairman, Dr. P. V. Rajamannar. Dr Rajendra Prasad, the first President of India, inaugurated it on 28 January 1953 in a special function held in the Parliament House. The academy's Fellowship and Award are considered very prestigious. Functions The academy functions as the apex body of the performing arts in the country to preserve and promote the vast cultural heritage of India expressed in music, dance and drama. It also works with governments and art academies in states and territories of the country. SNA established several institutions over the years: * Manipur Dance Academy, Imphal * Sattriya Centre * Kathak Kendra (National Institute of Kathak Dance), New ...
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